Rolex 36.00 mm Swiss Replica, Imitation Rolex 36.00 mm Watches

Rolex GMT-Master II BLRO (116719blro-0001)

so nice watch

---- [Rating: 5 / 5 stars]

Review by Lorraine K, From Jordan Irbid

Rolex Datejust Champagne Dial Automatic Pink Gold and Stainless Steel Men's Watch 116201CDO

Wish I could give it 5*'s because it is spectacular, but strap is too short. I wear a 7-7 3/4 watch bracelet, and this is just too tight. I don't really want to change the strap because, it, too is gorgeous. In order to wear it though, I'll have to.

---- [Rating: 5 / 5 stars]

Review by Tammy Blades, From California Mountain View,

Rolex Datejust Black Dial Automatic Stainless Steel and 18kt Yellow Gold Ladies Watch 116243BKSJ

Please bring back previous versions of this watch & keep bringing newer versions as well, I'll buy them alll! Thanks for bringing such unique & unusual pieces, you rock!

---- [Rating: 5 / 5 stars]

Review by DIEGO DE ANTONIO MARTINEZ, From Uae Alain

Our Venezuelan contributor Rafael Fernandez was astonished at the efficiency of the Swiss customs when he arrived at Zurich airport to cover Baselworld. He and his wife were politely screened at the airport and asked whether they were carrying any watches. Like any self-respecting watch journalist, Rafael had brought with him a small collection to last him through the show, which he offered for inspection. He was impressed when the customs official could instantly tell from the serial number of his Rolex that it had indeed been shipped originally to his home country of Venezuela.

Last week I discovered that this highly knowledgeable "customs inspector" was in fact one of the Swiss Watchmaking Industry Federation's team of roving experts, who were stationed at the cargo and passenger terminals at Basel and Zurich airports and prowling the halls of Baselworld during the show, looking for violations of the Swiss Made label, misleading customs declarations and breaches of trademark law. With the kind permission of the Federation Horlogere we have just reproduced the detailed report on this highly coordinated surveillance operation.

We also delve behind the scenes of another story this week, as Olivier Muller reveals the secret history of Carl F. Bucherer's Patravi TravelTec model, which ultimately led to the brand becoming a genuine manufacture. The leading figures of the industry continue to share their thoughts with WorldTempus. After today's profile of Longines CEO Walter von Känel, Bulgari's Guido Terreni and Romain Gauthier take the floor later on this week.

On 11 May 2013, Sotheby's Geneva first Saturday auction of Important Watches will present worldwide collectors with a rich selection of over 400 horological creations. Covering two centuries of watch history, the sale has been curated to include some of the finest timepieces from the 19th century through the present day. The impressive group of vintage and modern wristwatches is led by renowned manufacturers, such as Rolex and Patek Philippe, as well as timeless legendary models, such as the IWC Ingenieur and Audemars Piguet's Royal Oak, which have been constantly reinvented over the past several decades.
 

Highlights of the sale include a very fine example of the reference 5029 by Patek Philippe from 1997 (est. CHF 350,000-450,000/ $371,000-477,000), the No.10 Royal Oak Chronograph Leo Messi sold to benefit the Leo Messi Foundation, as well as an entire section dedicated to rare vintage examples and limited editions of the Ingenieur watch, tracing almost 50 years of its history. The group of vintage wristwatches is also highlighted by illustrious provenance, with two Patek Philippe timepieces that belonged to Georges Simenon (1903-1989) - the masterly Belgian novelist whose Inspector Maigret Mysteries made him one of the most widely published authors of the 20th century. The total sale is expected to achieve in excess of CHF 6.5 million. 

WORLDTEMPUS - 6 march 2013

Patrick Heiniger marked the history of the company throughout the 16 years he presided over its destiny, from 1992 to 2008.
M.Heiniger was appointed Managing Director of Rolex in 1992, six years after he joined as Commercial Director. He was also named Chief Executive Officer in 1997. As the company's third Managing Director since it was founded, he followed his father, Andre J. Heiniger, who in 1963 had succeeded Hans Wilsdorf, the founder of Rolex.

Born in Argentina in 1950, Patrick Heiniger was a lawyer by training, specializing in international and intellectual property law. He made it his mission to reinforce the protection of the brand throughout the world.
Under his impetus, in the mid-1990s Rolex made a fundamental strategic choice and opted for the vertical integration of its means of production. This strategy was intended to guarantee control over manufacturing of the essential components of the brand's watches and thus to ensure its autonomy.
As a true independent watchmaker of the 21st century, enjoying unprecedented freedom in the design and manufacture of its watches, Rolex could take its ambition for excellence and innovation to new heights.
In 2002, Patrick Heiniger created the Rolex Mentor and Protege Arts Initiative, dedicated to helping promising young artists realize their full potential under the watchful eye of a renowned mentor in their discipline.
That same year, he was awarded the insignia of Chevalier of the National Order of the Legion of Honour and, in 2005, he was appointed Commander of the Order of Arts and Letters.
Patrick Heiniger retired from the helm of Rolex in December 2008.
Worldtempus would like to express its deepest sympathy to Patrick Heiniger's family and Rolex teams.

Antiquorum, The World's Premier Auctioneers of Modern and Vintage Timepieces, is pleased to present its fall auction of "Important Modern & Vintage Timepieces" to be held on Sunday, November 11th at The Mandarin Oriental Geneva. Collectors can look forward to bidding on 613 outstanding modern and vintage timepieces.

Amongst the unique and collectible highlights is an extremely rare Rolex Single Red Prototype, Ref. 1665 Sea-Dweller Submariner and a series of Patek Philippe timepieces, including a Patek Philippe Ref. 1518 Perpetual Calendar Chronograph and a Patek Philippe Ref. 2499 Perpetual Calendar Chronograph. Previews will be held in Hong Kong, Shanghai, Beijing as well as Geneva.

The highlight of the sale is a Magnificent Royal Presentation Musical Fan with Concealed Watch, A gift from Prince Ferdinand of Saxe-Coburg and Gotha to Vicomte de Morais, attributed to Piguet & Capt, Geneva, made circa 1810.

 
It is an extremely rare and magnificent, musical, gold, painted on enamel and pearl-set fan with concealed watch and visible rose-diamond-set balance, the fan painted in watercolour and gold. This important gold and enamel musical fan is one of only three known to exist with a watch and music. A magnificent object de luxe, like the other fabulous and exotic precious objects made in Geneva at the beginning of the 19th century, this fan would have been the exclusive preserve of Royalty and the very upper echelons of polite society.

Lot 189
Estimate: CHF 300,000 - 500,000
 
"It's exciting to come across rare and special lots such as the Prototype Rolex Ref. 1665 Sea-Dweller Submariner and the Royal Presentation Fan, and we are proud to present them at Antiquorum's auction," said Evan Zimmermann, President and CEO of Antiquorum. "Items of such horological and historical importance along with a series of Patek Philippe and other very fine timepieces are sure to make this an outstanding event."
 
Antiquorum is also proud to present the Single Red Patent Pending Rolex Ref.1665 500m/1650ft - one of only six known. Produced in 1967 and never before seen at auction, there are six known examples of the "Single Red," including this particular example. According to research, this may be one of the only two known examples with escape valve. These watches were the prototypes for subsequent production models of the Sea-Dweller. Their history, intertwined with the lives and contributions of important divers of the 1960's make them one of the most historically significant watches that Rolex ever made, and thus one of the most important dive Rolexes to have ever come up for auction. Bought by the current consignor in the late 1980's, the watch has remained unworn in the safe since its purchase and has remained in excellent original condition.
Lot 126
Estimate: CHF 80,000 - 120,000
 
Patek Philippe collectors will want to bid on the Patek Philippe Ref.1518, First Series. Made in 1951, it is a rare 18K yellow gold perpetual calendar chronograph wristwatch with moon phases accompanied by the Extract from the Archives.

Lot 612
Estimate: 200,000 - 300,000 CHF
 
Another highlight of the sale is a Patek Philippe Yellow Gold Ref. 2499/100, one of the last examples to be produced. It is a very fine 18K yellow gold perpetual calendar chronograph wristwatch with phases of the moon accompanied by the Extract from the Archives. Made in 1984, it would appear that the present watch has never been offered at auction before.

WORLDTEMPUS - 20 August 2012
When I am evaluating the condition of a watch, I always examine the case's lugs for thickness and uniformity. With experience after studying lots of watches, you will learn what a case looks like before it is refinished. For example: on complicated Patek Philippe models, especially perpetual calendar chronographs starting with the second-series 2499 models, the lugs have steps. Study these watches closely to learn what the steps look like when they are new. Stay away from cases with soft lugs or request a deep discount for a soft case. The metal can never again be made whole once it is polished away.
In the previous three parts of this series, we have learned that the dial is the most important and valuable part of a vintage watch. Accordingly, the condition of the dial is paramount. Ideally, there will be no imperfections like flaking paint, no rust, or missing applied pieces. Many vintage watch dials have lacquer on them; after many years lacquer can craze or crack. This is actually a desirable effect on some watches like the glossy dial of the Rolex 5513 Submariner. Spotting on a dial that is a few decades or more in age is normal, and as long as it doesn't detract from your enjoyment of the watch, it is normally acceptable. The hands, usually included with the dial in grading condition, are frequently in different condition than the dial. Oxidation or pitting can often be found on hands. If there is luminous substance on the hands, it can be cracked or have completely fallen out. In this regard, original hands, regardless of their condition, are more valuable than replacement hands, even if the latter are like new.

In terms of dial condition, there are some specific discolorations that enhance the value of the watch. Most common is patina, which is the word used for something whose color changes over time. The luminous hour markers on Rolex dials are the most useful example. Study the dials of, say, Reference 5513 Submariners. You will find hour markers from snow white (no patina) to deep butterscotch color. The important thing, in terms of value, is that the patina is uniform across all luminous elements. Another permutation in hue is the so called Color Change (or "Patrizzi") dials on the Rolex 16520 Daytona models. This only occurs on the black dials and, specifically, on the chapter rings around the subdials. Originally, the chapter rings were white or pale silver. Some, over time, develop a brown coloration. For many collectors, this is a pleasing effect and makes the watch more valuable. Incidentally, dials with a propensity for having chapter rings turn brown usually also have an inverted 6 on the chronograph hour totalizer subdial. One last example of a desirable color change is the Rolex Explorer II reference number 16550, whose white dials have turned to a deep cream color.

Bracelets hopefully stand the test of time without stretching or losing links, however this is not as important as replacement bracelets are usually fairly easy to find, though likely expensive. Nothing is more personally disgusting than a used strap, much less a really old used strap. A new strap is preferred, as no one likes to wear a strap that someone else has sweated on. An exception to this is certain vintage pilot's watches with special straps or even ankle straps, which are basically almost as historic as the watch itself.
The last variable in determining the value of a vintage watch is provenance: the old "box and papers" thing. Without exception or qualification, it is always better to get as many of the elements that were originally delivered with the watch as possible. For many high-end vintage watches, the presence of the original box, documents and other paraphernalia can enhance the value of the watch by as much as 25 to 35 percent.
Interestingly, what was given out with the watch was often different depending on where in the world the watch was purchased. Let's face it, we all like to get as much as possible for our money, and the goodies and extras are important and quite valuable. The original guarantee or chronometer certificate for a watch also proves authenticity. There is an active market for vintage watch boxes, product booklets, hang tags and the like. Buyer beware, however: these items can also be faked. You can never be too careful in learning about the paraphernalia, what to look for to know if you are looking at genuine artifacts or fakes.
A final thought when it comes to finding a watch with its original elements: the original owner and perhaps subsequent owners who cared enough to keep the watch and its things together was probably an owner who took good care of the watch itself. Easily 90 percent of vintage watches have no box and papers, so finding a complete package is rare, exciting and valuable. Good luck!

Related stories:

COLLECTING - Vintage Value Equation (1)
COLLECTING - Vintage Value Equation (2)
COLLECTING - Vintage Value Equation (3)

WORLDTEMPUS - 22 June 2012

"We're building our own case making facility," general manager Yves Mathys explains as we ask about the big cranes visible from the windows of Horometrie SA in the small Swiss village of Les Breuleux. This is the home of Richard Mille and the place where most of his extraordinary watches are assembled. Others are assembled down the road at Audemars Piguet Renaud et Papi in Le Locle, and until recently many of Richard Mille's watch cases were made just across the street at case maker Donze-Baume.
When Richemont took over Donze-Baume in 2008, Richard Mille was given a five-year grace period to find a new case maker. In the end, the little company decided to build its own case making factory, which will open the end of 2012, just a stone's throw from the present location. However, the knowhow required for the incredible RM 056 Felipe Massa Sapphire Tourbillon Split-Seconds Competition Chronograph introduced earlier this year at the S.I.H.H. in Geneva was something extraordinary. It, however, was made by a different supplier - and not actually a case maker.

Luxurious sapphires
The cases of the RM 056 are made by sapphire crystal manufacturing company Stettler Sapphire AG in Lyss. "We produce 80 percent of all sapphire crystals in the luxury watch business," head of sales and marketing Hans Studer explains when we pay the company a visit to get an intimate look at the process of making the transparent case of the RM 056. "Basically, we are the main supplier for watch companies producing watches costing 2,000 Swiss francs and more," he says while showing trays full of sapphire glasses made for brands such as MB&F (Maximilian Busser & Friends), Rado, Patek Philippe, and Rolex.

Record-breaking sapphires
Stettler made the 14.3-millimeter thick crystal fitted on the Rolex DeepSea Challenge that is water resistant to 12,000 meters. "We made a total of five crystals for the Sea-Dweller DeepSea Challenge model," Studer says, though he declined to reveal whether Rolex actually also produced five watches for the record-breaking dive of 10,898 meters made by film producer James Cameron in March 2012.
Even if Stettler is used to tough assignments, the case of Richard Mille's RM 056 was something else. "For Stettler it was an incredible experience to develop this sapphire case," Studer continues. "Each of the three parts made of Kyropoulos sapphire takes weeks of finishing and we have a CNC machine dedicated only to the production of the RM 056 cases," he says showing the brand-new cutting machine that runs 24 hours a day in order to meet the demand of the five people who ordered the RM 056 during the fair in January. "The case back alone takes five weeks to finish, which means it will take a whole year to finish all five cases," Studer says matter-of-factly.

Mutual invest
Leaving the Stettler premises, I can't help thinking that one could have the impression that Richard Mille and his suppliers "R&D" each other, pushing the boundaries for modern watchmaking in an otherwise rather conservative business. The innovative and unconventional mind of Mille demands a lot from his suppliers and without their skills, machinery and ? last but hardly least ? flexibility, many of Mille's timepieces would never have made it onto the wrists of their owners today.
Art of time
After the visit to the Richard Mille boutique in Geneva, Horometrie and Stettler, it also occurs to me that in fact the ultra-light RM 027 adorning tennis player Rafael Nadal's winning wrist and its white counterpart, the RM 038 that sits on golfer Bubba Watson's wrist, are much more than just innovative timepieces. They are ticking pieces of art and would fit in just as well at Art Basel as they do at S.I.H.H. in Geneva.

When you acknowledge this fact and consider Mille's watches as art you don't just buy one of his watches. You invest into his artistic and creative mind, just like you invest in a Warhol, Prince or other contemporary art that pleases not only the eyes, but also seem to justify the exuberant prices asked. And as an added bonus, Mille's watches show the time too.

When a Westerner hears the word "Sherpa," he or she immediately associates it with mountain climbing. There is a good reason for this: the Sherpa caste, at home at the foot of Mt. Everest, part of the Himalayan mountain range, makes its living by guiding tourists coming to Nepal to conquer the mountain. This is a dangerous, ungrateful job - but in many cases it is the best way for a member of the Sherpa ethnic group to support its family.

Namgel Sherpa and Thundu Sherpa probably often gratefully pray to their gods since the day that Sir Ranulph Fiennes and Michael Kobold showed up in Kathmandu in 2008, the latter having spontaneously decided to accompany his friend and the Kobold Watch Company ambassador who has been described as "the world's greatest living adventurer" on an Everest bid. Kobold was unprepared to climb, and he had not even reckoned with reaching what's known as base camp (the last acclimation settlement before serious climbers head up the earth's highest mountain, which peaks at 8,848 meters (29,029 feet) above sea level). He made it up much higher before both he and Fiennes had to turn back; it was then he discovered he was officially bit by the same bug that has plagued adventurers the world over.
Kobold and Fiennes returned in 2009 and made it to the summit, with Kobold repeating the feat in 2010 together with his wife Anita Ugyan, who climbed without oxygen. During the three adventurous climbs, the lives of Kobold and other members of his crew - particularly his wife - were seriously endangered. Only by the grace of the Sherpas did they survive, and in his gratitude Kobold decided to make a suggestion uttered by Fiennes in 2008 into reality and invest in an unprecedented venture: training the two Sherpas as watchmakers and having them run a new subsidiary in Kathmandu called Kobold Watch Company Nepal (Pvt.) Ltd as co-owners.

"These two caught on really quickly," Kobold's head watchmaker, Dale Poindexter, said of the Sherpas' ability to learn the complicated techniques involved in mechanical watchmaking during the official opening of Kobold Nepal on March 26. Poindexter trained them for ten months in Kobold's Pittsburgh facility.
Made in Nepal
As manufacturing and crafts only employ 6 percent of Nepal's 27 million-b population, it is safe to say that skilled labor is not one of this country's assets. In fact, Kobold is certain that his venture is a highly motivational one for the people of Nepal, a way for them to imagine a different future. "Newspapers have already written that Nepal, unable to produce even a sewing needle, now has 'watch movements' with hundreds of parts. This is sure to greatly increase the confidence of the Nepalese in themselves."

The "standard" Kobold watch model bearing the predicate "made in Nepal," assembled in the Sherpas' new workshop, which is equipped with exceedingly solid, locally custom-made benches crafted from local wood, is called the Himalaya. It is housed in a 44 mm stainless steel case that was made in the U.S.A. The three-handed dial comes in brown or black and exudes the typical Kobold legibility that is the signature element of this adventurous brand. The automatic movement is a Kobold specialty: Caliber K.2651 is based on a vintage Förster movement from Pforzheim. Kobold is the only company currently using this refurbished and improved movement in serial watches. Water-resistant to 100 meters, the timepiece is protected by a sapphire crystal that is also sourced in the U.S.A. Its rugged, understated elegance completed by an alligator skin strap also crafted in the U.S.A. will allow this watch to be worn in any circumstances: on the mountain or in the city.
To celebrate the opening, Kobold also offered a limited edition of 25 very special watches - which were unfortunately already sold out before the evening of the opening had even come to its exciting conclusion. The Himalaya Everest Edition features a very special dial crafted from a Mt. Everest summit limestone that Kobold plucked from the lofty ground and brought back down the mountain in 2009. A German specialist company located in Idar-Oberstein spent two years ensuring the structural integrity of the beautiful dials crafted from this rock that now forms the mysterious 5 mm-thick face of the Himalaya Everest Edition. Needless to say, each of the 25 pieces is unique in its own way thanks to the natural material.

Last but hardly least
Many colorful and important personages attended the evening festivity, including a handful of ambassadors to Nepal, two top generals of the Nepalese army -who ended up "guarding" the Kobold collection inspected by party guests in the new workshop - several members of the deposed royal family of Nepal, the commander-in-chief of its army and other influential fans of Kobold watches from various countries. They had all attended not only to support the new business but also to hear Kobold's famed ambassador tell stories of his exploits. Fiennes has been entered into the "Guinness Book of World Records" as "the greatest living explorer." This man, previously an esteemed Rolex ambassador for 20 years, is the author of many world firsts as well as gripping books. When he and Kobold summited Mt. Everest in 2009, Fiennes was 65 years old. He is a top celebrity in the U.K. and according to JustGiving.com, the U.K.'s top celebrity fundraiser.
Asked why he gave up the Rolex sponsorship in favor of becoming Kobold's top ambassador, Fiennes replied in his typically direct way, "Gratitude and loyalty." This seems to be a running theme in the world of Kobold, and flows in both directions.

Namgel and Thundu did not seem particularly fazed by any of this hoopla - least of all the celebrity explorer they have guided up their home mountain twice - and exuded a calm, interested outward demeanor throughout the entire event. In the space of the four years that they have known Kobold, the world of the two Sherpas who have climbed Mt. Everest a combined total of sixteen times has become an entirely different one. Though hard to get involved answers from them, when asked if they felt pride at all these accomplishments, the answer was clear: a big smile and an enthusiastic "yes!" accompanied by vigorous nodding. I'm not certain they understand the historic proportions of their actions over the last few years, but they have time to discover it - time mechanically measured by an adventurous Kobold watch that they keep running.

WORLDTEMPUS - 30 June 2011

Wimbledon may seem anachronistic - grass courts are virtually extinct outside Britain - with its somewhat outdated traditions, but in reality the most prestigious tennis event in the world has always been a trailblazer. Its secret is actually to continuously change while staying the same, displaying long-term perspective to realize that its traditionalist aura is its biggest strength.
Rolex boasts precisely the same approach. Seemingly immune to fashion and trends, the Geneva-based brand maintains a consistent collection that features subtle changes every year, with even the updates carefully made to respect the "evolution in continuity" that seems to be the company's mantra.
Wimbledon and Rolex have been together since 1978 and form one of the oldest associations in the history of sports sponsoring - a partnership made in heaven, since even the dominant corporate color of both institutions is the green that governs the landscape and grass courts of the All England Lawn Tennis Club where the tournament is held. Clearly bound by mutual respect for tradition and long-term vision, the long-standing relationship between Wimbledon and Rolex is set to last.
High-caliber tennis pedigree
In the past decade, Rolex has become one of tennis's biggest investors, assuming the timekeeping role in many of the biggest events and boasting a growing stable of ambassadors.
Beside its historical tie with Wimbledon, the Geneva-based company also sponsors another Grand Slam tournament in the Australian Open, the biggest team competitions in the world (Davis Cup and Federation Cup), the year-end championships on both tours (ATP World Tour Finals and WTA Championships), and several Masters 1000 events - including the Monte-Carlo Masters. The list of testimonial ambassadors among the active players is topped by living legend Roger Federer, who won the first of his record-holding sixteen Grand Slams precisely at Wimbledon. He embodies Swiss precision on court. Other Rolex testimonials include the charismatic Frenchman Jo-Wilfried Tsonga, the gentle giant from Argentina Juan Martin del Potro, world number one Caroline Wozniacki, former world number one Ana Ivanovic, recent French Open champion Li Na and her Chinese countrywoman Zheng Jie.
The question lies directly at the tip of the tongue: why is Rolex investing in tennis so heavily?

Firstly, thanks to its longstanding association with Wimbledon, Rolex can boast a tennis "pedigree" of the highest caliber. Secondly, one of the brand's sponsoring directors knows everything about the sport: Arnaud Boetsch, a former number 12 in the world rankings, and the man who gave France the winning point in the first-ever Davis Cup final decided in the fifth set of the fifth rubber (against host Sweden, in Malmö, 1996). Boetsch had been living in Geneva for some time and, after retiring, started organizing events, including a Legends tournament in the Calvinist city, to which a special guest was invited.
"The president of Rolex was invited to one of the tournaments I organized and then Rolex proposed for me to join its team in 2003 because there was only one person with sponsoring and it was not enough," Boetsch recalls. "Now there are two of us in charge of sponsoring. I take care of all the tennis, sailing and cultural activities; my job is to make sure the Rolex brand keeps on shining and getting the best visibility - not in terms of quantity, but quality-wise. And we like to be associated to the best and most prestigious events."
Wimbledon is the most famous tennis tournament in the world and has a lot in common with Rolex. "There are two words that can define Rolex: tradition and innovation. Wimbledon is the same," says Boetsch, who made it to the All England Club's fourth round in 1992 before losing to Pete Sampras. "Wimbledon has been changing its infrastructure without changing its spirit; building new facilities, a retractable roof on the venerable Centre Court, showcasing a new electronic scoreboard, adopting the Hawk-Eye. Wimbledon changes, but keeps a b tie to its roots." These are roots that go way back to 1877; this year the tournament celebrates its 125th anniversary and, although many changes have been made to the grounds over the years, especially since 1994, the All England Lawn Tennis and Croquet Club has retained its unique image and character, achieving a perfect balance reminiscent of the Oyster Perpetual's concept.
Ambassadors
Rolex has been making the most out of its association with Wimbledon. "We developed a hospitality program from 2005 on, inviting clients from all over the world and offering them Centre Court seating - something really exclusive, providing them an exceptional experience," Boetsch explains.
Several Rolex ambassadors from other sports and areas of life also make the pilgrimage to the tennis Mecca; the prestigious guest list this year included ski champion Lindsay Vonn, horse virtuoso Rodrigo Pessoa, golf legend Gary Player in addition to golfers Adam Scott, Paul Casey and Martin Kaymer, and soprano Dame Kiri Te Kanawa.
The tennis testimonials have been visiting the Rolex suite on Centre Court during the tournament and two of them played a spectacular match just yesterday: Jo-Wilfried Tsonga defeated Roger Federer in a three-hour, 15-minute quarterfinal epic that saw the power of the Frenchman's serve overcoming the Swiss's finesse: 3-6, 6-7, 6-4, 6-4, 6-4.

The revered Centre Court is the quintessential tennis venue and has been kept free of advertisements with a few exceptions in the form of a few small logos. The Rolex sign on the scoreboard is the most famous one. Rolex is not only visible in this classic arena: for more than thirty years, Rolex has played an important role in Wimbledon's history and its clocks have also kept the official time on the outside walls of the hallowed Centre Court and throughout the grounds. For instance, the effervescent media centre possesses a collection of Rolex clocks showing the time in San Francisco, New York, Rio de Janeiro, London, Johannesburg, Tokyo and Melbourne: just a few of the major cities where tennis's greatest tournament is broadcast live.
Among the four Grand Slam tournaments; Wimbledon is certainly primus inter pares. Beside historical reasons, there are natural ones: the grass and the rain, the members and the queues, royalty and celebrities, strawberries and cream, triumph and defeat - and also timeless tennis and Rolex timekeeping.

WORLDTEMPUS - 15 April 2011

For better or worse Australia is not typically a market that garners a great deal of interest from the luxury watch industry. The perception is that it's too far away, consumer tastes aren't sophisticated enough, and there is not enough population. Certainly most of the big names in watchmaking maintain a presence, but the ranges are generally limited and many of the high-end complications never seem to reach Australia's shores.
Nowhere is the effect of this isolation felt more bly than in Perth, the capital city of Western Australia. Thanks to the significant distance that separates it from the "big" cities on the eastern seaboard - it takes more than five hours to fly to Sydney - Perth is often left out altogether. While this is not terribly surprising, it does demonstrate an incredible lack of foresight.

 
Boom Times
Although Perth may be relatively small from a population standpoint at approximately 1.7 million, it is a rapidly expanding city fueled largely by the astronomical growth of the mining industry and China's insatiable appetite for its resources. Thanks to this burgeoning prosperity, there are more self-made millionaires per capita in Perth than anywhere else in world. Indeed, such is the demand that people come from all over Australia seeking work there.
With these favorable factors at play, it is of little surprise that a number of serious collectors call Perth home. What is interesting, however, is that despite being shown little interest from the industry they have still managed to cultivate a sophisticated watch scene that extends far beyond well-known, mainstream brands such as Rolex, Omega and Patek Philippe (although plenty of those are sold in Perth too). While brands may not publicly disclose the information, or perhaps even be aware of it, a number of private collections feature pieces from prominent independent watchmakers.

Have Money, Will Travel
One of the reasons why Perth has such a sophisticated subset of collectors may be its location. Rather than fly across the country to Sydney or Melbourne to view relatively limited collections, wealthy residents of Perth can take a short, four-hour flight and find themselves in one of the most impassioned watch cities in Asia: Singapore. Here they are exposed to a wide range of brands and have the opportunity to handle pieces that will never make it to Australian retailers. They also benefit from having access to extremely knowledgeable staff (arguably some of the best in Asia) who are very well informed about the brands, the products and of course all the latest industry news.

 
While collectors may be forced to buy some of their pieces overseas, there is a flow-on, word-of-mouth effect for the local market as these individuals often move in wealthy circles and share similar tastes. One day a businessman spots an MCT Sequential One on his associate's wrist and asks where he got it. A passionate conversation ensues and within minutes another Perth resident has had his or her eyes opened to a completely new segment of the luxury watch market he or she never knew existed. This person catches the next plane to Singapore and so the cycle is perpetuated.
Because all these people are buying their timepieces overseas, very few people actually realize that this small but incredibly affluent market exists.
That is set to change very soon, however, with some exciting developments ensuring that the city of Perth will begin to feature prominently on the watch industry's map. While confidentiality prevents disclosure of too many details at this point in time, this will be an event the likes of which the Australian watch market has not seen before. For the time being though, wealthy Perth collectors will continue to travel overseas to spend their hard earned money, leaving Australian brand managers tearing out their hair in frustration.

The new Oyster Perpetual Lady-Datejust in yellow or white ROLESOR exudes elegance and distinction. A harmonious marriage of colours and materials, this redesigned classic celebrates the timeless beauty of Rolex precision. The moment is precious, the future full of promise.

The infinite poetry of gold crystals
The GOLD CRYSTALS dial of the new Lady-Datejust is an exquisite homage to femininity. Obtained using an exclusive process that magnifies the natural crystal structure of the gold, it captures the light and gleams in an extraordinary play of glistening reflections. Infinite poetry, an invitation to dream. As if by magic, the crystals of the noble metal are revealed in all their splendour, creating incomparable depth that delights the eye. On one particular version of this model, the Rolex JUBILe motif appears in a secret and mysterious filigree, a door opening onto the imaginary. Each GOLD CRYSTALS dial is a work of art in itself, as unique as the lady who wears it.

Sublime in its delicate design, the version with the ivory coloured dial with a "sunbeam" guilloche pattern enchants with its clean lines, its extreme finesse, its infinite charm.

The elegance of diamonds
All the dials of this new interpretation of the Oyster Perpetual Lady-Datejust are graced with 10 diamonds which add to the originality and the subtle radiance of the watch face.

Entirely gem-set, the bezel brings yet another touch of luxury and elegance. Its 46 brilliant-cut diamonds sparkle like so many invaluable treasures which, at each reading of the time, remind us of their timeless splendour.

A hymn to femininity
Feminine down to the last detail, an ode to charm and romanticism, the new Oyster Perpetual Lady-Datejust embodies absolute grace. It is nonetheless, like all Oyster watches, a waterproof chronometer equipped with a PERPETUAL rotor self-winding mechanical movement. To wear this gem of a watch is to live every moment intensely with the promise of a radiant future.

Harry Winston's Opus has become more than a collection of outstanding timepieces. This blend of watchmaking dreams come true tells a story of determination that has turned into a cultural phenomenon, recreated annually by talented people who know how to derive synergy from an equal commitment to art and technology. For the past 10 years, Harry Winston has called on the originality and skills of independent watchmakers to realize its concept of superior watchmaking. For Harry Winston, watches reflect a passionate belief that you can - and must - go beyond the imaginable. Today, the House of Harry Winston is proud to present its 11th Opus, a watch that shatters watchmaking notions to bring you the disintegration of time itself.

An extremely complex case stages the show. The three overlapping cylinders on three levels are configured to deconstruct time. The main circle is the hour's domain, flanked by two pavilions. One shows the minutes on a jumping disk for the tens and a running disk for the units. The other, slightly lower, displays the regular beat of a big titanium balance-wheel.
Anarchy takes hold of the hours indication beneath the sapphire-crystal dome every 60 minutes. The numeral of the hour, assembled in the center of the circle, explodes into chaos before instantly reassembling as the new hour. It then remains still until the next disintegration. Instead of a hand, 24 placards revolve and rotate on a complicated system of gears mounted on an epicycloidal gear-train. Four satellites mounted on a rotating platform, each with three pairs of placards, provide a vertical transmission through a train of eight intermediate wheels, three elliptical gears, a triangular wheel and six conical pinions. The bevel gears are responsible for changing the axis of rotation of the placards and positioning them according to an elaborate drill maneuver. The triangular wheel and elliptic gears are calculated to vary the gear ratio to absorb shocks and prevent the placards colliding.
The tooth profiles of the triangular and elliptical gearing have been obtained using sophisticated programs. These are today so powerful that they can calculate and display unconventional, and even extreme, gearing and analyze different parameters such as backlash. Parts are manufactured using photolithography, which produces micro-components to a precision unobtainable by traditional machining methods.
The conical pinions for the bevel gears are just 1.2mm wide, yet their teeth are exactly profiled and angled, thanks to a new gear-cutting technique.
The path taken by the placards has been calculated to minimize the space required for them to turn over. However, the shell of sapphire crystal, also extremely difficult to manufacture, gives ample room for the hourly animation.

The transparent display back of the gold case reveals a manually wound movement in the style of the old pocket-watch movements with a big balance-wheel. Consisting of 566 components, including 155 jewels, the mechanism is finished in the most traditional manner of classic watchmaking, in sharp contrast to the crazy display of the hour. One version of the watch is gem-set in the contemporary style: a simple line of princess-cut diamonds lights up the contour of the caseband.
The appointment has been fixed. The hour comes apart at its end, leaving its particles to explode outwards and be turned into new hours ad infinitum. Such complexity and ingenuity make Opus Eleven an important milestone in Harry Winston's exploration of time.
Limited edition of 111 watches.

DENIS GIGUET

Denis Giguet trained as an engineer and started making a name for himself in fine watchmaking. The experience he gained with such firms as Rolex and Harry Winston developed into a visionary approach far in advance of the watchmaking industry. Familiar with the design and construction of highly complicated watches, he worked as production manager at Harry Winston. In 2007 he launched his own brand, MCT, and designed the Sequential One, a far-reaching development in creative engineering for which he involved the crafts of more than 20 experts in their fields. His creative energy has given birth to Opus Eleven, a timepiece where his own vision of time is perfectly expressed by the Harry Winston personality.

"Rolex Gallery" is a complete journey through all the vintage and modern models produced by Rolex.
With new images and updated information, this edition shows from the rarest models to the most dressy ones, to those that represents a dream for watch collectors.

Every chapter of this book represents a type of Rolex watch:
Air-King, Bubble Back, Chronographs, Daytona, Explorer, Moon Phases, GMT-Master, Milgauss, Oyster Date, Oyster DateJust, Oyster Day-Date, Oyster No Date, Prince, Quartz, Submariner, Turn-O-Graph and Yacht Master.
Over 100 different Daytona, 100 Chronographs, 50 GMT-Master, 50 Submariner are showed together with many other watches.
"Rolex Gallery" also provides the course of Rolex history, focusing on those watches that have made history.
"Rolex Gallery" is a clear, detailed and updated guide for all those who want to approach and understand the market of Rolex wristwatches.
This book is within everyone's reach however at the same time represents a useful guide for Rolex collectors.
Text in Italiano, Français, Deustch, English, Español
224 Pages • color ill. • Format : 24 x 28.6 cm.
Price : CHF 195.00 • € 140.00
 

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WORLDTEMPUS - 14 June 2010

"It's not Tiffany's, it's NASA," Mille leaned over and told me at lunch in the President's Room at the Queens Club in London, where he had gathered a few business partners and journalists to watch the semifinals of the Aegon Queens Club tournament in London. The idea was to cheer on his sponsored player, world number one Rafael Nadal, in the semifinals—but Nadal had lost the previous day in the quarters to fellow young Spaniard Feliciano Lopez. The clever saying Mille repeated to me was actually nicked from Miguel Seabra, Portuguese watch journalist and tennis commentator for Eurosport. Seabra had coined the phrase during the French Open the previous week to aid in explaining the significance of the obvious black watch Nadal wears on court to his tennis colleagues from the press. Nadal and the watch have been experiencing heavy critique for the RM 027 RN's price tag of $525,000—a price that can certainly seem exorbitant to the casual spectator.

Indeed, this is an unusually high fee for a watch with no bling even in the watch industry, but Mille explained that the price was actually justified as it is outfitted with a tourbillon and—particularly—it has needed thousands of hours of development as well as a trial-and-error period on court with Nadal for almost three-quarters of a year to discover its weak points, correct them, and make the watch light enough for wear on court (it weights 13 grams without strap and 18 with the rubber attachment). To achieve this lightness and continue to ensure the accurate functioning of model RM 027 RN a number of new materials new to the watchmaking industry such as LITAL, an alloy of aluminum, lithium, copper, magnesium and zirconium, were used. This alloy is also utilized in the aerospace industry—on the Airbus A380; in helicopters, rockets and satellites—and in Formula 1 racecars. Using materials outside the established watch industry like this is a Richard Mille specialty. The company's previous partnership with Formula 1 driver Felipe Massa helped research its extreme style of watchmaking in much the same way.
"This is an extreme object," Mille describes Nadal's watch. "Divide all the R&D plus all the test watches needed by the fifty pieces that are available in the limited edition, and that is about the price that comes out," he explained to me during the Queens tournament. "Whatever I have to invest , is what I invest."

WORLDTEMPUS - 20 March 2010
It could have been an uneasy herd of impatient fans prior to a rock concert about to start for onlookers that did not have an interest in horology, but just happened to stroll by Hall 1 in Basel. However the impatient herds of bloggers, collectors and journalists did not wait for a big-ticket name in the music business to go on stage, but for a ditto in Swiss horology, Rolex, to reveal its novelties.
Every year watch related websites start discussing what the leader of Swiss watch making might introduce of novelties once the doors open. Yet nobody knows for sure, since Rolex is as secretive with their novelties as their Oyster-cases are waterproof.

This year, however, the introduction of a steel Submariner with maxi case and ceramic bezel insert was not much of a surprise. Such is the evolution of Rolex. Gold first, then steel/gold and now steel. The "aaaaahhhh" reaction did arise though, when the first impatient souls reached the mirror polished exhibition windows on Wednesday March 17th, when Baselworld opened its doors. The surprise reaction was due to a green dial and ditto ceramic bezel version of the Submariner of steel that paired up next to the black version at Rolex's impressive stand.

Green may not be a colour embraced as joyfully by everyone as the Irish on St. Patrick's Day. This could be why Rolex decided to introduced a 39 millimetres version of what could easily be considered as one of the best looking models of all time, the legendary Explorer. A watch famed by Sir Edmund Hillary and Tensing Norgay's Mt. Everest exhibition in 1953. Both of them wore Rolex Oyster Perpetuals, creating yet another achievement for the Swiss watch company who used the world as a laboratory to test its watches under real conditions, since the young Mercedes Gleitze swam across the English Channel, wearing a Rolex Oyster, in 1927.

The clean military look of the Explorer has not changed. But the new size of 39 millimetre - which is three millimetre bigger that the earlier version, ref. 114720 - is a perfect reason to rediscover a watch that has too long been considered too small for men and too masculine for women. This said, many women might just embrace this new size Explorer, as big watches are still popular on female wrists.

30 juillet 2009

VOIR LA GALERIE-PHOTOS

La galerie du Jeu de Paume a Paris propose actuellement et jusqu'au 27 septembre une exposition intitulee « Planete Parr. La collection de Martin Parr ». Organisee par la Haus der Kunst a Munich, en collaboration avec le Jeu de Paume, elle presente pour la premiere fois la riche collection de livres photographiques et de photos de Martin Parr, accompagnee d'une partie de sa collection d'objets heteroclites, ainsi que de quelques-uns de ses travaux recents, notamment les series «Luxury» et «Small World». Ce photographe, membre de la fameuse agence Magnum, se presente lui-même comme un « collectionneur, un editeur et un photographe », et joue ironiquement sur le cliche de l'Anglais extravagant aimant a accumuler toutes sortes d'objets divers.
Ben Laden en montre de poche
Outre le plus grand paquet de chips du monde, des theieres a la gloire de Margaret Thatcher ou un slip orne du portrait de Barack Obama, le sieur Parr a recolte une incroyable serie de garde-temps. Montres-bracelets, montres de poche, horloges, reveils, usurpant ou non le logo d'une marque celebre ou le fameux Swiss made, tous ont pour point commun de celebrer sur leur cadran une personne ou un evenement historique. Le visiteur pourra ainsi admirer des reveils commemorant les exploits de Gagarine ou divers modeles aux couleurs de Mao, de Staline ou même de Barack Obama. Certaines de ces tocantes meritent sans conteste la palme de l'originalite, comme cette montre de poche a l'effigie de Ben Laden ou cette horloge chinoise en forme de raquette de ping-pong. Une vitrine entiere est consacree aux montres a l'effigie de Saddam Hussein. Certaines, provenant vraisemblablement d'Irak, sont tout a sa gloire. D'autres, conçues apres le 11 septembre, vehiculent le propos inverse, notamment celle sur laquelle un montage photographique represente un corps de rongeur surmonte de la tête de Saddam et de ce slogan : « captured like a rat » ! La montre, objet de propagande par excellence qui permet d'afficher son opinion dans cette vitrine miniature qu'est son cadran, provient ainsi des deux côtes de l'histoire. Il en va de même pour les tapis de priere musulmans ornes des tours jumelles percutees par les avions et estampilles « made in Afghanistan » qui sont ici exposes face a des bibelots aux couleurs de l'aigle americain exaltant les slogans va-t-en-guerre de l'ere Bush.

Ironie britannique
Le dialogue entre photographies et objets nous tend ainsi un miroir de notre epoque, revelant les tendances de nos modes de vie contemporains. Comme le dit Martin Parr lui-même, « Ce travail ressemble a une epitaphe pour une periode sur le point de s'achever, faite de croissance excessive, de parade et de luxe ostentatoire. C'est une opportunite de jeter un regard retrospectif sur cette periode de nos vies. » Un regard qui n'oublie pas neanmoins la distance et l'ironie « so british » !
www.jeudepaume.org
www.martinparr.com