Famous Hamilton Automatic Watches, Discount Hamilton Automatic Watches

Hamilton Jazzmaster Quartz 37mm (H32411735)

great love this item

---- [Rating: 5 / 5 stars]

Review by kelly pike, From USA Canyon Country

Hamilton Khaki Pilot Automatic Men's Watch H64715135

the Hamilton Khaki Pilot Automatic Men's H64715135 watch works well but the crystal often fogs. The fog will clear up and doesn't always appear. Overall like the watch

---- [Rating: 5 / 5 stars]

Review by Justine Bond, From Oman Muscat

Hamilton Jazzmaster Viewmatic Automatic Skeleton Dial Black Leather Men's Watch H42555751

Great. Thanks

---- [Rating: 5 / 5 stars]

Review by Misha, From Sweden Almunge

On the digital cover of WorldTempus today you will find the new LV Fifty Five from Louis Vuitton. Aside from its clever play on words in the name (LV being of course 55 in Roman Numerals, signalling a switch from Roman to Arabic numerals) this new model is significant because it has been conceived from scratch and introduces an entirely new case design to the Louis Vuitton timepiece collection.

Our round tables on the finalists in the individual categories for this year's GPHG continue this week with a look at the tourbillons. To coincide with our analysis, David Chokron also provides a handy reminder of what a tourbillon actually is. Apart from the GPHG 2015, the other main event of the autumn is the Only Watch charity auction, for which all the watches will officially be presented at the Monaco Yacht Show, which opens this week. Camille Gendre will be taking a day-return to the Principality to report from the event.

As you read these lines, H. Moser & Cie. is gearing up for a unique event. As a partner of the first parabolic flight from Switzerland, the brand will be testing a variety of components in the brief period of weightlessness experienced during such flights. Our editor-in-chief will be travelling to the airfield in Dubendorf, near Zurich, to find out more. Hamilton will also be carrying out similar tests on some ETA movements next month, as zero gravity strangely becomes a new testing ground for watches that are unlikely ever to experience it.  
As all good things must come to an end, our series of daily summer competitions, which started in mid-June, will finish this week. We would like to thank the thousands of people who took part in them and took the time to contact us with their thanks, queries and minor niggles. The operation has been a huge success and has also helped us to improve the site. Don't forget that you can still win one of 10 SwissKubik StartBox watch winders in our regular monthly competition.

This model with a mother of pearl dial, is punctuated with 12 diamonds. Elongated teardrops mark the hours.
The automatic movement is visible through the case back. A round face flows into an oval-shaped case form, while teardrop-shaped lugs and indices tease the eye.

The Jazzmaster Lady Auto features a classical, five-row stainless steel bracelet. Hamilton developped a versatile and highly practical attachment concept. An easy click spring bar facilitates the exchange of the jewelry-style metal bracelets for a white leather strap.

The Jazzmaster is the undisputed star of the Hamilton collections. After devoting two in-house (ETA-based) movements to this range, the H21 and H31 chronographs with their 60-hour power reserves, Hamilton unveils the H20s - of which the letter 's' stands for 'skeleton-worked'. Available as of early October 2013, this Jazzmaster Viewmatic Skeleton will be the brand's first three-hand skeleton model.
Hamilton also welcomes a second new movement, H12, that will also be used in the Jazzmaster collection, but this time for a new Regulator model (a timepiece in which the hours and minutes hands are not placed on the same central pivot, but offset in two separate counters). "This is a movement developed with the support of the Swatch Group but which will be offered to other brands in addition to Hamilton", says Sylvain Dolla, CEO Hamilton International.

This invaluable economic, logistic and industrial support is doubly beneficial to Hamilton. First of all, by enabling it to meet b demand that has seen the brand record "double-digit growth for seven consecutive years", as Sylvain Dolla points out. It can thus offer an extremely diversified range of products to a "young, urban clientele often making its first purchase in the field of mechanical watchmaking", adds the CEO. "These customers are also increasingly better informed: they arrive in the boutique with a good knowledge of the models and sometimes even with screen captures from our website!".
The second positive repercussion of the Swatch Group backing is the extremely attractive pricing of the models, mostly falling within the CHF 500 to 1,500 range. Given its ongoing success, does Hamilton intend to move upmarket, including in terms of price? "Definitely not!" insists Sylvain Dolla. "In this price segment, we have a wide-open road ahead of us for many years to come".

Limited-edition movie presence

Anyone acquainted with Hamilton is aware that the brand has been highly active in the field of cinema since the 1950s, from the first Elvis Presley feature films to action flicks such as Men in Black, Die Hard and Fight Club. "We work on a daily basis with the Los Angeles studio accessorists", explains Sylvain Dolla. "It is generally they who come knocking on our door, making specific requests for an upcoming production. They don't have any specific watchmaking knowledge, a fact that sometimes leads to some daunting mechanical challenges in order to give horological shape to their cinematographic visions!"
This year, the vision is embodied in the Jazzmaster Face 2 Face. It is based on the principle of one watch with two independent movements. The visual effect of this 888-piece limited series lies in the fact that each of the two faces reveals either a chronograph or a three-hand dial, juxtaposed with the skeletonised rotor of one of the two automatic movements. This imposing Face 2 Face model with its outsized oval-shaped 53 x 44 mm case displays a striking contrast between the displays and the movements and the void surrounding them and taking up as much if not more space.