Best Rolex Automatic Replica Watches, High Quality Rolex Automatic Replica

Rolex Daytona Zenith Stainless Steel Patrizzi (16520 Patrizzi)

I bought this Rolex Daytona watch for a chunkier, everyday watch. This would make for a good everyday or going out watch. It's gorgeous!! It doesn't look cheap at all! What a great deal!!!! I'm not sure about the durability of the watch yet, as I've only had it for a few weeks. The band was way too big though and I had to have a bunch of links taken out.

---- [Rating: 5 / 5 stars]

Review by Chili, From Lujan Miami

Rolex Lady Datejust White Roman Dial 18k White Gold Diamond Case and Bezel Oyster Bracelet Watch 179159WRO

MY NEW FAVORITE Rolex WATCH SELLER,SUPER FAST SHIPPING. FIVE STARS !!!!!!!!!!!!!!!

---- [Rating: 5 / 5 stars]

Review by Mary-Anne Valla, From Mexico Garza Garcia

Rolex Datejust Black Index Dial 18k Rose Gold Fluted Bezel Two Tone Ladies Watch 179171BKSJ

Fast Shipping! A+++

---- [Rating: 5 / 5 stars]

Review by Crystal Cunard, From Germany Reichshof Hahnbuche

Telling the difference between a Carrera and a Daytona is easy, as is spotting an Aqua Terra from a Terra Luna. You don't even need the brand names to help you. But what about the new collections by Emile Chouriet and Ernest Borel, two Swiss brands with a presence in Hong Kong and China that is difficult to conceive unless you have been there and seen the giant billboards that dominate the skyline. The two new models presented today on WorldTempus both embody the ultra-classic style that appeals to the Chinese consumer, combined of course with an affordable Swiss Made calibre. They go to show that at a certain price point buyers are definitely making their choices based on looks rather than brand or collection names.

Inspired by a photo showing 18 Rolex Submariner "Comex" watches on the Internet, David Chokron offers some interesting insights into the notion of exclusivity in watchmaking. Can a one-thousand-piece limited edition (not to mention a 15,007-piece one) really be considered as exclusive?

Our build-up to the GPHG 2015 officially starts this week as Camille Gendre takes a look back over 14 years of Aiguille d'Or winners. Will she find a pattern that could give a hint about this year's winner? We will continue over the coming weeks with a look at the members of the 2015 jury and some interviews with previous winners.

By now most of us are preparing for the summer break and finally find the time to think about and analyze the state of the market for fine and rare collectors watches. First of all, I can hardly remember an auction season that has been so eagerly anticipated as the series of sales that took place in Geneva this past May. Not only were there really amazing and uber-rare watches on offer (and also many not so good ones…) but for the first time there were four auction houses wanting a piece of the cake. Besides Antiquorum, Christie's and Sotheby's (in alphabetical order), Phillips in Association with Bacs & Russo made its debut in the arena.

Let me start with the good news first: in terms of participation, sell-through rates and results, it was one of the most successful and animated seasons ever, with over US $ 60 million of sales and a number of new all-time world-records established. Many insiders who carefully studied the catalogues expected such positive results but a large number of players also wondered if the market was hungry enough to absorb the large number of watches on offer. Also, some observers asked themselves if the absolute number of watches coming to the auction market every season wasn't too limited to properly fill four auction catalogues and hence diluted the quality of the sales.

Then, late April, some two weeks before the Geneva auctions, my dear friend, well-informed market observer and Hodinkee founder Ben Clymer asked openly in an article "Is now the best time to buy a 2499, or the worst?", opening Pandora's box and prompting one of the most animated discussions, on-line and off-line, about the state of the market. Unusually, the four auction houses each offered a Patek Philippe reference 2499/100 for sale, the last generation of the venerable manufacturer's all-time legendary model. Would this be good or bad for the market? Were their enough bidders out there to bid, and to bid bly, on all four of the watches? Opinions varied, with some saying that this is the beginning of the end, while others suggested that it is always good to buy a 2499, regardless of the circumstances.

With delight I can report that all four watches sold, and sold well above their estimates. Antiquorum sold their Tiffany-signed example for CHF 471,750 (estimated at CHF 300,000/500,000). Phillips achieved even more with the Beyer-retailed specimen fetching CHF 533,000 (against the same presale estimate). The next day Christie's achieved a highly appropriate CHF 650,000 (against an estimate of CHF 400,000/800,000) for their mint example and lastly Sotheby's sold their Gobbi-signed example for CHF 382,000 (against an estimate of CHF 200/400'000). Certainly, the four watches weren't identical in terms of condition and completeness but with an average price of over CHF 500,000, one should rather think of all time record levels than crisis! It shows that the appetite for fine and rare vintage watches is greater than ever before and the political turbulences around the world aren't stopping collectors from pursuing their passion. In fact, it is rather the contrary.

Consequently, we have seen at all auctions the same pattern. The greatest pieces were fiercely fought over by the world's leading collectors and dealers while the average (and below-average…) quality struggled to reach the low estimate or even failed to sell. This may appear as bad news - but actually it isn't. As mentioned in my past articles, collectors around the world are very well informed and do their homework before bidding. Since the offerings at the four auction houses weren't at the same level of quality, we have seen mixed results. In terms of performance, we could observe sold-rates going from anywhere around 70% to close to 100%! Also, the different propositions meant that the sale totals and average lot values couldn't be more different: Ranging from less than CHF 7 million (Antiquorum) in global sales with an average lot value of less than CF 20'000 to Phillips with sale totals at some CHF 30 million, averaging at over CHF 140'000 per watch!

The other good news is that we have seen beautiful results across the board, regardless of the maker, model, vintage or price level, showing it is no longer the classic "Federer-Nadal-Wimbledon-style final" between Patek Philippe and Rolex. Certainly, there were some results which stunned the market, be it the CHF 4.6 million paid for the spectacular stainless steel Patek Philippe single-button chronograph (Phillips) or the Audemars Piguet minute repeating wristwatch at Christie's fetching over CHF 600'000. The new world-record for any Rolex ever sold at auction, the ex Eric Clapton "Albino" Daytona selling for over CHF 1.3 million (Phillips) made headlines but the General MacArthur Jaeger LeCoultre Reverso at Antiquorum reaching CHF 87'500 was a memorable moment, too. The pattern is always the same: collectors are seeking quality, expressed by condition, rarity, originality, provenance and freshness to the market.

Also antique (pocket-) watches enjoyed a solid performance with many notable results, demonstrating that we are not only looking at a phenomenon linked to wristwatches.

Certainly, Rolex continues to be the hottest name in terms of audience, as demonstrated by the themed Glamorous Day-Date Auction staged by Phillips where an exceedingly rare example in platinum (Ref. 6612 from 1958) fetched CHF 473'000, setting a new absolute world-record for any Day-Date ever sold at auction. But when looking at the top-ten lists published by the auction houses, one can spot a number of other names, showing that the market is more varied and open-minded than ever before.

So, we have all the good reasons to look forward to our summer holidays and expect an even more interesting fall auction season, as I expect all players (sellers, buyers, dealers and auction houses) will do their analysis and adapt their strategies to this 2015 reality - already understood by some, by others maybe soon.
 

When we arrive at the Polo Club Saint-Tropez, Pablo Mac Donough, casually clad in jeans and sneakers, greets us with Spanish-infused English. He confirms that there is nothing surprising about that, but also that things could just as well have gone the other way: until his grandfather's time, and as his name betrays, the Mac Donoughs were a completely Irish family whose members "only inter-married amongst themselves". For the past two generations, however, Argentinian blood has been mingled with these purebred Irish. And in Pablo, the family now has a new champion in the polo world.

King of the media and close friends
Richard Mille's ambassador strategy may be slightly bewildering, given a proven ability to establish a presence at the very top of disciplines that attract intense media coverage: sailing, golf, tennis, cars. It also however encompasses a number of lesser-known talents.
Thus, in total contrast to ultra-publicised Rafael Nadal and his b development in the design of his "RMs", Pablo Mac Donough is completely unknown to the public and admits he "did not in any way take part in the development" of his RM 05. He even adds with a smile: "I am a polo player, not a watchmaker". At the opposite end of the spectrum to the slightly controversial role played by Natalie Portman, the least involved of the brand friends, one might well mention Michelle Yeoh, the wife of Jean Todt, who is also a company ambassador! Clearly an example of shared family tastes. Personal preferences thus remain the predominant factor in these choices, although the business side of things is clearly significant: Richard Mille invests 2.5 % of its turnover in its ambassadors, meaning around 4.5 million euros.

A family affair
Richard Mille remains bly driven by the automobile world, to which the brand is primarily committed, through associations with Sebastien Loeb, Jean Todt, the Princesses Prestige Rally, Le Mans, Lotus F1, Felipe Massa and Romain Grosjean to name but a few. This passion for mechanics is not so much fuelled by the brand as by the man, Richard Mille himself, who is car crazy. The company's ambassador model therefore relies on his personal friendships. Nevertheless, even as the brand has developed, Richard Mille has retained these essentially friendly ties with ambassadors.

Since 2012, Pablo Mac Donough has also embodied this esprit de corps. "Richard and I met through a mutual friend who is also a very good Argentinian player" explains the champion. If that was the case, why did the relationship not develop with this friend rather than with Mac Donough?"."Because I am professional and he is amateur. For Richard, that was what made the difference."
And for the Argentinian rider as well it would appear - because in his day, he was also widely sought-after, notably by Rolex with whom he still enjoys an excellent relationship, thanks to his wife who was an employee. One might well also imagine him being approached Jaeger-LeCoultre whose Reverso has embodied the polo spirit for 85 years. Fate however smiled on Richard Mille and the idea proved immediately worthwhile in that Mac Donough's season encompasses quarter-years divided between Dubai, England and Argentina - thus ensuring multiple representations at close quarters on these markets targeted by the brand.

Mutual trust
At the end of the day, discretion is a quality that Richard Mille shares with polo. "I am not as well- known as Rafael Nadal and polo is not as popular as tennis, but Richard Mille is also relatively less known than some brands. We understand each other. I like not being just a number in a big commercial machine" says Pablo Mac Donough.
Under the rays of the setting sun over the Polo Club Saint-Tropez, one could almost forget to talk about his RM 053 Tourbillon. "Oh, there's not much to say," says Pablo Mac Donough. "In the very beginning, three years ago, I lost a watch hand. Richard's team put it back. Since then nothing has ever gone wrong and I wear it every day." That has to be the best possible 'customer testimonial… from a friend.

I was lucky enough to work with Aurel Bacs at Christie's and I recognize his particular position in the marketplace. He is an extraordinary expert and a trusted advisor to most of the top watch collectors in the world. So when I found out that he was thinking of setting up his own company I thought we should have a conversation. Because I want to build up an auction house at Phillips that builds on what we have already established and looks at specific areas of the market and attempts to be the best it possibly can.

I am determined to set the highest possible standards and Phillips has just opened a new sales room at Berkley Square in London which has had a similar sort of impact because it gives us a viewing capability that is unmatched by any of the traditional auction houses in London. It is spectacular and it gives an idea of our aspirations and the standards we are setting. We want to offer the best environment for people to sell and buy in.

We are currently developing a spectacular space in Geneva for our auctions and brokerage business, about which we will be making some announcements in the coming weeks. But we definitely feel that an important part of our business will be private brokerage and auctions. What we are hoping is to become the trusted brokerage at the top end of the watch business.

  
It will be important. We can offer the key watch collectors the best possible service and the best possible access to watches. The brokerage and private sale side of the business will allow us to develop this kind of relationship and give people opportunities that they might not otherwise get. It's a key part of our business plan.

Yes, over the next couple of years, possibly as soon as November in Hong Kong, we will roll out a series of auctions worldwide. The final auction plan will be Geneva, Hong Kong, New York and London.

We have set ourselves some aspirational goals. We want to lead the market in vintage watches but at the high end. We are not about volume and we will be dealing with relatively low volumes but high values. Who knows how we will stack up against our competitors? They may decide to go into a much higher volume, low value business. Actually, you can see that already and we think this is the wrong way to go and we are going in the opposite direction and I think it is the right strategy for us.

I believe generally for Phillips that we need to give clients more choice and I think we will make a big impact.

I am always amazed at how low some of the estimates are and how well they compare with retail. If you look at some of the watches in the Rolex Day-Date sale they are below today's retail price, so to someone thinking about buying a watch this is an interesting alternative to buying from a jewellers. The watch may well maintain its value better than a new watch.

I have a small collection but coincidentally one of the watches I don't have is a Rolex Day-Date, so this is the perfect opportunity for me and there are a number in the sale that I like. Aurel always manages to get a bid out of me somehow.

 
No, we are allowed to bid but the way we do it is governed in a special way. We have to leave bids in writing before the sale. 

Former Arsenal striker and England international Ian Wright was the guest of honour on the Jeanrichard stand at SalonQP for the launch of the brand's new limited-edition Arsenal Terrascope chronograph in carbon fibre.

He may not have been the most obvious choice to line-up alongside the brand's CEO Bruno Grande, since he is not a member of the Arsenal squad and thus has no direct ties with the brand. In fact, his relationship with Jeanrichard came about more by chance.

"We were contacted by Ian Wright because he wanted to see the watches," explained Bruno Grande. "We don't have a direct association with him (we couldn't afford it), so he's a genuine friend of the brand and we have plenty more celebrities gravitating around the brand thanks to Arsenal." 

After patiently posing for photographs with visitors to SalonQP, Ian Wright corroborated this story for WorldTempus. "A business colleague of mine told me about Bruno and what he was doing. I hear about this kind of thing all the time but when I finally sat down with him and listened to him speaking about the watches I could tell that he was as passionate about the watches as I am about football. The way he talked about the watches and the history dating back to 1681 was fascinating. And it came at a time when I was getting back into watches so I was in the market and I wasn't sure what to get. I like the fact that it's classy and understated, and because I wear it on my right hand, everybody notices it."

The reason the former Arsenal forward was "in the market" was a particularly harrowing aggravated burglary at his home over the summer, during which his wife was held at knifepoint while his children were upstairs. Wright himself was in Brazil commentating on the World Cup for UK television and had to fly home to comfort his family. Apart from the emotional stress of the event, one of the physical losses he suffered was the theft of his entire watch collection, which included connoisseur models from the likes of Patek Philippe and Rolex. The unfortunate event has also led to a change in this collector's philosophy about watches.

"It's almost like starting again," he said. "I'm most probably going to end up with a few Jeanrichard watches and I will probably buy the one they just launched. But what I will do now is buy watches to wear rather than collect. I still have a 1969 Paul Newman Rolex (the thieves didn't get that one because it was being repaired at Rolex) and I'm going to start wearing it."

The new limited-edition model is the first chronograph in the Jeanrichard Terrascope line and comes with a new case in single-ply carbon, which has a uni-directional finish similar to brushing, even though the case undergoes no separate finishing after it is machined. It comes with the signature Jeanrichard "rubbergator" strap (rubber that is stamped to resemble alligator leather) with red stitching and, of course, the cannon of the Gunners as the small seconds counter. This strictly limited edition, of which only 50 will be produced, comes complete with a certificate of authenticity signed by three players from the current Arsenal squad, as well as - unusually - a 30cm diameter Jeanrichard wall clock.

But why does Ian Wright prefer Jeanrichard in particular, when as a football pundit travelling around the world to cover the major soccer events he gets to experience the marketing activities of various watch brands, as well as compare tastes with his peers?
"Footballers went through a phase of wearing massive watches," he explains, "which I call the silly phase. But what you see now is that they are going more for the elegant pieces, which is what I have always thought was synonymous with watches."

WordTempus: What sets Ball watches apart from the competition?

Daniel Alioth: Ball Watch has always been linked to the history of railways and the establishment of railroad standard time but nowadays we communicate around the kind of exploration that was first made possible by the railways connecting the world.
If you take a piece such as the one Olivier Muller tested on his trip, you can see that it is extremely robust, shock-resistant and has very masculine qualities. We are not afraid of saying that we have a collection that is 95 per cent masculine.
Unlike many brands who work exclusively on developing the movement, we work on both the interior and the exterior, aiming to improve precision by eliminating the impact of factors that can affect it, such as shocks and magnetism. We have a reputation for working a lot on cases. If we consider the two major new launches this year, the Slide Chronograph and the Magneto S, both have patented improvements to the case.

Tell us more about the new Magneto S…
With the Magneto we worked on the anti-magnetic properties of the case. We did not want to enter the titanic battle in which Omega and Rolex are already engaged and we felt that the customer is already a little lost when we start to talk about resistance to magnetic fields (or even sometimes about water resistance). We like to remain down to earth and honest.
The concept of an anti-magnetic watch is not something new. The Rolex Milgauss has been around for a decade, I think. What we wanted to do was introduce a more playful element to it. The idea behind the Magneto S was for the customer to understand the concept of anti-magnetism by playing with the watch.

What are the important markets for Ball Watch Co.?
Asia is by far our biggest market, with the USA in second place. But we have done things a little differently. A lot of brands started with their Swiss Made philosophy and initially targeted Europe, then expanded to Asia and the USA. We are an American brand but with a philosophy that remains very Swiss. So the idea was to redevelop the brand in the USA and take a bet on Asia long before other brands.
We have been present in Asia since the early 2000s so for us it is an established market. It may sound surprising, but our investment to develop the brand is now being made in Europe, Russia and the Middle East.

And what about the local market in Mexico?
As you may have seen the level of watchmaking knowledge here is very high. But there is also an important aspect related to notoriety. Customers have a high purchasing power and not only do they want something different, they often want something that meets their needs for a mechanical watch but is perhaps not as well known. I had a customer here who purchased a watch from me because it was less well-known than some of the bigger brands and he was worried that if he wore one of the more recognizable brands he would be exposing himself to robbers.

What can we expect from Ball Watch Co. over the next twelve months?
This year we worked on anti-shock and anti-magnetism. I think next year we will continue along these lines but perhaps adding other functions. We will also work on reducing the size of some of our robust watches and adding the Magneto function to a chronograph, for example.

The boutique was open for three months ending on September 1, in time to take advantage of the summer tourist season. In a crisp decor bathing in the signature black and white colors of Coco Chanel, the boutique showcased some of the house's iconic models, immortalized by the talents of the photographer Patrick Demarchelier who shot Chanel's most recent publicity campaign titled "L'Instant Chanel."

The boutique offered museum visitors, on their way to see Leonardo da Vinci's Mona Lisa, a chance to admire Chanel's new J12-365, the new Premiere with its triple row bracelet, and the J12 Blue Light, a version of the J12 in white "hi-tech" ceramic and luminescent blue numerals.

"The idea of the pop-up store was a reference to 1987 when we first opened a boutique dedicated to watches on Avenue Montaigne that launched a new era in watchmaking for Chanel," said Nicolas Beau, international director of Chanel Horlogerie. "Our goal has always been to make beautiful watches where mechanics are at the service of aesthetics," Mr. Beau said.

For a brand that places a high value on creativity and aesthetics, the enclosure of Musee du Louvre, one of France's most revered cultural venues, offers the means to combine the experience of a luxury boutique with that of an art museum. For Chanel, it is a means to intimate the association between luxury and cultural heritage, inscribing its luxury products in the long-term tradition of culture.

"The appeal of Chanel's products is their lasting appeal," Mr. Beau explained.  "The Chanel no. 5 perfume has been around since 1921. It is not a trend-based product. The same is true of the little black dress and the quilted Chanel bag."

The relationship to art allows luxury products to acquire the characteristics of art by association, including uniqueness, legitimacy and permanence. "Chanel makes products that last and remain desirable," Mr. Beau said. "Few luxury brands have a portfolio of products with an endless lifetime. That is what lives in the Chanel name and was invented by Gabriel Chanel."

Over the years, Chanel has experimented with the idea of connecting art to its luxury products. In 2008, for instance, it commissioned the Mobile Art Pavilion, a 700-square meter futuristic structure designed by the Pritzker-award winning architect, Zaha Hadid, filled with works commissioned from 20 international contemporary artists asked to interpret the brand's iconic quilted 2.55 handbag, the black, stitched-leather purse designed by Coco Chanel in 1955.

Establishing a presence, ephemeral or not, in close proximity to the Louvre, a prime international cultural destination, also enables luxury brands to benefit from the rising trend in cultural tourism.

Last year, the Louvre welcomed 9.3 million visitors making it not just the most visited attraction in Paris, but also the most visited museum in the world, ahead of the British Museum in London (with 6.7 million visitors) and the Metropolitan Museum in New York (with 6.3 million visitors), according to figures published last April by the Art Newspaper.  

According to Paolo de Cesare, Le Printemps's president, a luxury goods department in the commercial area of the museum enables tourists to satisfy their two principal reasons for being there, luxury shopping and culture.  

The Louvre expects attendance numbers to rise by 30 percent over the next decade, forecasting some 12 million visitors by 2025. Le Printemps du Louvre estimates its revenues to top €20 million this year alone.

 A number of high-end watch brands including Chopard, Rolex, Montblanc, Hermes and Parmigiani are already present in the Carrousel du Louvre. With the 2014 edition of the Salon des Belles Montres set to take place in the same venue next November, the list is likely to grow.

Building up a brand that is essentially trading on the name of a single person is not an easy process, particularly when that person was renowned for his skeletonisation work, which by its very nature meant relatively low volumes.

Armin Strom the man stood as a reference in the skeletonisation of watches, earning himself a mention in the Guinness Book of Records in 1991 for the smallest hand-skeletonised ladies' watch (12.5mm diameter) and working on hand skeletonisation for some major Swiss brands.

As he approached retirement, however, Armin Strom sought investors to continue his legacy in the form of a brand. But such a brand could not grow on the basis of skeletonisation alone…

Brand building
The transition started in 2006 and the new brand emerged thanks to several fortuitous events. Firstly, it was lucky enough to acquire in 2008 premises that had been occupied by a micro-stamping facility of Rolex, which were thus perfect for installing watchmaking machinery. Secondly, the financial crisis at the time offered a blessing in disguise for the new investors, who managed to purchase "for a song" some CNC machines that had been pre-ordered but cancelled by other brands.

The premises were fitted out between January and August 2009 and, astonishingly, by the end of 2009 Armin Strom had already presented its first in-house mechanical calibre. Today, only five years later, Armin Strom is a veritable brand boasting 12 different in-house calibres and a clearly structured collection, with each line - from the Manual up to the Tourbillon Gravity (the "Gravity" appended to an Armin Strom model means that it is powered by the force of gravity and is thus self-winding) being offered in four "elemental" configurations: Air, Earth, Fire and Water.

The elements
Aside from ensuring an unparalleled consistency of design across the line, the use of the elements offers four highly distinct looks to each line. The "Air" models, suffused with white on the strap and outer "ring" (the watch has no dial, in continuation of Armin Strom's philosophy of skeletonisation), are the most feminine, while the black PVD case of the "Earth" models and black ring with black leather strap, offers the masculine opposite. In between are the more classic designs of the "Water" models, with their stainless-steel case and the luxury touch of the "Fire" models, with an 18-carat red-gold case.

The "lip" at 6 o'clock on the case is also a distinctive trait of Armin Strom and stems from the craftsman's desire to have a space on the watch for personalization. A subtler, yet equally important, distinguishing characteristic is the slightly off-centre axis for the hour and minute hands, which is the brand's way of highlighting the in-house provenance of its movements. Only a company in total control of its own production and unreliant on third parties can allow itself such a discreet luxury.

Just like the much bigger brands whose shadow Armin Strom lives under in the industrial watchmaking city of Biel, the company employs a powerful combination of partnerships and ambassadors in its marketing portfolio, the most significant of which is undoubtedly the brand's association with the Marussia Formula 1 team, which is already in its fourth season.

Despite the communication efforts akin to a big brand, Armin Strom's pretensions remain modest. Its annual production hovers around the 1,000 mark and its latest collections, such as the Racing collection that is hitting the stores around now, are only produced in limited quantities, in this case only 100 units per reference. It's a level of rarity that could be qualified as reassuring for this remarkable niche manufacture brand.

Undoubtedly besieged by newsdesks from all over the world, the green giant with the crown thus decided to react with these two sentences sent to the media: "Rolex confirms the arrival of Jean-Frederic Dufour, current CEO of Zenith, to ROLEX SA to take over the direction at a date still to be determined, and in agreement with the company's standing CEO, Gian Riccardo Marini. All other communication will be released in due course."

This is a big surprise in industry circles, since nobody expected Jean-Frederic Dufour to leave Zenith in the middle of its resurgence, nor Rolex to change managing director again so soon. Under the influence of the man from Geneva, Zenith had once again started to experience b growth. One of the symbols of this new direction was Zenith's sponsorship in 2012 of the fastest man in the world, Felix Baumgartner, the famous adventurer who broke the speed of sound in freefall from a capsule on the edge of space at an altitude of 39,000 metres.

After the stars of Zenith, the loyal captain of Jean-Claude Biver (the boss of LVMH's watchmaking activities) now sets sail for the crown of Rolex. A yachtsman in his free time, he will undoubtedly be looking forward to attending a few stops on the Rolex circuit, since this brand is one of the most heavily involved in sailing with events on all oceans from January through to December.

In what is either a coincidence in career paths or a genuine acknowledgement of the "Chopard school", Jean-Frederic Dufour will be bumping into his former colleague from Chopard, Philippe Peverelli, once again in the corridors, since he heads up Tudor, the other brand in the Rolex group. From Le Locle to Geneva is a small step for a commuter but from Zenith to Rolex is a giant leap for its boss.
 

Richard Mille calls his watches "a racing machine on the wrist". A tagline undoubtedly inspired not only by his personal interest in fast cars (Mille often races his own 1970 Lola), but also by his interest in exotic materials generally used in contexts such as the F1 industry. Your correspondent would now like to offer an extension to that tagline: "A racing machine on the wrist that makes otherwise reasonable people stop and gawk, want to make friends with you or upgrade your hotel room".

Borrowed feathers
I left the SIHH 2014 with an impressive titanium RM11-01 Roberto Mancini on my wrist, along with a pair of "mechanical" cufflinks, also in titanium. They were obviously not mine to keep, as I do not have Euro 114,500 in my timepiece account, nor the Euro 12,500 needed for the cufflinks (in fact I don't have a cufflinks account at all). Instead I wore the RM11-01 as borrowed feathers - but what borrowed feathers they turned out to be!

Once I got back home I started Instagram'ing this impressive watch and my Facebook account also featured many daily shots of the watch "in action". The response from social media circles was overwhelming. Strangers PM'd me asking if they could pop by my office just to see the watch, and I have a b suspicion that people showed up to my lectures just to get up-close-and-personal with the Richard Mille on my wrist.

The RM11-01 is a thing to behold. The distinct curvex and industrial looking case has been a trademark design of Richard Mille since the first model, RM001, was introduced in 2001. This particular model on my wrist, the Felipe Massa RM11, has been a success ever since it was originally launched in 2007 and can rightfully be considered the most popular of the contemporary range.

Do not however expect any extra attention if wearing the RM11-01 when horseback riding in outer Mongolia, or spelunking in Bulgaria. Richard Mille is not a carpet bomber; his distribution is very focused on key urban markets.

This of course is quite understandable as Richard Mille only produces 3,000 watches a year, and with an entry level of euro 43,000 (for the titanium RM07) to 1.4 million (for the elusive RM05601 with a sapphire case), it is a watch brand for the 1%. Unless of course you live in Dubai, where a Richard Mille is the horological equivalent of the soup of the day on the wrist of the Arab businessmen in their crisp, white disdasha. In these parts of the world a steel Rolex DateJust gets as much attention as last year's second runner-up of Dubai Has Talent. The glitterati of the Emirates get a diamond-crusted Rolex as their first timepiece, and have probably collected a complete set of Patek Philippe Nautilus models by the time their voice breaks.

The Nicholson of horology
A Richard Mille watch is for the guys (and gals) who have been around and who have tried and collected most high-end watch brands already. Their collections are already full of tourbillons, minute repeaters, probably including quite a few made by independent watchmakers, such as Christophe Claret, F. P. Journe and Kari Voutilainen.

Richard Mille may belong to the same crowd of young and indie watch brands, but he stands out. I see him as the Jack Nicholson of contemporary horology due to his laid-back personality and irresistible joie de vivre. His watches more powerfully represent sex, rock n' roll, fast cars and an exuberant lifestyle than anybody else.

Funnily enough the functions of Richard Mille watches are actually met with less interest than those of the competitors in the same price range, even though several of them offer fascinating functions such as a declutchable rotor, torque indicator and G-Force sensor, as well as a E6-B flight computer.

Nobody actually asked me about the functions of the RM11-01. A few asked about the choice of colors and nodded knowingly when I told them the model was named after a famous (former) Manchester City manager who is now managing Turkish Super Lig club Galatasaray. I got the distinct impression the watch could have been right only twice a day, and nobody would have noticed: it's the name on the dial and the lifestyle buzz that gets the pulse up.

But let´s sober up for a moment, ignore the sex appeal, and look at what this watch actually does.

The specs of the RM11-01
The automatic caliber RMAC1 inside the titanium case of the RM11-1 Roberto Mancini offers the standard functions of this model, such as flyback chronograph and annual calendar. Additionally, and in order to meet Mancini's demands, this model also offers a dial design that makes it possible to display football match time based on a two times 45-minute match while taking account of the 15-minute stoppage time.

During each half, a single press on the push-piece at "4" activates the flyback function, zero-setting the chronograph seconds hand which is thus ready to start timing the second half of the match. If extra time is awarded, the watch displays an additional 15 minutes and up to 5 minutes of stoppage time.

Functions and football reference aside, the RM11-01 procured me a somewhat unexpected pleasure while wearing it. I had strangers compliment my watch, floor managers expecting me to throw down a black Amex card to buy half the stock and hotel staff giving me extra attention when I was checking in (not when checking out as I turned out to not splash money everywhere I went). In conclusion, owning a watch from Richard Mille collection is what it feels like to park a slick luxury car outside a crowded cafe and step into it with a leggy blonde holding your hand: all eyes on you. And that thing on your arm.

You are launching an RM 50-01 in partnership with the Lotus F1 Team and Romain Grosjean. What does this partnership involve?
We have a contract with the Lotus Formula 1 team and with its drivers. We are introducing a watch bearing its name and that of Romain Grosjean at this SIHH, equipped with a G-Force Meter and featuring the new material we are presenting, NTPT. This carbon-based technology stems from the production of sails for racing yachts.

It is still possible to enjoy clear visibility in the world of F1 alongside the all-pervasive presence of Rolex in this sport?
Yes, because our association is with the drivers, to develop products with them - just as we did for Felipe Massa. At that time, his team was partnering another brand, which didn't stop us working together. We are interested in the sportsmen themselves and we have indeed just launched a partnership with Alexis Pinturault, one of the most promising young French skiers, who just won the slalom ski race at Wengen last Sunday.

And what about the partnership with Natalie Portman?
The partnership agreement was signed in 2012, but it took two years to create the watch bearing her name, the RM 19-01. It represents one of her favourite symbols, the spider. We like it when our partners share their emotions with us and tell us what they like.

So 2014 is a year dedicated to women at Richard Mille ?
It's doubtless going to be a big year for women internationally, so we are taking the opportunity to launch several new watches in our ladies' collections. The latter account for 20% of our production, but we think that figure could in time reach 30 to 35%. With our new materials, such as white or chestnut brown ceramics, and our bracelet on the RM 07-01 model, we certainly have some features that are liable to appeal to women.

What's so special about this bracelet?
For the time being, it's intended for ladies, and it meets all Richard Mille criteria - meaning it is complex, extremely well finished and perfectly integrated with our cases and their distinctively curved shapes. Richard Mille has always been very sensitive to wearer comfort.

For the first time, visitors to your booth are forbidden to take pictures. Why is that?
We have always been open to this principle. A lot of people like to take snaps of absolutely everything. Even with a smartphone, you can get impressive results. But some of them are used to feed the fake-watch market and so we want to protect the brand and our clients.

Could you give us a few current business figures?
This year, we will produce about 3,400 watches, compared with less than 3,000 in 2013. Our turnover for 2013 was 123 million Swiss francs and we are aiming for 150 million in 2014. Our average price increases year on year and is now over the 110,000 € mark. We sell what we produce and our order book is full.

What's the geographical spread of your activity?
China represents less than 3% of our turnover, and we want to develop it - that is indeed our goal this year. The rest is pretty well balanced, just as Mr Richard Mille himself has always wished it to be: 40% in Asia, 30% in Europe and about the same in America. We are going to open another 8 to 10 boutiques, including in London, Jeddah, Beijing and Shanghai, after opening several last year in locations such as Las Vegas and Macao.

Some will say that if you rub greatness, there's a good chance it becomes contagious. Richard Mille doesn't really need that kind of help from the champions he endorses - he's got the Midas touch himself. And a highly touted collection of watches to prove it, many of them named for one of the most impressive group of sports personalities ever to be associated with a watch brand not named Rolex. Rolex has never quite had timepieces this highly complicated or with tailor-made features suited to the specific sporting activities of its ambassadors. Richard Mille does, through, for its very interesting and creative partnerships. And several of the new watches unveiled at the SIHH 2013 underscore this yet again.

On top of it, Richard Mille's gang has an unprecedented eclectic flavor. Why such an obsession for champions? "I've always considered a bit sad that high watchmaking was some sort of a ghetto and that it should be more open to sports, to lifestyle, to the arts. And I'm interested in working with champions because I'm not afraid to put my watches in danger. Usually, the traditional contact between watchmaking and sports is through photography; with me, it's different: all the champions I work with wear their timepieces in their respective fields and we're forced to have an extraordinary level of resistance and quality in our watches. Every champion's timepiece is an extreme watch for extreme conditions." There's a new one being developed right now for Sebastien Loeb, the exceptional French driver with a record nine World Championship Rally titles under his belt. Loeb has been associated with small and affordable brand Marvin over the past few years.

b watches, not Armb

Is there a specific star Richard Mille would like to have under his umbrella? "I'm sure there are a lot of champions I'd like to work with. Basketball players, for instance, but they're not allowed to wear a timepiece in official play. With rugby players it's the same. Unfortunately!" Richard Mille can't even name one favorite champion out of his own group: "I'm not being politically correct when I say that I love them all. I really do. Plus, I have a great relationship with each one of them. For instance, I've got a great friendship with Roberto Mancini, who's been here at the fair. The same with Rafael Nadal, Felipe Massa…each one of them. What is important to me is that they have great personalities. They are humble, really professional, true gentlemen. And I love to work with them for as much time as possible. Take my friend Massa, who's had his highs and lows and now is coming back. And such is life."

Is it a dream team? "I'd say it is, because it isn't just the performance that interests me, it's also the personality. For instance, with Roberto Mancini we developed a watch related to football. And that's what I really like: to develop a new product with them. I love working with intelligent, subtle, interesting people. It's not just the performance - and that's why I'd say mine actually really is a dream team, because they form a group of such great personalities." There's one suggested star that won't make the Richard Mille family, though: the worlds' best-known cyclist, Lance Armb. "I don't think so, no. Ha ha."

More "technorological" creations

Richard Mille has created one or more exclusive series of timepieces for golfer Bubba Watson, polo player Pablo MacDonough, tennis champion Rafael Nadal, Formula 1 driver Felipe Massa and track & field sprinter Yohan Blake. At the SIHH, five of the seven new timepieces introduced were related to sports personalities, including two associated with FIA supremo Jean Todt. A sixth one, bearing the Sebastien Loeb signature, is on its way. Here are the new products.

Automatic Flyback Chronograph RM 11-01 Roberto Mancini

Roberto Mancini, formerly a champion on the pitch and now champion of the Premier League as the Manchester City manager, helped create the original RM 11-01, an automatic flyback chronograph with annual calendar, central minute counter and a dial divided into periods of play conceived to assist a coach not only during matches but also during extra time. The dial displays match time on the basis of two 45-minute halves and up to 15 minutes of stoppage time. Pressing the pusher at 4 o'clock once actuates the flyback function and repositions the hand at 12 o'clock, ready to start the second half. If extra time is awarded, the flyback function can be reactivated to show the 15 minutes of extra match time and up to 5 minutes of stoppage time.

Tourbillon RM 27-01 Rafael Nadal watch

It weighs one gram less (!!!) than the previous ultra-light, 20-gram RM 027 that Rafael Nadal started using in his greatest season (2010). The third timepiece resulting from the partnership between Richard Mille and the Spanish tennis champion will be used by Rafa himself when he comes back to the ATP World Tour next February after an eight month absence. It boasts a tourbillon capable of sustaining Nadal's incredible arm accelerations (more than 5,000Gs) during the course of a tennis match and the architecture of the movement, suspended in the heart of the case, is a marvel in itself. The RM 27-01 is available in carbon nanotubes and on a Velcro strap in a limited run of 50 timepieces. The other Rafael Nadal timepiece by Richard Mille is the Chronofiable-certified RM 035.

Tourbillon RM 59-01 Yohan Blake

The multiple medalist and Jamaican sprinter has been wearing a tourbillon prototype on his wrist, which provides a real-life testing ground enabling Richard Mille's engineers to define the specifications of a watch specifically designed for athletics. Yohan Blake worked with Richard Mille to develop a special caliber designed for sprinters the world over and the mission was accomplished with the funky RM 59-01 tourbillon watch, featuring dynamic bridges that span the movement and evoke the claws of the "The Beast" (Yohan Blake's nickname). Machined from anticorodal aluminum Pb109 and anodized (through anodic oxidation), it is hand-painted in green and yellow, two colors that also appear on the aluminum flange in tribute to the Jamaican flag. Limited to 50 timepieces.

Tourbillon RM 58-01 World Timer Jean Todt Limited Edition

It wasn't until the 20th century that the time zones we have come to know were implemented uniformly and adopted unanimously around the globe. Jean Todt, President of FIA, is a man constantly moving through time zones. The RM 58-01 Tourbillon is a user-friendly timepiece dedicated to constant travelers. The tourbillon, positioned at 9 o'clock and oscillating at a frequency of 3Hz, is accommodated in a four-part case made from titanium and red gold. The shot-blasted, satin-brushed and polished rotating bezel bears the names of 24 world cities on its brown upper flange. In contrast to other time zone watches, the RM 58-01 does not need any adjusting push-piece to change from one time zone to another. The time is set by simply rotating the bezel anticlockwise. Profits from the sale of this 35-piece limited edition will be transferred to initiatives close to Todt's heart: the Global Campaign for Road Safety and the ICM Brain & Spine Institute.

Tourbillon G-Sensor RM 036 Jean Todt Limited Edition

Already introduced as a pre-SIHH product a few months ago, the RM 036 features the emblematic curved and ergonomic Richard Mille cushion-shaped case specifically requested by Jean Todt for a timepiece housing a tourbillon movement made entirely of grade-5 titanium and ARCAP, with a carbon-nanofiber base plate. The cocktail of futuristic materials provides the movement with optimal resistance and flatness, offering at the same time an appealing contrast with the finishing. It also boasts a brand-new complication: a mechanical G-sensor, developed and patented by Renaud et Papi exclusively for Richard Mille, which translates the movement of a small internal mechanism to an indicator, thereby enabling the wearer to visualize the number of Gs accumulated by the wearer during rapid decelerations. The scale located at 12 o'clock has a needle indicating whether the deceleration is safe (green zone) or critical (red zone) for the driver. Limited to 15 titanium pieces, profits will be donated to the global campaign for road safety and the ICM Brain & Spine Institute.

Tourbillon RM 56-01 Sapphire Crystal

When it was unveiled at the 2012 SIHH, the RM 056 Split-Seconds Competition Chronograph Sapphire bearing the name of Formula 1 driver Felipe Massa caused a stir with its case made entirely of sapphire crystal. Following such a technical feat and determined to continue challenging the very limits of fine watchmaking, Richard Mille created another "transparent" masterpiece for 2013: the RM 56-01 Sapphire Crystal. The quest for extreme transparency at the heart of a titanium movement led the engineers to use sapphire crystal for the central bridge and third wheel. Caliber RM 56-01, made from sapphire crystal and titanium, is immune to temperature variations and wear. Collaboration with Biwi SA made it possible to develop Aerospace nano, employing nanotechnology to obtain unequalled transparency and strength for a revolutionary strap. Because the machining of sapphire crystal is an extremely difficult process, the RM 56-01 is only available in a very limited edition of five timepieces.

The Tourbillon RM 039 Aviation E6-B Flyback Chronograph watch

Not quite related to any traditional sport or athlete, the RM 039 Aviation E6-B pilot's watch is the other brand-new product for 2013 and displays practically all the information provided by the famous E6-B slide rule. Incorporated into the bidirectionally rotating bezel, it can be used to read off and calculate fuel burn, flight times, ground speed and wind correction, and to quickly convert units of measurement (Naut/KM/Gallons/ Liters/Feet/KG/LBS). Another special characteristic of the RM 039 that distinguishes it from other pilot's watches is that it enables density altitude to be calculated using a movable indicator incorporated into the case band at 2 o'clock: an original function brought to watchmaking for the very first time. The Tourbillon RM 039 Aviation E6-B is a highly technical instrument that embodies the bridge between watchmaking and aeronautics. Limited edition of 30 timepieces in titanium.

Antiquorum's fall auction of "Important Modern & Vintage Timpieces" held at the Mandarin Oriental in Hong Kong on Friday, October 19th achieved outstanding results totaling HKD23,834,875. A total of 75.8% of the auction was sold by lot, with 124% sold by value.
 
The highlights of the sale included the Harry Winston "OPUS V" 18K pink gold wristwatch, the Louis Vuitton "Tambour Diving II" 18K black gold diver's wristwatch with square button chronograph specially made for Only Watch Auction 2011, and a series of fine Patek Philippe timepieces.

One of the most exciting highlight's of the sale was definitely the Harry Winston "OPUS V" 18K pink gold wristwatch (Lot 323). This very fine and rare wristwatch aroused a lot of interest among collectors and was sold for an impressive HKD1,160,000 (including buyer's premium) after heated competition between room, phone and Internet bidders.
 

Another highlight was the Louis Vuitton "Tambour Diving II" 18K black gold diver's wristwatch with square button chronograph (Lot 118), specially made for Only Watch. The unique and highly collectible wristwatch drew consideration attention among collectors and attained a noteworthy price of HKD400, 000 (including buyer's premium).
 
The outstanding performance of Patek Philippe once again highlights the brand's popularity among collectors worldwide. The Patek Philippe Ref. 5101P 10 Days Tourbillon Platinum (Lot 322) sold for HKD1, 556,000 (including buyer's premium), the highest price attained in the sale.

Patek Philippe Ref. 5131G-001 World Time wristwatch (Lot 206), a very fine wristwatch combining precise watchmaking expertise and traditional enamel craftsmanship achieved HKD1,040,000, while Patek Philippe Ref. 5050G Roman Dial 18K white gold wristwatch with perpetual calendar (Lot 321), brought HKD608,000. Also noteworthy was the Patek Philippe Ref. 5350R 18K pink gold wristwatch (315), which attained HKD475, 000 after fierce bidding.
 
Patek Philippe Ref. 1146 "Piece Unique - Pendulette Dome -Fêtes des Vendanges" Dome clock (Lot 127), which had drawn considerable attention prior to the sale, attracted many collectors vying for it and was sold to an Asian collector for a remarkable HKD980,000. (including buyer's premium)

 
The auction attracted collectors from across the globe with bidders from China, Taiwan, Hong Kong, Russia, Singapore, Switzerland and the United States.
 
"Today's fierce competition among global bidders for the Patek Philippe Ref. 1146, Harry Winston "OPUS V" and other amazing lots for auction confirms the ever-increasing market demand for collectable timepieces," said Jill Chen, General Manager, Antiquorum Hong Kong.
 
Antiquorum looks forward to our next auction on November 11th in Geneva, featuring a magnificent royal presentation musical fan with concealed watch and an impressive collection of Patek Philippe and Rolex timpieces.

Antiquorum, The World's Premier Auctioneers of Modern and Vintage Timepieces, is pleased to present its fall auction of "Important Modern & Vintage Timepieces" to be held on Sunday, November 11th at The Mandarin Oriental Geneva. Collectors can look forward to bidding on 613 outstanding modern and vintage timepieces.

Amongst the unique and collectible highlights is an extremely rare Rolex Single Red Prototype, Ref. 1665 Sea-Dweller Submariner and a series of Patek Philippe timepieces, including a Patek Philippe Ref. 1518 Perpetual Calendar Chronograph and a Patek Philippe Ref. 2499 Perpetual Calendar Chronograph. Previews will be held in Hong Kong, Shanghai, Beijing as well as Geneva.

The highlight of the sale is a Magnificent Royal Presentation Musical Fan with Concealed Watch, A gift from Prince Ferdinand of Saxe-Coburg and Gotha to Vicomte de Morais, attributed to Piguet & Capt, Geneva, made circa 1810.

 
It is an extremely rare and magnificent, musical, gold, painted on enamel and pearl-set fan with concealed watch and visible rose-diamond-set balance, the fan painted in watercolour and gold. This important gold and enamel musical fan is one of only three known to exist with a watch and music. A magnificent object de luxe, like the other fabulous and exotic precious objects made in Geneva at the beginning of the 19th century, this fan would have been the exclusive preserve of Royalty and the very upper echelons of polite society.

Lot 189
Estimate: CHF 300,000 - 500,000
 
"It's exciting to come across rare and special lots such as the Prototype Rolex Ref. 1665 Sea-Dweller Submariner and the Royal Presentation Fan, and we are proud to present them at Antiquorum's auction," said Evan Zimmermann, President and CEO of Antiquorum. "Items of such horological and historical importance along with a series of Patek Philippe and other very fine timepieces are sure to make this an outstanding event."
 
Antiquorum is also proud to present the Single Red Patent Pending Rolex Ref.1665 500m/1650ft - one of only six known. Produced in 1967 and never before seen at auction, there are six known examples of the "Single Red," including this particular example. According to research, this may be one of the only two known examples with escape valve. These watches were the prototypes for subsequent production models of the Sea-Dweller. Their history, intertwined with the lives and contributions of important divers of the 1960's make them one of the most historically significant watches that Rolex ever made, and thus one of the most important dive Rolexes to have ever come up for auction. Bought by the current consignor in the late 1980's, the watch has remained unworn in the safe since its purchase and has remained in excellent original condition.
Lot 126
Estimate: CHF 80,000 - 120,000
 
Patek Philippe collectors will want to bid on the Patek Philippe Ref.1518, First Series. Made in 1951, it is a rare 18K yellow gold perpetual calendar chronograph wristwatch with moon phases accompanied by the Extract from the Archives.

Lot 612
Estimate: 200,000 - 300,000 CHF
 
Another highlight of the sale is a Patek Philippe Yellow Gold Ref. 2499/100, one of the last examples to be produced. It is a very fine 18K yellow gold perpetual calendar chronograph wristwatch with phases of the moon accompanied by the Extract from the Archives. Made in 1984, it would appear that the present watch has never been offered at auction before.

WORLDTEMPUS - 20 August 2012
When I am evaluating the condition of a watch, I always examine the case's lugs for thickness and uniformity. With experience after studying lots of watches, you will learn what a case looks like before it is refinished. For example: on complicated Patek Philippe models, especially perpetual calendar chronographs starting with the second-series 2499 models, the lugs have steps. Study these watches closely to learn what the steps look like when they are new. Stay away from cases with soft lugs or request a deep discount for a soft case. The metal can never again be made whole once it is polished away.
In the previous three parts of this series, we have learned that the dial is the most important and valuable part of a vintage watch. Accordingly, the condition of the dial is paramount. Ideally, there will be no imperfections like flaking paint, no rust, or missing applied pieces. Many vintage watch dials have lacquer on them; after many years lacquer can craze or crack. This is actually a desirable effect on some watches like the glossy dial of the Rolex 5513 Submariner. Spotting on a dial that is a few decades or more in age is normal, and as long as it doesn't detract from your enjoyment of the watch, it is normally acceptable. The hands, usually included with the dial in grading condition, are frequently in different condition than the dial. Oxidation or pitting can often be found on hands. If there is luminous substance on the hands, it can be cracked or have completely fallen out. In this regard, original hands, regardless of their condition, are more valuable than replacement hands, even if the latter are like new.

In terms of dial condition, there are some specific discolorations that enhance the value of the watch. Most common is patina, which is the word used for something whose color changes over time. The luminous hour markers on Rolex dials are the most useful example. Study the dials of, say, Reference 5513 Submariners. You will find hour markers from snow white (no patina) to deep butterscotch color. The important thing, in terms of value, is that the patina is uniform across all luminous elements. Another permutation in hue is the so called Color Change (or "Patrizzi") dials on the Rolex 16520 Daytona models. This only occurs on the black dials and, specifically, on the chapter rings around the subdials. Originally, the chapter rings were white or pale silver. Some, over time, develop a brown coloration. For many collectors, this is a pleasing effect and makes the watch more valuable. Incidentally, dials with a propensity for having chapter rings turn brown usually also have an inverted 6 on the chronograph hour totalizer subdial. One last example of a desirable color change is the Rolex Explorer II reference number 16550, whose white dials have turned to a deep cream color.

Bracelets hopefully stand the test of time without stretching or losing links, however this is not as important as replacement bracelets are usually fairly easy to find, though likely expensive. Nothing is more personally disgusting than a used strap, much less a really old used strap. A new strap is preferred, as no one likes to wear a strap that someone else has sweated on. An exception to this is certain vintage pilot's watches with special straps or even ankle straps, which are basically almost as historic as the watch itself.
The last variable in determining the value of a vintage watch is provenance: the old "box and papers" thing. Without exception or qualification, it is always better to get as many of the elements that were originally delivered with the watch as possible. For many high-end vintage watches, the presence of the original box, documents and other paraphernalia can enhance the value of the watch by as much as 25 to 35 percent.
Interestingly, what was given out with the watch was often different depending on where in the world the watch was purchased. Let's face it, we all like to get as much as possible for our money, and the goodies and extras are important and quite valuable. The original guarantee or chronometer certificate for a watch also proves authenticity. There is an active market for vintage watch boxes, product booklets, hang tags and the like. Buyer beware, however: these items can also be faked. You can never be too careful in learning about the paraphernalia, what to look for to know if you are looking at genuine artifacts or fakes.
A final thought when it comes to finding a watch with its original elements: the original owner and perhaps subsequent owners who cared enough to keep the watch and its things together was probably an owner who took good care of the watch itself. Easily 90 percent of vintage watches have no box and papers, so finding a complete package is rare, exciting and valuable. Good luck!

Related stories:

COLLECTING - Vintage Value Equation (1)
COLLECTING - Vintage Value Equation (2)
COLLECTING - Vintage Value Equation (3)

WORLDTEMPUS - 16 August 2012

Dials deserve special mention when talking about the originality of vintage watches because, in my opinion, an original dial comprises approximately half to three-quarters of the watch's overall value. For example, a vintage Rolex Daytona with a normal original dial is worth only half of the same watch with an original Paul Newman dial. A Rolex Submariner from the 1950s with its original unmodified dial is worth double the same watch with a later Rolex replacement dial. Naturally, very few such early watches survive to this day with original perfect-condition dials, but such pristine original dials exist. These perfect watches command a substantial price premium over watches with degraded, but otherwise original, dials. Degraded original dials command more value than OEM (original equipment maker) replacement dials.

I mentioned last week how dials can be modified for aesthetic or functional reasons - known in the jargon as re-painted, as re-dialed, re-lumed, etc. - and dials that fall into this category have the least value. Fake dials, fairly prevalent on otherwise valuable original watches, have no value and are considered a serious demerit to the watch for obvious reasons. However, the other real parts of the watch have value, which is to be remembered for the serious collector who may have a collection of original parts accumulated over many years, which he or she can combine to form a watch comprising all original parts. So-called "put-together" watches are less than optimal because they are not original. As the years go by, however, and parts and/or entire watches get damaged, discarded or become otherwise unavailable, these spare original parts can result in a complete original watch that would otherwise be a broken or less-than-original watch. 

It's not surprising that the dial is the most important part of the watch because the dial is how the wearer interacts with the watch. A compromise with the dial is a compromise in the enjoyment of the watch, and ultimately in its value.
Cases and movements are also often less than completely original and, again, this can be for various reasons. Both are still critical factors in arriving at the value of a watch, however. Ideally, both the entirety of the case and movement will be original. Hopefully, the movement will have been serviced over the years and be running. If the movement needed or needs parts, OEM parts are preferred. However, the bottom line is that the watch is running. An original movement with some non-original parts is preferred to a broken movement that doesn't run. In more complicated watches, especially vintage Rolex Daytonas, the movements are sometimes not original. Vintage Daytonas were powered by Valjoux movements that were commonly found in other quality chronographs of the era. A vintage Daytona may have the Valjoux movement numbers 72B, 722, 722-1 or 727. Rolex made their own modifications to these movements and, of course, engraved the bridges. Given the value of vintage Daytonas, resourceful crooks have "put together" vintage Daytonas using real Valjoux movements from non-Rolex watches (without the Rolex modifications or with faked modifications), and a combination of other real or faked parts. Watch cases are not usually counterfeited, but you may find a Universal Geneve case masquerading as a Daytona case.

One other point needs to be made about cases and movements: Rolex stocks replacement cases and replacement movements for watches received for servicing with irretrievably compromised parts. These cases often have a distinct serial number starting with the numeral 44. Likewise, the movement in a vintage watch may be a replacement movement if the original was rusted or somehow destroyed. Knowing which movements belong in which watch is a matter of experience and building an excellent resource library; so many part numbers can get confusing for anyone.
The condition of the watch is the next most important variable in determining the watch's value, and sellers grade condition. Some sellers will use a number scale with 100 percent condition meaning the watch is as perfect as new. Other sellers use words like mint, mint+, near mint, excellent, etc. I like to believe most sellers make an honest attempt to describe their watches accurately. Not surprisingly, the seller often describes the condition of the watch more optimistically than the buyer will describe it once receiving it. So if you are buying a watch, make the guarded assumption that the seller's condition assessment is probably optimistic.
Obviously, the better the condition of the watch, the more valuable it is. As such, there are some specific things to pay attention to and there are tradeoffs. Every collector has to decide what is most important to him or her in this regard.

Specifically, when a watch case leaves a factory it is new, shiny and not diminished from being polished. Some collectors put a premium on a watch that has been polished so that its surfaces are clean enough to give the appearance of being like new. Other collectors prioritize originality over appearance. A watch case has a specific finish when it is new, and many watches have a combination of alternating finishes like mirror-polished, matte, sandblasted, or brushed surfaces. If a watch returns to its manufacturer for service, the watchmakers will restore the original finish, which is important. Using Rolex once again as an example, many Oyster cases are brushed on the top surfaces of the case, mirror-polished on the sides, and the case back is mirror-polished on its outer ring and brushed in the center. The center may be concentrically or laterally brushed. Send a watch to Rolex for service and it will come back looking perfect.
However, careless watchmakers have ruined hundreds of thousands of watches by applying a mono-finish when working on a case. I have seen far too many fully mirror-polished Rolex cases and all brush-finished Panerai cases that should have been polished. Fortunately, this is reversible, but remember: each and every time a watch case is polished, metal is eroded and lost forever. Also, check the case for serial and model numbers and other engraving or printing that should be on the watch. All should be crisp and legible. Many cases have been polished to the point where original markings are either illegible or removed altogether. On precious metal watch cases, look to make sure that the metal's hallmarks are present. If you are looking at what appears to be a gold or platinum watch, the case should have hallmarks. Finding a crisp, deep hallmark means the case is both made of the metal it purports to be made from and has only been lightly or never polished.

Related stories:

COLLECTING - Vintage Value Equation (1)
COLLECTING - Vintage Value Equation (2)
COLLECTING - Vintage Value Equation (4)

WORLDTEMPUS - 22 June 2012

"We're building our own case making facility," general manager Yves Mathys explains as we ask about the big cranes visible from the windows of Horometrie SA in the small Swiss village of Les Breuleux. This is the home of Richard Mille and the place where most of his extraordinary watches are assembled. Others are assembled down the road at Audemars Piguet Renaud et Papi in Le Locle, and until recently many of Richard Mille's watch cases were made just across the street at case maker Donze-Baume.
When Richemont took over Donze-Baume in 2008, Richard Mille was given a five-year grace period to find a new case maker. In the end, the little company decided to build its own case making factory, which will open the end of 2012, just a stone's throw from the present location. However, the knowhow required for the incredible RM 056 Felipe Massa Sapphire Tourbillon Split-Seconds Competition Chronograph introduced earlier this year at the S.I.H.H. in Geneva was something extraordinary. It, however, was made by a different supplier - and not actually a case maker.

Luxurious sapphires
The cases of the RM 056 are made by sapphire crystal manufacturing company Stettler Sapphire AG in Lyss. "We produce 80 percent of all sapphire crystals in the luxury watch business," head of sales and marketing Hans Studer explains when we pay the company a visit to get an intimate look at the process of making the transparent case of the RM 056. "Basically, we are the main supplier for watch companies producing watches costing 2,000 Swiss francs and more," he says while showing trays full of sapphire glasses made for brands such as MB&F (Maximilian Busser & Friends), Rado, Patek Philippe, and Rolex.

Record-breaking sapphires
Stettler made the 14.3-millimeter thick crystal fitted on the Rolex DeepSea Challenge that is water resistant to 12,000 meters. "We made a total of five crystals for the Sea-Dweller DeepSea Challenge model," Studer says, though he declined to reveal whether Rolex actually also produced five watches for the record-breaking dive of 10,898 meters made by film producer James Cameron in March 2012.
Even if Stettler is used to tough assignments, the case of Richard Mille's RM 056 was something else. "For Stettler it was an incredible experience to develop this sapphire case," Studer continues. "Each of the three parts made of Kyropoulos sapphire takes weeks of finishing and we have a CNC machine dedicated only to the production of the RM 056 cases," he says showing the brand-new cutting machine that runs 24 hours a day in order to meet the demand of the five people who ordered the RM 056 during the fair in January. "The case back alone takes five weeks to finish, which means it will take a whole year to finish all five cases," Studer says matter-of-factly.

Mutual invest
Leaving the Stettler premises, I can't help thinking that one could have the impression that Richard Mille and his suppliers "R&D" each other, pushing the boundaries for modern watchmaking in an otherwise rather conservative business. The innovative and unconventional mind of Mille demands a lot from his suppliers and without their skills, machinery and ? last but hardly least ? flexibility, many of Mille's timepieces would never have made it onto the wrists of their owners today.
Art of time
After the visit to the Richard Mille boutique in Geneva, Horometrie and Stettler, it also occurs to me that in fact the ultra-light RM 027 adorning tennis player Rafael Nadal's winning wrist and its white counterpart, the RM 038 that sits on golfer Bubba Watson's wrist, are much more than just innovative timepieces. They are ticking pieces of art and would fit in just as well at Art Basel as they do at S.I.H.H. in Geneva.

When you acknowledge this fact and consider Mille's watches as art you don't just buy one of his watches. You invest into his artistic and creative mind, just like you invest in a Warhol, Prince or other contemporary art that pleases not only the eyes, but also seem to justify the exuberant prices asked. And as an added bonus, Mille's watches show the time too.

We watch lovers know that when we buy a mechanical watch, we must take care of it almost the same way we would care for a well-oiled automobile. I know from personal experience that trusty auto mechanics are, however, in short supply. They take one look at me and - noting my gender - try to convince me that my car is in need of much more service than it really is. When I find a mechanic who I feel treats me fairly, services my car correctly and charges me fair rates, I stick with that mechanic basically for life.
Mechanical watches are no different. They need periodic servicing - though much less than a car. They need loving hands to treat them well, and they require further investments by their owners. I know that when I need a watch serviced, I prefer my favorite local watchmaker with whom I have a longstanding relationship over sending the watch to a foreign country via an anonymous chain store. I support my local independent watchmaker and I am certainly not alone. Mom-and-pop watchmakers with skills to run a decent business and take care of fine watches are in serious short supply. When you find one, you hang on to them with all your might.
About ten years ago, my favorite local watchmaker told me that he could no longer service new Rolex models and some other big-name brands because they won't sell spare parts and the special tools required to install them to independent watchmaker-repairers. So, if you buy these brands, you should know in advance that they can only be serviced by the companies in question and their direct affiliates - at which point control over what is happening inside your watch is lost. In fact, a high-level collector just told me last week that when you send in a new Rolex for servicing, that company will change any number of parts out without even asking - including the dial. These days I guess it is a known quotient, and something you inherently agree to when you buy a watch from that brand.
A group of Australian watchmakers is currently becoming vocal over the issue, which seems to be becoming standard fare among group-owned luxury brands. An organization called Save the Time has sparked a rally for supply of manufacturer's parts to independent watchmaker-repairers.
 

The problem
Using another off-industry analogy let me show you the problem in a different way. My first laptop was a Macintosh G4, which served me well - except for the batteries, which only had enough juice for two hours of use. No Mac battery can last the length of a transatlantic airplane ride, which is why I always traveled with at least three so I could work on airplanes. One time, I accidentally left one of my batteries in the airplane seat pocket, so I decided to contact Apple to see if I could order a new one to my hotel in time for the 13-hour plane ride home. I was informed by the salesperson that (four years after original purchase, mind you) Apple no longer made batteries for this model and I would be best served checking eBay. That exchange stopped me in my tracks and I no longer subscribe to the Macintosh philosophy. Now a solid PC user, I am aware in advance that the € 500 I invest in my computer (as opposed to triple that for a Mac) will likely only last me about three years. However, the salespeople tell you this in advance and it is a known fact.
What is not a known fact is that one can spend € 10,000 and way more for a luxury watch of the finest quality and be expected five years later to plunk down another almost € 2,000 for repairs and servicing. This is the other issue the Australian watchmakers are fighting to make public.
Australia saves the time
No watchmaker becomes a watchmaker for any other reason than that he or she simply loves watches. It is the passion for the craft that carried him or her on through endless pedagogic sessions and thousands of manual hours of training. The reward at the end is the exciting moment when life begins to beat within a piece of metal that we call the balance spring, the heart of a mechanical watch.
 

When a watchmaker becomes an independent watchmaker-repairer, he or she usually does that for the love of the craft, and it is in his or her interest to serve customers well. It is not a high-paying job and relationships with clients and other passionate individuals in the field are among the biggest rewards. Mark Pleszczynski of Murwillumbah, Australia, is just such a watchmaker. Pleszczynski, who also plays a large role in the Watch & Clockmakers of Australia association, an unpaid not-for-profit organization, can no longer source spare parts for watches made by many of the group brands. He told me that this has resulted in income loss of $1,000 and more for him per week. He also explained that when these watches are sent to the manufacturer for servicing or repair, it will cost the consumer triple the amount he would have charged. This is not the main reason that Pleszczynski has joined the Save the Time movement: the main reason is that he feels that the restriction is eliminating the consumer choice of going to an established and trusted repairer.
This is different than the reason that Nick Hacko began the Save the Time movement, though it is related. "There is one small problem with the monopoly," he says. "It only works great for monopolists. Once it kills competition (independent watchmakers), monopolists start to raise repair prices way above marginal costs and lower customer service. Monopoly leaves you without a second option, a second opinion, a second quote and robs you of ability to inquire and ask questions."
Additionally, something happened in March that made him really go through the roof. He sent a very fine watch to the Australian headquarters of a major concern for crystal replacement. He had no choice but to send it there since they would not supply him with the replacement crystal. He therefore also had no choice but to have that watch repaired under that concern's terms and for the amount of money it found fit to charge. "And there is nothing wrong with that," Hacko said. "Except for one detail: while I was 'happy' to pay $195 for a new glass, I was less than happy to pay an additional $790 for a complete overhaul. And, quite frankly, I was blue in the face when I found that this watch needed a 'balance' for an extra $520 and a 'complete barrel' for another $270." The total (mandatory) repair cost for what was originally a replaced crystal came to $1,775.
Hacko maintains (and actually sent me photographic evidence) that the watch ran at minus 5 seconds per day and that the balance showed 278 degrees of amplitude. "This indicates to me that the watch does not need a new balance wheel."
 

It became obvious to Hacko that the repair quote was based on an assumption that the watch needs a new balance and barrel. "As any car mechanic can confirm, you cannot make a quote without looking under the bonnet," he justifiably said. "After the watch was returned, I took a photo of the case, which clearly shows that the serviceman did not even bother to take the watch out of the case and inspect the mechanism. Or he did an amazing job of 're-applying' the dirt to the case."
Hacko explained to me that proper repair procedure requires that all movement parts are disassembled, cleaned, then put back together. Only then can a repairman assess overall condition, wear and tear, and finally proceed with component replacement. "By quoting the replacement of the balance (which is the most expensive component), the concern in question has covered its back in case the watch really needed some or any parts. I find this completely unethical."
Hacko then took the watch apart to find out for himself what was really transpiring under the hood. After the overhaul, he was able to adjust the daily rate to close to zero seconds per day deviation. "Of course, I am not going to pretend that this watch kept absolutely perfect time in each and every position. The truth is no mechanical watch can keep absolutely perfect time in every position tested. But the healthy amplitude of 283 degrees told me that I don't need a new balance staff, balance wheel or complete balance assembly for $520!"
Hacko has since been instrumental in founding the new Professional Watchmakers of Australia, an association formed with intention to represent all independent Australian watchmakers demanding access to spare parts and fulfils the unpaid function of secretary and spokesperson.
Currently, Save the Time is looking to take this matter to the ACCC (Australian Competition & Consumer Commission), but they need 10,000 petition signatures to be able to do so. By visiting the website save-the-time.org, you can sign the petition, find out where local watchmakers are located and get a list of local suppliers. You can also read more about why the watchmakers find this so important.
If it can happen in Australia, it can happen anywhere. The subject is also currently being investigated by European Union antitrust regulators thanks to the European Confederation of Watch and Clock Repairers Associations.
 

Thomas Perazzi joins Sotheby's from his position as specialist at an auction house specialising in horology. Mr. Perazzi began his career in the industry in 2006, further developing his b interest in Omega and Rolex watches as well as vintage wristwatches made between 1940 and 1970. Mr. Perazzi will strengthen Sotheby's existing team in Europe with his solid expertise and b relations to Italy, a key centre in the watch auction market in Europe.
Commenting on Thomas Perazzi's appointment, Marc Michel-Amadry, Managing Director, Sotheby's Switzerland said: "I am delighted to announce the appointment of Thomas Perrazi as Deputy Director of Sotheby's European Watch Department. Thomas brings to Sotheby's outstanding expertise as well as a thorough understanding of the auction business and the Italian market. His appointment will enhance the company's ability to ensure the best service to watch collectors".
Geoffroy Ader, Head of Watches, Sotheby's Europe, added: "Through his deep knowledge of the vintage and modern wristwatches, Thomas Perazzi will reinforce our existing team in Europe" .
Another b addition to Sotheby's global watch team, Charles Tearle, appointed Director, Head of Watches, Asia, will be based in Hong Kong, working closely with Tim Bourne, Worldwide Head of Watches, as well as an international team of specialists, in driving Sotheby's business in auctions and private sales of watches in Asia.
Together, Mr. Tearle and Mr. Perazzi will further strengthen Sotheby's watch business worldwide by working closely with the international team of watch specialists, reporting to Tim Bourne, Worldwide Head of Watches.

Representing a fine selection of the most prestigious watch and jewelry brands, the boutique located at Bahnhofstrasse 64 has been expertly managed for the last two years by Alberto Soria.

Taking leave of Les Ambassadeurs to realize personal projects, Soria vacated the post, which has aroused quite a bit of interest in the industry. Les Ambassadeurs decided to place its confidence in Forster to carry the torch.

Forster's career path, which began by learning the trade of watchmaker, is rich in experience. Having worked with famous brands such as Rolex and Audemars Piguet, trips and jobs abroad - notably in Singapore, China, Australia and the Caribbean - combine with his proximity to a successful clientele, with which he shares a sensibility to and passion for beautiful objects.
After more than one month spent in the company and benefitting from Soria's support during this transitional period, Forster now takes charge of his brands. Today, he is eager for just one thing: to continue to transmit his limitless passion.

A Timely Perspective - 28 March 2012

Jason Heaton is passionate about diving and has even achieved Rescue Diver Certification. Heaton, who lives in Minneapolis, grew up around Lake Michigan, where there are pristine ship wrecks thanks to the cold water. He has spent years diving in top spots around the world - in water ranging from Lake Michigan to the Honduras, Bonaire, Sri Lanka and even Boston Harbor (a murky site that wasn't his favorite). Heaton has found way to combine his love of diving with real-world dive-watch reviews for a variety of publications. Here he shares his thoughts with Atimelyperspective on what makes a good dive watch.

Jason Heaton somewhere off of Roatan, Honduras, wearing a Jaeger-LeCoultre Master Compressor Diving Geographic Navy SEALs in rose gold. "Crazy watch in all respects!""The truth is that you don't really need a dive watch today because there are so many other dive instruments you can use, but there is a saying in the dive world that is critical: 'two is one and one is none'. If you have two pieces of equipment, it's like having one, and if you have one, it's like having nothing because anything can happen to a single instrument. You always need backup, and for me, that's a great dive watch," says Heaton.
Several times, Heaton has had to rely only on his watch when diving. In fact, he refers to a trip in Sri Lanka, where a diving buddy's dive computer died. Heaton lent his computer to that diver, and relied on his watch to track his own time and depth.

 Heaton uses his dive watch to track intermediate things he is doing under water, and asserts it's a valuable timing tool, as well. He especially notes that since underwater navigation is tricky, using the watch to time how long you are swimming in one direction, helps you to assess when you need to turn around in order to get back in time before using up air. Thus, says Heaton, the most important feature on a dive watch is a one-way ratcheted bezel for the ability to track elapsed time. Also, in keeping with the ISO dive standards, the watch should be water resistant to at least 100 meters and have minute and hour hands that are distinctively different from each other.
"Additionally, when looking to buy a diver's watch, one really needs to look at the strap. It's the first thing you have to deal with after putting on your wetsuit, so it's good to have a rubber or Velcro strap that fits over the suit, or a quick change bracelet. Divers also want a bezel that's grippy and turns easily enough to set. Luminescence is so important because you need ease of telling time under water, and finally the big clunker watches can get hung up on gear and snagged on things, so a lower profile watch is better."
Among Heaton's favorites: Rolex, Citizen, IWC, Jaeger-LeCoultre, Omega, Doxa.

When a Westerner hears the word "Sherpa," he or she immediately associates it with mountain climbing. There is a good reason for this: the Sherpa caste, at home at the foot of Mt. Everest, part of the Himalayan mountain range, makes its living by guiding tourists coming to Nepal to conquer the mountain. This is a dangerous, ungrateful job - but in many cases it is the best way for a member of the Sherpa ethnic group to support its family.

Namgel Sherpa and Thundu Sherpa probably often gratefully pray to their gods since the day that Sir Ranulph Fiennes and Michael Kobold showed up in Kathmandu in 2008, the latter having spontaneously decided to accompany his friend and the Kobold Watch Company ambassador who has been described as "the world's greatest living adventurer" on an Everest bid. Kobold was unprepared to climb, and he had not even reckoned with reaching what's known as base camp (the last acclimation settlement before serious climbers head up the earth's highest mountain, which peaks at 8,848 meters (29,029 feet) above sea level). He made it up much higher before both he and Fiennes had to turn back; it was then he discovered he was officially bit by the same bug that has plagued adventurers the world over.
Kobold and Fiennes returned in 2009 and made it to the summit, with Kobold repeating the feat in 2010 together with his wife Anita Ugyan, who climbed without oxygen. During the three adventurous climbs, the lives of Kobold and other members of his crew - particularly his wife - were seriously endangered. Only by the grace of the Sherpas did they survive, and in his gratitude Kobold decided to make a suggestion uttered by Fiennes in 2008 into reality and invest in an unprecedented venture: training the two Sherpas as watchmakers and having them run a new subsidiary in Kathmandu called Kobold Watch Company Nepal (Pvt.) Ltd as co-owners.

"These two caught on really quickly," Kobold's head watchmaker, Dale Poindexter, said of the Sherpas' ability to learn the complicated techniques involved in mechanical watchmaking during the official opening of Kobold Nepal on March 26. Poindexter trained them for ten months in Kobold's Pittsburgh facility.
Made in Nepal
As manufacturing and crafts only employ 6 percent of Nepal's 27 million-b population, it is safe to say that skilled labor is not one of this country's assets. In fact, Kobold is certain that his venture is a highly motivational one for the people of Nepal, a way for them to imagine a different future. "Newspapers have already written that Nepal, unable to produce even a sewing needle, now has 'watch movements' with hundreds of parts. This is sure to greatly increase the confidence of the Nepalese in themselves."

The "standard" Kobold watch model bearing the predicate "made in Nepal," assembled in the Sherpas' new workshop, which is equipped with exceedingly solid, locally custom-made benches crafted from local wood, is called the Himalaya. It is housed in a 44 mm stainless steel case that was made in the U.S.A. The three-handed dial comes in brown or black and exudes the typical Kobold legibility that is the signature element of this adventurous brand. The automatic movement is a Kobold specialty: Caliber K.2651 is based on a vintage Förster movement from Pforzheim. Kobold is the only company currently using this refurbished and improved movement in serial watches. Water-resistant to 100 meters, the timepiece is protected by a sapphire crystal that is also sourced in the U.S.A. Its rugged, understated elegance completed by an alligator skin strap also crafted in the U.S.A. will allow this watch to be worn in any circumstances: on the mountain or in the city.
To celebrate the opening, Kobold also offered a limited edition of 25 very special watches - which were unfortunately already sold out before the evening of the opening had even come to its exciting conclusion. The Himalaya Everest Edition features a very special dial crafted from a Mt. Everest summit limestone that Kobold plucked from the lofty ground and brought back down the mountain in 2009. A German specialist company located in Idar-Oberstein spent two years ensuring the structural integrity of the beautiful dials crafted from this rock that now forms the mysterious 5 mm-thick face of the Himalaya Everest Edition. Needless to say, each of the 25 pieces is unique in its own way thanks to the natural material.

Last but hardly least
Many colorful and important personages attended the evening festivity, including a handful of ambassadors to Nepal, two top generals of the Nepalese army -who ended up "guarding" the Kobold collection inspected by party guests in the new workshop - several members of the deposed royal family of Nepal, the commander-in-chief of its army and other influential fans of Kobold watches from various countries. They had all attended not only to support the new business but also to hear Kobold's famed ambassador tell stories of his exploits. Fiennes has been entered into the "Guinness Book of World Records" as "the greatest living explorer." This man, previously an esteemed Rolex ambassador for 20 years, is the author of many world firsts as well as gripping books. When he and Kobold summited Mt. Everest in 2009, Fiennes was 65 years old. He is a top celebrity in the U.K. and according to JustGiving.com, the U.K.'s top celebrity fundraiser.
Asked why he gave up the Rolex sponsorship in favor of becoming Kobold's top ambassador, Fiennes replied in his typically direct way, "Gratitude and loyalty." This seems to be a running theme in the world of Kobold, and flows in both directions.

Namgel and Thundu did not seem particularly fazed by any of this hoopla - least of all the celebrity explorer they have guided up their home mountain twice - and exuded a calm, interested outward demeanor throughout the entire event. In the space of the four years that they have known Kobold, the world of the two Sherpas who have climbed Mt. Everest a combined total of sixteen times has become an entirely different one. Though hard to get involved answers from them, when asked if they felt pride at all these accomplishments, the answer was clear: a big smile and an enthusiastic "yes!" accompanied by vigorous nodding. I'm not certain they understand the historic proportions of their actions over the last few years, but they have time to discover it - time mechanically measured by an adventurous Kobold watch that they keep running.

The archetype of the diver's watch, the Oyster Perpetual SUBMARINER presented at Baselworld 2012 sports a new look to complement its iconic personality. with its subtly redesigned case and its new bezel and bracelet both benefitting from recent Rolex innovations, this latest generation SUBMARINER is firmly in line with the tradition of the historic model launched in 1953. It sets new standards in terms of robustness, legibility and reliability, strengthening its status as a watch of action with timeless allure.

Ceramic bezel and long-lasting luminescent display 

The unidirectional rotatable 60-minute graduated bezel of this new SUBMARINER is equipped with a black CERACHROM insert made of virtually scratchproof, non-fading, corrosion-resistant ceramic. The graduations are coated via a PVd process with a thin layer of platinum. The sleek black dial harbours large CHROMALIGHT hour markers and hands filled with luminescent material that emits a long-lasting blue glow. This exclusive display offers exceptional legibility in the dark. 

The OYSTER case, symbol of waterproofness 

The SUBMARINER's 40 mm OYSTER case, guaranteed waterproof to a depth of 300 metres (1,000 feet), is a paragon of robustness. The middle case is crafted from a solid block of particularly corrosion-resistant 904L steel. The fluted case back is hermetically screwed down with a special tool exclusive to Rolex watchmakers. The winding crown, fitted with the patented TRIPLOCK triple waterproofness system, screws down securely against the case in a manner akin to a submarine's hatch. It is protected by a crown guard that is an integral part of the middle case. The crystal is made of virtually scratchproof synthetic sapphire. The waterproof OYSTER case ensures optimal protection for the SUBMARINER's high-precision movement.

Calibre 3130, a superlative chronometer 

The new SUBMARINER is equipped with calibre 3130, a self-winding mechanical movement entirely developed and manufactured by Rolex. Like all PERPETUAL movements, the 3130 is a certified Swiss chronometer, a designation reserved for high-precision watches that have successfully passed the Swiss Official Chronometer Testing Institute (COSC) tests. Its architecture, like that of all OYSTER watch movements, makes it singularly precise and reliable. The oscillator, the true heart of the watch, has a blue PARACHROM hairspring patented and manufactured by Rolex in an exclusive alloy. Insensitive to magnetic fields, the PARACHROM hairspring offers great stability when exposed to temperature variations and remains up to 10 times more precise than a traditional hairspring in case of shocks. 

The OYSTERLOCK clasp, functional and secure 

This SUBMARINER is fitted with a solid-link OYSTER bracelet in 904L steel. It features a new-generation OYSTERLOCK safety clasp and GLIdELOCK extension system. The ingenious patented system, located beneath the clasp cover, allows fine adjustments of the bracelet length in 2 mm increments for a total of approximately 20 mm - without using any tools. This allows the watch to be worn over a diving suit up to 3 mm thick and provides additional comfort in any circumstance.

The Oyster Perpetual SKY-DWELLER presented at Baselworld 2012 is the latest addition to the Oyster collection, a compelling timepiece of revolutionary design that blends to perfection technological sophistication and ease of use.

With 14 patents - five of which are new - the SKY-DWELLER provides, in an unprecedented and highly original way, the information global travellers need to easily keep track of time: a dual time zone, with local time read via centre hands and a reference time display in 24-hour format read via a rotating off-centre disc visible on the dial; a particularly innovative annual calendar named SAROS - in tribute to the astronomical phenomenon which inspired it - that requires only one date adjustment a year, when the month changes from February to March; and a month display by means of 12 discreet apertures around the circumference of the dial.

A majestic expression of the art of watchmaking and the product of Rolex's exceptional technical expertise, the SKY-DWELLER is as intuitive to read as it is simple to use. Local time, reference time and the date are rapidly set using a highly innovative interface between the case and movement. The rotatable RING COMMAND bezel is the focal point of the interface, allowing the wearer to select the individual functions to be set simply by turning the bezel. Each function can then be adjusted swiftly and easily in both directions by means of the winding crown, which has only one setting position.

The SKY-DWELLER is equipped with a new calibre, the 9001, an officially certified Swiss chronometer entirely developed and manufactured by Rolex. The SKY-DWELLER epitomizes the values of precision, robustness and reliability for which Rolex watches are renowned. It bears witness to the creative force of a brand dedicated to its passion for innovation at the service of the wearer.

The SKY-DWELLER is designed for those who place the emphasis on useful functions, effortless manipulation, prestige and elegance above all. Available in 18 ct white, yellow or EVEROSE gold cast by Rolex in its own foundry, this advanced wristwatch features the fluted bezel that symbolizes the codes of the brand. With its stately 42 mm OYSTER case, it is the embodiment of perfect symbiosis between form and function, aesthetics and technology.

With the SKY-DWELLER, Rolex once again demonstrates its wealth of ingenuity by designing and manufacturing a watch that perpetuates the OYSTER's legendary excellence.

Dual time zone and 24-hour display 

The combined display of local time via centre watch hands and reference time via an off-centre disc makes the SKY-DWELLER easy to read and endows it with unique aesthetics.

The Oyster Perpetual SKY-DWELLER features a dual time zone that is as intuitive to read as it is simple to use. The display's highly original design endows the watch with an aesthetic identity all of its own.

Reference time via an off-centre disc

Global travellers can read the reference time - the time at home or at their usual place of work - via a rotating off-centre disc visible on the dial. A fixed inverted red triangle points to the wearer's chosen reference time. The disc's 24-hour display allows travellers to clearly distinguish daytime hours from night-time hours in the reference time zone (for example, 10 p.m. versus 10 a.m.). At any moment and in any location, they know if it is an appropriate time to contact someone on the other side of the world.

Centre hands for local time

Local time at the destination is indicated by the conventional centre hour, minute and seconds hands. It can be set very quickly and easily thanks to a mechanism that allows the hour hand to be adjusted independently in one-hour increments both forwards and backwards, so that changing the local hour does not affect the minute or seconds hands or the reference time.

Date change linked to local time

The date change is linked to local time and occurs within a few milliseconds at midnight. Thus, the date displayed in the aperture is always the current date in the wearer's local time zone. Thanks to its innovative display and simple operation, the SKY-DWELLER allows the traveller to adjust the watch to different time zones during a journey, while benefitting from a constant, clear display of reference time.

Saros Annual Calendar

A particularly ingenious patented mechanism inspired by an astronomical phenomenon differentiates between 30-day and 31-day months, thanks to just four additional gear wheels.

The Oyster Perpetual SKY-DWELLER is equipped with a revolutionary annual calendar offering unparalleled robustness and reliability for such a complex watchmaking function. This annual calendar's qualities are attributable to an ingenious mechanism named SAROS, patented by Rolex. Its original design was directly inspired by the astronomical phenomenon of the same name.

Only one adjustment per year

This annual calendar automatically differentiâtes between 30-day and 31-day months. It displays the correct date throughout the year and requires only one adjustment a year - on 1st March, February having only 28 or 29 days.

A system with intelligence

The ingenuity of the SAROS system developed by Rolex lies in its simple and systematic handling of the irregular occurrence of 30 and 31-day months. This intelligent mechanism is based on only two gear ratios and four gear wheels added to the traditional Rolex instantaneous date calendar. Such simplicity ensures peerless robustness and reliability for the annual calendar function.

Planetary and satellite wheels

The Greek term Saros has been used since antiquity to designate an approximately 18-year cycle of alignment patterns between the Sun, the Earth and the Moon that is behind lunar and solar eclipses. This astronomical phenomenon inspired the design of the SKY-DWELLER's annual calendar mechanism. The SAROS system is designed around a fixed planetary gear Wheel (equivalent to the Sun) at the centre of the movement. A satellite wheel (whose centre represents the Earth) engages with the planetary wheel and rotates, orbiting the planetary wheel in one month, driven by the date disc. The satellite wheel is fitted with four fingers (the Moon) for the four 30-day months (April, June, September and November).

Double instantaneous date change

The gear ratio between the satellite wheel and the planetary wheel is calculated in such a way that at the end of each 30-day month - and only in these months - one of the satellite's fingers receives an additional impulse from the date change mechanism. This makes the calendar disc jump two days (from the 30th to the 1st) within a few milliseconds to display the correct date.

Discreet month apertures

The months of the year are indicated in 12 discreet apertures around the circumference of the dial, outside the hour markers: January at 1 o'clock, February at 2 o'clock, and so on. The current month is identified in a contrasting colour.

RING COMMAND BEZEL

The Ring Command Bezel can be turned to any one of three positions to choose the function to be set: date, local time or reference time.

The Oyster Perpetual SKY-DWELLER is equipped with a rotatable RING COMMAND bezel that allows the wearer to easily select the watch's different functions via an innovative, patented interface between the movement and case.

Unrestricted setting

The RING COMMAND bezel can be turned to any one of three positions to select the function to be set: date, local time or reference time. The selected function can then be rapidly adjusted in either direction, forwards or backwards, using the winding crown, which has only one setting position. Unlike traditional mechanisms, this interface developed by Rolex allows unrestricted setting.

A simple and intuitive interface

This simple and intuitive interface is based on a complex mechanical module which consists of no fewer than 60 components and demands state-of-the-art watchmaking and micromechanical expertise. The heart of the mechanism is a double cam and levers that engage various gear trains inside the movement according to the function selected. One of these cams is activated by pulling out the winding crown, the other is driven by rotating the bezel to activate setting wheels located in the middle case of the watch.

An expression of Rolex values

With its innovative interface between the watch case and the movement, the RING COMMAND bezel is the product of Rolex's total mastery of the design and manufacture of all the essential components of the watch. Rolex once again demonstrates core values that have always placed an emphasis on functionality and wearer comfort.

Classic elegance of the fluted bezel

With its iconic Rolex fluting, the SKY-DWELLER is firmly established in the lineage of the models in the OYSTER collection, such as the Datejust or the Day-Date , which have become symbols of prestige and timeless elegance.

Calibre 9001

A certified chronometer, this new high-performance movement entirely developed and manufactured by Rolex consists of 380 components and is backed by seven patents.

The Oyster Perpetual SKY-DWELLER's calibre 9001 is a completely new self-winding mechanical movement, a pure distillation of Rolex technology. Entirely developed and manufactured in-house, with a total of 380 components and backed by seven patents - four of which are new - it is one of the most complex calibres ever developed by the brand.

A selector wheel on the outside edge of the movement ensures the interaction of the movement and the bezel of the watch to set the functions.

Chronometric precision

Calibre 9001 is a certified Swiss chronometer, a designation reserved for high-precision watches that have successfully passed the Swiss Official Chronometer Testing Institute (COSC) tests. The oscillator has a blue PARACHROM hairspring patented and manufactured by Rolex in an exclusive paramagnetic alloy.

Singular reliability

The architecture behind the 9001, like that of all PERPETUAL movements at Rolex, makes it singularly reliable. The oscillator is fitted between high-performance PARAFLEX shock absorbers, developed and patented by Rolex, that offer 50 per cent greater resistance to shocks. It is held firmly in place by a height-adjustable traversing bridge. The SAROS annual calendar and the RING COMMAND setting system are also designed to be exceptionally robust.

Self-winding by Perpetual rotor

Calibre 9001 is fitted with a self-winding mechanism featuring Rolex's PERPETUAL rotor which ensures continuous winding of the mainspring by harnessing movements of the wrist to provide a constant source of energy.

A bezel in all the colours of the rainbow
Along with its 18 ct yellow gold case and bracelet, this COSMOGRAPH DAYTONA dons a bezel entirely set with an array of sapphires in rainbow colours. All the nuances of the celestial arc are visible, a delicate palette of reds, oranges, yellows, greens, blues, mauves and pinks. The subtle grace of these fascinating stones meticulously selected, assembled and set by Rolex is magical, endowing the watch with a stunning radiance.
Also gem-set, the case lugs, crown guard as well as the hour markers on the dial participate in the exquisite allure of this variation on the DAYTONA theme.

Exclusive GOLD CRYSTALS counters
Contrasting with the black lacquer of the dial, the reflections of the GOLD CRYSTALS counters blend with the radiance of the precious stones. Crafted from an 18 ct gold alloy perfected by Rolex in its own foundry, these exclusive counters highlight the crystal structure of the gold in a seductive play of reflections and colours. Each counter is a natural work of art, different from every other.
The OYSTER case, symbol of waterproofness
The COSMOGRAPH DAYTONA's 40 mm OYSTER case, guaranteed waterproof to a depth of 100 metres (330 feet), is a paragon of proportion and elegance. The characteristically shaped middle case is crafted from a solid block of 18 ct gold. The fluted case back is hermetically screwed down with a special tool exclusive to Rolex watchmakers. The winding crown, fitted with the patented TRIPLOCK triple waterproofness system, as well as the chronograph pushers screw down securely against the case. It is protected by a crown guard that is an integral part of the middle case. The crystal is made of virtually scratchproof synthetic sapphire. The waterproof OYSTER case ensures optimal protection for the COSMOGRAPH DAYTONA's high-precision movement.

Calibre 4130, a superlative chronograph chronometer
The COSMOGRAPH DAYTONA is equipped with calibre 4130, a self-winding mechanical chronograph movement entirely developed and manufactured by Rolex. Like all PERPETUAL movements, the 4130 is a certified Swiss chronometer, a designation reserved for high-precision watches that have successfully passed the Swiss Official Chronometer Testing Institute (COSC) tests. Its architecture, like that of all OYSTER watch movements, makes it singularly precise and reliable. The oscillator, the true heart of the watch, has a blue PARACHROM hairspring, patented and manufactured by Rolex in an exclusive alloy. Insensitive to magnetic fields, the PARACHROM hairspring offers great stability when exposed to temperature variations and remains up to 10 times more precise than a traditional hairspring in case of shocks.
The OYSTERLOCK clasp, functional and secure
This COSMOGRAPH DAYTONA is fitted with an OYSTER bracelet in 18 ct yellow gold with the latestgeneration OYSTERLOCK safety clasp to prevent accidental opening. Developed and patented by Rolex, this elegant solid-link bracelet also features the ingenious EASYLINK rapid extension system that allows the wearer to easily increase the bracelet length by approximately 5 mm, for additional comfort in any circumstance.

In less than fifty years the combination of high quality creations (made in Switzerland) and the Latin spirit of the brand won over the Americas. Various fine watch brands (Rolex, Patek Philippe, Longines) associated their names with Cuervo y Sobrinos (a more prestigious name at that time) to co-produce watches based on Havana time - a legacy of "bygone time". The boutique quickly became so successful that in the 1890s Cuervo y Sobrinos decided to expand its production network, opening branches in three crucial European cities.
While most European luxury product creators expanded their international business to other continents, Cuervo y Sobrinos was one of the first overseas brands to take the opposite path, successfully working on the Continent: in Pforzheim, Germany, where La Casa selected its precious stones; in Rue Mezlay in Paris, where its finest jewels were made, and later, in La Chaux-de-Fonds, Switzerland, where its timepieces were created.
For its select clientele, a visit to La Casa in the heart of Havana was a must on every trip, just like visits to the great jewelers on Place Vendôme in Paris or Fifth Avenue in New York. In the 1940s, the heyday of the brand, prized Cuervo y Sobrinos products weren't simply premium watches but reflected a lifestyle and a way of thinking. After having its name among top watch brands for more than fifty years, the company's business slumped after the political uprisings in the country. The Cuervo family left Cuba for Europe and for nearly forty years the brand lay dormant.
 

Asia Tatler - 15. November 2011

Last month, DKSH Holdings held its first Swiss watch auction in Hong Kong with a promising total of HK$23.4 million worth of luxury timepieces sold at the auction. With the growing number of luxury watch boutiques populating the streets of Hong Kong, it is without a doubt that the watch market has grown exponentially, and that now there are more not only willing to purchase luxury timepieces but more than ever before, there is a growing market for watch investment. We talk to Gonpo Tsering, head operations support and member of group management of DKSH in hope to learn more about the value of watches and the booming watch market.

According to Tsering, the Swiss Auctions, an activity of DKSH's business segment in luxury and lifestyle, was held in Hong Kong for the first time because the company saw the need for a platform to bridge the gap between owners of rare and important timepieces and collectors hunting for rare collectible timepieces.
"DKSH identified this niche market and is catering to this demand with a very high-end auction for watches. Hong Kong - this thriving and throbbing city - was our immediate first choice for obvious reasons. Hong Kong is becoming highly attractive to watch collectors from all over the world - and the fact that there are no sales or luxury tax here is of course very conducive to promote this trend."
Read about Boucheron's exquisite craftsmanship here.
For those who want to start their own watch collection or begin investing in watches, it is crucial to give a timepiece its rightful value. Tsering recommends a few ways to determine a watch's value:
1) Take note of the brand of the watch
2) Take into account the condition of the timepiece
3) Find out when it was manufactured
Second, potential buyers should also refer to a watch price guide and appraisal information to find out where the value ranges for the watch. Last, but not least, work with a professional watch appraisers who can value the watch and provide an appraisal certificate.
 

"I would suggest that new watch collectors learn more about the watch market and the techniques on how watches are being appreciated and valued. The internet is a good first starting point to gather knowledge about watches. Besides, they should also attend auctions so that they can get firsthand information about the value of the watch and the trend of the market. My personal advice: focus on either a brand, on a certain period, or on a special category of timepieces. My personal favourite is pocket watches, which are not so popular currently and therefore very affordable," he advised.
Apart from looking at the new watches released by major brands and manufactures, watch investors are advised to go to watch auctions to source possible investment pieces. Watch auctions does not only give collectors the choice of the best collectables at a single location, but it gives the guarantee that the watches are authentic and are in good condition while it also reduces the amount of extensive research.
 

 
Tsering shares his belief that there is a clear sign that the watch market will definitely continue to blossom with an Asian force.
"The potential growth of the market for timepieces and watch collection is indisputable. Asia's remarkable growth and the rapidly emerging middle class will lead to a significant increase in demand for luxury and lifestyle goods, driving further growth in the luxury market."
Black rolexes are a hit in the auction houses, find out where you can get your own black Rolex here.
With such new force in the watch industry, Tsering said there is also one more thing that investors should bear in mind: Asian consumers trends have now changed. In the past, Asian consumers usually follow global trends. Now, a new wealthy class with more international exposure is coming up from developing Asian countries, they tend to know more about the market and are interestingly becoming fonder of simpler and more conservative designs. So, when investors are selecting potential investment pieces, they should also be aware of which sector of the industry they are targeting.

For example, among the top lots sold at the auction was a Historie de Tourbillion, a Zalium manual-winding tourbillion from Harry Winston. This 18k white gold timepiece was manufactured in 2009 and was sold for an impressive HK$2.55 million.

The present Rolex ref. 5513, modified by the famous Q Branch, is certainly the most memorable Submariner to appear in movies and must be considered a veritable trophy not only for the watch aficionado but also for the amateurs of cinematography and of James Bond in general.

Especially designed for James Bond to be worn during 007''s mission in Live and Let Die, it was created in 1972 by the world-famous film production designer Syd Cain.
Featuring not only a bezel spinning at high speed to cut ropes and chains, in the movie it also bore an ultra-b magnet which was supposed to neutralize bullets but was, instead, used by 007 to unzip Ms. Solitaire's dress.
The lot will be sold together with an original construction drawing and two signed images from the set (estimate: SFr. 200,000 - 400,000).

Rumor has it that the new Rolex Explorer II was ready for presentation in 2010, but that Rolex did not present this new face-lifted version of the sporty watch until 2011 - 40 years after the first Explorer II was launched.
For many years, Rolex has been respected as well as ridiculed for its conservative approach to case sizes: 40 millimeters seemed to be the biggest case diameter offered in the sports collection. In the last few years, we have seen more and more models with a tendency toward growth: Yacht-Master II and Sea-Dweller DeepSea both come in a case of 44 millimeter diameters, and now the Explorer II also offers a diameter of 42 millimeter.
The Explorer II has never been the most popular reference made by the famed Swiss watch brand. The Submariner and GMT models have been the favored siblings, but even these two models still offer a moderate case diameter of 40 millimeters. Maybe Rolex wanted to push needed attention towards the Explorer II, hence the extra two millimeters?
 

Large watch
42 millimeters may seem like a large watch. However, since many parts and details of the new reference have grown, the visual size does not seem that radical. The case, hands, crown and hour markers are in other words dimensionally on par with the new case diameter. Visually, that is.
Wearing the watch, however, does challenge the visual impression. The Explorer II is a large watch. Comparing this to Reference 1655 or Reference 16570, which came out even later, the size difference is almost shocking. As mentioned, this will please those who have not yet bought a Rolex because they thought the watches looked too puny on their wrists.
Inspired by the past
One of the obvious details on the new Explorer II is of course the orange 24-hour hand. "Freccione," as Italian Rolex collectors long ago named this hand, means "arrow". This is a feature taken directly from the Reference 1655 Explorer II launched in 1971. The 24-hour hand was not separately adjustable on the early version, though. It merely functioned as an AM/PM indicator. However, bezel design looks more like the bezel of the short-lived Reference 16550 that was introduced in 1985 and face-lifted already four years later.
 

Phantom hands
The hands of the new Explorer II sport a so-called phantom effect, which means the lower part of the hour and minute hand is painted black. This little detail makes the hands look like they float free of the arbor. This works well on the black dial version, and merely represents a great contrast on the white dial version.
Latest movement update
Reference 216570 is outfitted with Caliber 3187, which features the latest technical updates like Paraflex shock absorbers and the non-magnetic Parachrom hairspring, which "ensures unparallel reliability, and shock resistance," according to Rolex.
 

White dial winner
The white dial version, even if it does not correspond perfectly to the 1971 version that was only offered with a black dial, gets my vote as favorite of the two dial versions. The b, graphic black/white contrast makes it stand out as this watch brand really does not offer a lot of white-dial sports watches. Actually, only the Daytona and Yacht-Master II come with a white dial, but the GMT, Submariner and Yacht-Master models do not.
Oldies but goodies
This said, I admit to favor not only Reference 1655, but also the 16550 or even the 16570. Not only due to their case diameters of "only" 40 millimeters, but also because these earlier versions have a more tool-ish approach to horology. And this is, after all, where the Explorer II started - as an instrument watch for cave explorers.
Rolex Explorer II Reference 216570 is offered with black or white dial and has a suggested retail price of 6,400 euros.
 

GMT Italia - Summer 2011

Amongst the teams competing in the great watchmaking championships, two "dream teams" draw particular attention to themselves. One of them, led by Jean-Claude Biver, is stabled with the LMVH group. The other, under the watchful eye of Georges Kern, is to be found at the heart of the Richemont group.
Both run a brand, while

At LMVH, annual sales in the watchmaking and jewellery sector added up to close on a billion euro on December 31 last year, showing an almost insolent 29% increase. At Richemont, it took only six months to pass the 900 million euro mark with the watchmaking division alone. Here also, growth was nothing short of incredible: +38% for the semester April to September 2010! Both these captains of industry face huge pressure, stiff competition - including internally - and similar challenges: conquering new markets, managing the supply chain and distribution network, ensuring growth and coherence with the brand values. Even though the demands - and successes - are similar, their style is completely different. There is Jean-Claude Biver's spontaneous, creative marketing. This man shows off his brand, Hublot, in the most unexpected places, maximising opportunities at major events. He is able to evaluate an event and make a decision in just a few minutes, moving onto turf already occupied by his competitors. We saw him flirt with Alinghi before taking over its sponsorship from Audemars Piguet. We saw him on the illuminated referee boards at the last World Cup, as well as lighting up the Vendôme column standing at the heart of the most prestigious location in Paris - and incidentally right in the middle of the logo of Van Cleef & Arpels, a watchmaking colleague and competitor. His brand is to be found on skis, bicycles and even... cheese wheels!

Georges Kern on the other hand, practises business school marketing with unfailing rigour. In his realm, creativity is not paramount, but is channelled and used as part of a long-term strategy. Be it IWC, Baume & Mercier or Roger Dubois, the markets are fragmented, with products distributed on a value pyramid and innovations selected depending on gaps that need to be filled, building the worlds of reference frameworks that accompany each brand down to the last detail. Baume & Mercier is spending this year under the Capeland banner, with its American East Coast flavour, while IWC took up residence in Portofino. Roger Dubois is ticking to casino time and even its USB sticks are shaped like gambling chips. Exuberance vs rigour, instinct vs strategy, the completely opposing style of these two men is apparent on all levels. Take their annual reports on the figures and performance of their brands.

The Richemont Group to which IWC belongs tends not to say too much and prefers to opt for secrecy, much in the same manner as private banks, as if opacity were a measure of power and success. In this respect, the operational style of the group chaired by Johann Rupert is very similar to that of Rolex. Jean-Claude Biver, on the other hand, sends waves of text messages to announce the results of his most recent exhibition, or the signing of a new partnership. At the end of the day, the information that he is supposedly sharing is necessarily only partial, but it is shared with such enthusiasm that it leaves a pleasantly transparent aftertaste.

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WORLDTEMPUS - 27 May 2011

During the Australian Open in January, Robin Söderling was asked what people would be most surprised to know about him. The Swede, currently number five in tennis's world rankings, answered, "Probably that I love watches."
For insiders, this wasn't a big revelation. The two-time French Open finalist is a true aficionado and always wears interesting timepieces on his wrist. He's not the only one, but he is a man who likes "different" watches. "If you walk around the tennis tour, everybody seems to have a nice watch - but I don't really like the obvious ones. In the beginning, maybe yes, but then to have a good brand or a nice model that not many others have is a pretty nice feeling. These are the types of watches you find when reading a lot of watch magazines," he says before jokingly adding, "Well, half of what I read about watches I don't even understand, but I still think it's cool and I try to learn!"
The more Söderling learns about watches, the more careful he is about choosing his next timepiece: "I never go out just to buy a watch, I never decide on the spot - I always like to look at different watches and to think about it. I buy them as a reward. I always think that the next time I win a tournament I'm going to buy that particular watch I've been thinking about."

Time to Kill
His reward doesn't have to be related to a tournament win, actually. A year ago, after beating Tomas Berdych in the semifinals at Roland Garros, he got the Hublot Big Bang he'd been eyeing. When will he get his next timepiece? Maybe soon. Söderling is back in Paris trying to at least emulate his killer performances of the past two years, where he ended two outstanding Rafael Nadal and Roger Federer records: in 2009, in the fourth round, he beat Nadal and still is the only player to have ever beaten the Spaniard at the French Open. In 2010, he overcame Federer in the quarterfinals, ending the Swiss champion's incredible run of 23 consecutive semifinals at Grand Slam tournaments.
Federer is a well-known Rolex ambassador, whereas Nadal has caused quite a sensation sporting ultra-expensive Richard Mille timepieces, from the $550,000 RM027 tourbillon he wore last year as his good-luck charm to his new RM035. And Roland Garros is sponsored by Longines. Söderling is still thinking about a possible sponsorship and looking at different brands, but he won't rush; he never has when it comes to watches.
"Good watches are expensive. When I was young and started to win more matches, I really felt I could buy a good watch and I wanted to have a Rolex - and actually the first really nice watch I bought was a pre-owned steel Daytona chronograph that I saw in a shop in London in 2006. I still like it a lot, but these days it's my girlfriend Jenni who has been wearing it; it became a bit small for me, but I reckon small and thin watches are back."

He didn't have to buy the second good timepiece of his collection. "I got a gold Bulgari Diagono Professional Diving as a gift from the tournament in Bastad - they were happy I played there for so many years, and I was really happy with the present." During this very interview, Söderling is wearing an Audemars Piguet Royal Oak Offshore Volcano, also known as "The Jarno Trulli."
"I bought it during the U.S. Open in 2009," he says. That year, in New York, he had been undecided between the Royal Oak Offshore and a Jaeger-LeCoultre Master Compressor Extreme W-Alarm. Then he opted for the Volcano.
Deep Purple, Hard Rock
There's a watch in his collection that Soderling particularly appreciates and whose b looks match his powerful "hard-rock" style of tennis: a Graham Chronofighter Oversize Diver "Deep Purple." "I had been looking at Graham, because Thomas Johansson has a friend who owns a watch store in London and they sell Graham - he showed them to me a few years ago." The "Deep Purple" is a stunning limited edition of 500 pieces of the Chronofighter Oversize Diver in black-and-purple. It perfectly embodies the Swedish star's taste for niche brands and exquisite, sporty timepieces. "When my girlfriend Jenni and I went on vacation last December, we went diving a lot and I really wanted to test it, so I brought the Graham along."
At the Estoril Open in Portugal, Söderling took the time to visit a small watch exhibition by tournament sponsors Boutique dos Relógios in the VIP area. There he appreciated some fine timepieces from several top brands - from Richard Mille to IWC. "For a man, a watch truly is the best thing," he says. "I don't really like earrings or necklaces or bracelets, so a watch is the best accessory and a way of expression for a man."

And what better way to express himself than wearing a fabulous Audemars Piguet Royal Oak Concept at the photo shoot for the cover of King magazine? "They brought it from a watch store in Stockholm called Nymans Ur; it's a really nice store where they sell some incredible watches...unfortunately they didn't let me keep it after the shooting was over."
Maybe he'll get it if he finally wins Roland Garros. It won't be easy; he is on collision course with Nadal, who he is expected to face in a blockbuster quarterfinal. In six appearances at the French Open, the Spaniard has won the title five times - and Söderling was the only one to defeat him on Paris's slow red clay courts. If and when they face each other, time will surely stand still for all tennis (and watch!) aficionados.

- Christie's leads the international auction market for watches
- Geneva's Important Watches including a Connoisseur's Vision Part IV achieves a blockbuster total of more than us$ 26.3 million, +25% versus may 2010 results.
- New record price set for any rolex wristwatch at auction
- $3.6 million Patek Philippe - new record price for any simple chronograph watch
- More than a dozen record prices in one day
- 1 lot sold above us$ 3.6 million
- 3 lots sold above us$ 1 million
- More than 800 registrants from all 5 continents

TOP TEN RESULTS

Reaffirming Christie's absolute leadership in the international watch area, Geneva's sale of Important Watches including A Connoisseur's Vision Part IV achieved a blockbuster total of US$ 26,331,962 (SFr. 23,427,013 / € 18,647,902), an increase of 25% over last May's auction total in Geneva.
This is one of the highest results ever realized in the history of Christie's watch sales and leads the auction series dedicated to the category in Geneva this spring.
The top watch of the sale is a unique 18k white gold cushion-shaped single button chronograph wristwatch manufactured in 1928 by Patek Philippe which sold for more than US$ 3.6 million, a new world action record for any simple chronograph watch.
Among the other sensational new world record prices set at Christie's in Geneva is a new top price for any Rolex wristwatch at auction, achieved for an oversized stainless steel split seconds chronograph wristwatch manufactured in 1942, which sold for US$ 1,163,340.
Aurel Bacs, International Head of Christie's Watch Department, commented:
"The international community of watch collectors responded enthusiastically to this premium selection of rare wristwatches and pocket watches hand-selected by Christie's team of specialists for our spring Geneva sale. Our results confirm once again that Christie's is the auction house of choice for both buyers and sellers of the rarest and most important watches.
Today's sale was characterized by b bidding from the international trade, but dominated by private collectors and museums around the world. Eight different buyers secured the top ten lots of the sale - a sign of the immense depth of interest in this category.
The sale was notable for its spectacular moments - for the first time ever at auction, a Rolex watch surpassed the $1 million mark with the ultra-rare reference 4113 selling to a private collector for over $1.1 million.
We were also touched by the spirited bidding that led to a b result for the Hillary Tenzing Explorer set, which soared above everyone's expectations to sell for US$ 104,532 with all proceeds directed to charity.
Lastly, Christie's is extremely proud to announce that with Part IV of 'A Connoisseur's Vision', this prestigious collection of Patek Philippe watches reached the highest total ever for any collection of fine wristwatches ever dispersed at auction, reaching over US$ 22 million. We are grateful to the consignor for having entrusted Christie's team of watch specialists with the sale of this landmark collection and are immensely satisfied to see that the market rewarded his knowledge and passion to such an extent".
Earlier in the sale, the G. Garvin Brown III Collection, Part I was 100% sold with most watches selling above high estimates. Two further installments of this exceptional collection will be offered as at Christie's Hong Kong sale of Important Watches on May 30 and at Christie's New York on June 15, 2011.

WORLDTEMPUS - 4 May 2011

Rolex reported yesterday that a change has taken place at the top of its management. Up to this point, Gian Riccardo Marini was head of Rolex Italy. The 64-year-old had been managing the Italian branch since 2000.
Bruno Meier took over as Rolex's CEO in 2008; before that he was the company's chief financial officer. In Rolex also announced that Daniel Neidhart is now in charge of the foreign branches of the company. Neidhart will fill this newly created position from an office in Hong Kong. Neidhart was previously in charge of Rolex's Chinese distribution.

WORLDTEMPUS - 15 April 2011

For better or worse Australia is not typically a market that garners a great deal of interest from the luxury watch industry. The perception is that it's too far away, consumer tastes aren't sophisticated enough, and there is not enough population. Certainly most of the big names in watchmaking maintain a presence, but the ranges are generally limited and many of the high-end complications never seem to reach Australia's shores.
Nowhere is the effect of this isolation felt more bly than in Perth, the capital city of Western Australia. Thanks to the significant distance that separates it from the "big" cities on the eastern seaboard - it takes more than five hours to fly to Sydney - Perth is often left out altogether. While this is not terribly surprising, it does demonstrate an incredible lack of foresight.

 
Boom Times
Although Perth may be relatively small from a population standpoint at approximately 1.7 million, it is a rapidly expanding city fueled largely by the astronomical growth of the mining industry and China's insatiable appetite for its resources. Thanks to this burgeoning prosperity, there are more self-made millionaires per capita in Perth than anywhere else in world. Indeed, such is the demand that people come from all over Australia seeking work there.
With these favorable factors at play, it is of little surprise that a number of serious collectors call Perth home. What is interesting, however, is that despite being shown little interest from the industry they have still managed to cultivate a sophisticated watch scene that extends far beyond well-known, mainstream brands such as Rolex, Omega and Patek Philippe (although plenty of those are sold in Perth too). While brands may not publicly disclose the information, or perhaps even be aware of it, a number of private collections feature pieces from prominent independent watchmakers.

Have Money, Will Travel
One of the reasons why Perth has such a sophisticated subset of collectors may be its location. Rather than fly across the country to Sydney or Melbourne to view relatively limited collections, wealthy residents of Perth can take a short, four-hour flight and find themselves in one of the most impassioned watch cities in Asia: Singapore. Here they are exposed to a wide range of brands and have the opportunity to handle pieces that will never make it to Australian retailers. They also benefit from having access to extremely knowledgeable staff (arguably some of the best in Asia) who are very well informed about the brands, the products and of course all the latest industry news.

 
While collectors may be forced to buy some of their pieces overseas, there is a flow-on, word-of-mouth effect for the local market as these individuals often move in wealthy circles and share similar tastes. One day a businessman spots an MCT Sequential One on his associate's wrist and asks where he got it. A passionate conversation ensues and within minutes another Perth resident has had his or her eyes opened to a completely new segment of the luxury watch market he or she never knew existed. This person catches the next plane to Singapore and so the cycle is perpetuated.
Because all these people are buying their timepieces overseas, very few people actually realize that this small but incredibly affluent market exists.
That is set to change very soon, however, with some exciting developments ensuring that the city of Perth will begin to feature prominently on the watch industry's map. While confidentiality prevents disclosure of too many details at this point in time, this will be an event the likes of which the Australian watch market has not seen before. For the time being though, wealthy Perth collectors will continue to travel overseas to spend their hard earned money, leaving Australian brand managers tearing out their hair in frustration.

As the start draws near, the skipper's pulse quickens. Already visualizing the action of the race, he manoeuvres as close as possible to the line.

The Oyster Perpetual Yacht-Master II embodies all of the intense emotion a regatta arouses. By its impressive size, evocative power and sleek design, this unique regatta chronograph echoes directly the Maxi Yachts built to brave the oceans. The new version is the first Professional watch in the Oyster collection to be available in EVEROSE ROLESOR - an exclusive combination of the 904L steel superalloy and 18 ct EVEROSE gold.

Sights on the horizon
Equipped with a programmable countdown with a mechanical memory, the Oyster Perpetual Yacht-Master II is an innovative and pioneering watchmaking complication, based on interaction between the movement and the bezel. It allows the skipper to programme a regatta countdown sequence from 1 to 10 minutes. Once the countdown has been launched, the skipper can, if necessary, synchronize his chronograph to the official race countdown. Thanks to the Yacht-Master II, experienced sailors and yachting enthusiasts have at their disposal an efficient tool to assist in crossing the starting line at the very moment the horn sounds.

Regatta meets watchmaking technology
With its numerous innovative watchmaking features, the Yacht-Master II model, launched in 2007, is the epitome of the brand's creative force and technology. Its functions depend on a major innovation: the exclusive RING COMMAND bezel, designed and developed by Rolex. Rotatable through 90° and interacting with the movement, it serves to initialize and then lock the countdown programming.

The model's 4160 movement, entirely designed and developed by Rolex, is fitted with a PARACHROM hairspring, 10 times more resistant to shocks and insensitive to magnetic fields. The countdown is operated by a column wheel and a vertical clutch. A number of microcomponents in this unique movement are produced by UV-LiGA - a new technology, entirely mastered in-house by Rolex, which enables the production of components whose fineness or geometry makes them impossible to manufacture by traditional means.

The Yacht-Master II's case, stamped from a block of 904L steel extremely resistant to corrosion, offers all the qualities of waterproofness that have made the reputation of Oyster watches. Not least thanks to its TRIPLOCK winding crown, which screws down tightly against the case like the hatch of a submarine. The pink gold of the bezel and the bracelet's centre links is 18 ct EVEROSE gold, an exclusive alloy developed by Rolex and manufactured in its own foundry. The blue CERACHROM bezel insert, virtually impervious to scratches, corrosion-resistant and non-fading, is also patented and manufactured by Rolex.

The excellent legibility of the Yacht-Master II's dial demonstrates the constant attention to functionality in the Oyster Professional collection. The red countdown minute and seconds hands are readable at a glance against the graduations on the dial or bezel.

The bracelet, in 904L steel and 18 ct EVEROSE, is fitted with an EASYLINK 5 mm comfort extension link and an OYSTERLOCK clasp with a safety catch, two further Rolex innovations.

The horn has sounded. The course is set. The Yacht-Master II forges ever forward, sailing towards new horizons.

The new Oyster Perpetual Lady-Datejust in yellow or white ROLESOR exudes elegance and distinction. A harmonious marriage of colours and materials, this redesigned classic celebrates the timeless beauty of Rolex precision. The moment is precious, the future full of promise.

The infinite poetry of gold crystals
The GOLD CRYSTALS dial of the new Lady-Datejust is an exquisite homage to femininity. Obtained using an exclusive process that magnifies the natural crystal structure of the gold, it captures the light and gleams in an extraordinary play of glistening reflections. Infinite poetry, an invitation to dream. As if by magic, the crystals of the noble metal are revealed in all their splendour, creating incomparable depth that delights the eye. On one particular version of this model, the Rolex JUBILe motif appears in a secret and mysterious filigree, a door opening onto the imaginary. Each GOLD CRYSTALS dial is a work of art in itself, as unique as the lady who wears it.

Sublime in its delicate design, the version with the ivory coloured dial with a "sunbeam" guilloche pattern enchants with its clean lines, its extreme finesse, its infinite charm.

The elegance of diamonds
All the dials of this new interpretation of the Oyster Perpetual Lady-Datejust are graced with 10 diamonds which add to the originality and the subtle radiance of the watch face.

Entirely gem-set, the bezel brings yet another touch of luxury and elegance. Its 46 brilliant-cut diamonds sparkle like so many invaluable treasures which, at each reading of the time, remind us of their timeless splendour.

A hymn to femininity
Feminine down to the last detail, an ode to charm and romanticism, the new Oyster Perpetual Lady-Datejust embodies absolute grace. It is nonetheless, like all Oyster watches, a waterproof chronometer equipped with a PERPETUAL rotor self-winding mechanical movement. To wear this gem of a watch is to live every moment intensely with the promise of a radiant future.

WORLDTEMPUS - 25 March 2011

Approximately 40 years ago Rolex introduced a distinct 40-millimeter watch with extreme sports in mind. "Cave explorers did not know if it was night or day," Justin Hogbin of Rolex smiles as he explains the orange 24-hour hand that originally indicated if it was noon or midnight when the Explorer II was launched in 1971.
A steel bezel indicating 24 hours supplemented the bright orange hand that Italian watch collectors have nicknamed "freccione" ("big arrow" in Italian). Freccione remains the loving nickname of the original reference 1655 Explorer II of 1971 to this day.

The Rolex Explorer II has never been the most popular of the otherwise much-loved sports watches by Rolex. It has however been the only model in the sports collection to offer a choice of black or white dial (not accounting for the Daytona range). However, the GMT and Submariner models seemed to overshadow the Explorer, which actually might be a thing of the past now.

Outshining the siblings
The new Rolex Explorer II ref. 216570 has grown in diameter from 40 to 42 millimeters. This growth is actually not very noticeable as both the hour markers and the hands have grown proportionally as well.
Even on the wrist the new Explorer II does not seem oversized compared to the current GMT or Submariner, both of which measure 40 millimeters in diameter. Au contraire: the new Explorer seems to have found its very comfortable place in the sports range of Rolex and will undoubtedly attract new-found attention, which this particular model has not enjoyed for 40 years.

Slightly new caliber
On the technical side, the movement does have a new name, Caliber 3187, however it does not differ much from the former caliber, which bears the name 3185, apart from the blue Parachrome hairspring and Paraflex shock absorbers.
The 24-hour hand can be set independently to offer a secondary time zone read. This was not possible on the original model from 1971, but was introduced in 1985 when Reference 16550 took over from Reference 1655. This was the inspiration of this year's best looking new product from Rolex.

Of course, the new Explorer is fitted with the very comfortable updated Oyster bracelet with the comfortable Easylink extension. This five-millimeter extension, which is part of the bracelet clasp, creates a better fit when skin expands during the summer or in a warm climate.

Harry Winston's Opus has become more than a collection of outstanding timepieces. This blend of watchmaking dreams come true tells a story of determination that has turned into a cultural phenomenon, recreated annually by talented people who know how to derive synergy from an equal commitment to art and technology. For the past 10 years, Harry Winston has called on the originality and skills of independent watchmakers to realize its concept of superior watchmaking. For Harry Winston, watches reflect a passionate belief that you can - and must - go beyond the imaginable. Today, the House of Harry Winston is proud to present its 11th Opus, a watch that shatters watchmaking notions to bring you the disintegration of time itself.

An extremely complex case stages the show. The three overlapping cylinders on three levels are configured to deconstruct time. The main circle is the hour's domain, flanked by two pavilions. One shows the minutes on a jumping disk for the tens and a running disk for the units. The other, slightly lower, displays the regular beat of a big titanium balance-wheel.
Anarchy takes hold of the hours indication beneath the sapphire-crystal dome every 60 minutes. The numeral of the hour, assembled in the center of the circle, explodes into chaos before instantly reassembling as the new hour. It then remains still until the next disintegration. Instead of a hand, 24 placards revolve and rotate on a complicated system of gears mounted on an epicycloidal gear-train. Four satellites mounted on a rotating platform, each with three pairs of placards, provide a vertical transmission through a train of eight intermediate wheels, three elliptical gears, a triangular wheel and six conical pinions. The bevel gears are responsible for changing the axis of rotation of the placards and positioning them according to an elaborate drill maneuver. The triangular wheel and elliptic gears are calculated to vary the gear ratio to absorb shocks and prevent the placards colliding.
The tooth profiles of the triangular and elliptical gearing have been obtained using sophisticated programs. These are today so powerful that they can calculate and display unconventional, and even extreme, gearing and analyze different parameters such as backlash. Parts are manufactured using photolithography, which produces micro-components to a precision unobtainable by traditional machining methods.
The conical pinions for the bevel gears are just 1.2mm wide, yet their teeth are exactly profiled and angled, thanks to a new gear-cutting technique.
The path taken by the placards has been calculated to minimize the space required for them to turn over. However, the shell of sapphire crystal, also extremely difficult to manufacture, gives ample room for the hourly animation.

The transparent display back of the gold case reveals a manually wound movement in the style of the old pocket-watch movements with a big balance-wheel. Consisting of 566 components, including 155 jewels, the mechanism is finished in the most traditional manner of classic watchmaking, in sharp contrast to the crazy display of the hour. One version of the watch is gem-set in the contemporary style: a simple line of princess-cut diamonds lights up the contour of the caseband.
The appointment has been fixed. The hour comes apart at its end, leaving its particles to explode outwards and be turned into new hours ad infinitum. Such complexity and ingenuity make Opus Eleven an important milestone in Harry Winston's exploration of time.
Limited edition of 111 watches.

DENIS GIGUET

Denis Giguet trained as an engineer and started making a name for himself in fine watchmaking. The experience he gained with such firms as Rolex and Harry Winston developed into a visionary approach far in advance of the watchmaking industry. Familiar with the design and construction of highly complicated watches, he worked as production manager at Harry Winston. In 2007 he launched his own brand, MCT, and designed the Sequential One, a far-reaching development in creative engineering for which he involved the crafts of more than 20 experts in their fields. His creative energy has given birth to Opus Eleven, a timepiece where his own vision of time is perfectly expressed by the Harry Winston personality.

Exploration is a state of mind. It takes courage, resolve and an unquenchable thirst for discovery to always seek to go higher, farther, where no one has trod before. To mountain tops. To the extremities of the poles. To the depths of the Earth. To the edge of volcanic craters.

The watch of adventure
The Oyster Perpetual Explorer model was born of this very state of mind. On 29 May 1953, Sir Edmund Hillary and Tenzing Norgay reached the summit of Mount Everest in the course of an expedition equipped with Rolex Oyster Perpetual watches. The Explorer model was created in homage to this historic achievement - and to accompany other such achievements. Since then, Rolex has continuously tested and improved the precision, robustness and reliability of its watches in the most extreme environments on the planet. Pushing technical boundaries to accommodate ever more demanding human adventures.
From polar ice to the magma of the Earth
Another step forward was taken in 1971 with the creation of the Oyster Perpetual Explorer II. With its highly legible dial, the introduction of the date, a 24-hour hand and a fixed graduated bezel, the Oyster Perpetual Explorer II opened new horizons for exploration and became the new reference for professional adventurers and explorers of our planet. It proved itself on the wrist of volcanologist Haroun Tazieff and formed an essential part of the equipment of numerous polar expeditions. Its 24-hour display allows speleologists and polar explorers to distinguish day from night, making the Oyster Perpetual Explorer II an indispensable timekeeper.

Rebirth 40 years later
Exactly 40 years after its launch, the Oyster Perpetual Explorer II has been updated to reach new heights of dependability. This new model combines technical innovations and a return to aesthetic sources. Its case, enlarged to 42 mm, houses the new calibre 3187 entirely designed and manufactured by Rolex. The movement includes the most recently patented technologies of the brand, such as the PARAFLLEX shock absorbers and the non-magnetic PARACHROM hairspring, ensuring unparalleled reliability and shock resistance. The bracelet is equipped with a new OYSTERLLOCK clasp with safety catch and the EASYLLINK comfort extension link. On the dial, the 24-hour hand has returned to the arrow shape and the orange colour of the original 1971 model. The hour and minute hands are broader and more legible, and, on the black-dial version, their black base blends with the black dial to create a "phantom effect". The luminescent sections of the hands seem to float over the dial - another nod to the historic model.
The "jumping" hour hand can be set independently, providing a GMT function (second time zone), in conjunction with the 24-hour hand and bezel.
With its extremely robust construction, its exceptional chronometric performance and its legendary reliability, the Oyster Perpetual Explorer II is the ideal instrument to push the boundaries of the world. And continually expand your own horizons.

WORLDTEMPUS - 22 March 2011

Expect to see hordes of people, nose flat on the doors before the fair opens. These people will most likely rush to Rolex's showcases and Tweet and blog their blurry pictures in order to be the very first to show the new products from the world's most famous watch brand. Even the tiniest changes to existing references will have readers of the online forums and blogs oooohing and aaaahing. Such is the world of Rolex fans - every year.

Rolex
Personally, I can wait for my presentation of the Rolex news, but I do expect to see a new Explorer II. At the very least, there should be a new dial and hand configuration. Rumor has it that this new Explorer II was all set for launching last year, but for some reason Rolex decided to wait another year. We shall see.
I also expect to see an all-steel version of the Rolex Submariner No-Date in the maxi case with ceramic bezel inlay. It would only be a natural evolution for Rolex to add this model to the "maxi case" sports collection.
Breitling
Breitling introduced its in-house B01 movement two years ago, and the famed watch brand has since introduced a couple of models sporting this new movement. I expect to see more models using this new movement, and probably not only B01 and Navitimer models.Patek Philippe
It is always a great pleasure to visit the enormous Patek Philippe stand in Hall 1. Even if you can't get inside for a presentation, the showcases surrounding the outside of the luxurious booth present the horological luxury that Patek Philippe does so well. The Nautilus collection is growing and it would be nice to see a gold version on a bracelet instead of a strap. This goes for the three-hander as well as the complicated models.

Hermes
Thanks to the recent dialogue between LVMH and the Hermes management, I certainly look forward to getting a closer look at the new watches from Hermes. I have never paid much attention to the watches from this company, but the "We are not in luxury; we are in quality" remark made by Bernard Puech, president of the board of directors of Hermes, when LVMH recently purchased 17.7 percent of the shares in the company makes it extra interesting to see if the watches are also part of this "quality."

Bulgari
In one breath, Italian luxury provider Bulgari also became part of the LVMH family when the group purchased 51 percent of the family-owned company. Will the Daniel Roth and Gerald Genta designs still feature Bulgari on the dial or will LVMH break the ties that were such a topic last year? Maybe it is too early to find out, as the takeover is rather recent. But, then again, maybe we can find out.
Either way, this is bound to be an interesting year at Basel. Stay tuned to Worldtempus for the coverage.

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swisster.ch - November 12, 2010

Hillary's son and daughter obtain a legal injunction, saying the timepieces consigned by their stepmother for bids rightly belong to them, while the New Zealand government also expresses concerns.
A New Zealand court is blocking the planned auction in Geneva this Sunday of Rolex watches originally owned by the late legendary mountain climber Sir Edmund Hillary as members of his family feud over who owns them.
Antiquorum has advertised several of the luxury timepieces consigned for sale by Lady June Hillary, widow and second wife of the late adventurer, who died in 2008.
But a high court from Hillary's native country granted an injunction this week at the request of lawyers acting on behalf of the climber's son Peter and daughter Sarah, who claim they own the watches.
In addition, the New Zealand government said it regards the watches of national cultural importance.
The injunction instructs Lady Hillary to ask Antiquorum to withdraw them from sale.
The auctioneer continued on Friday to include the watches in advertising for its weekend auctions on its website.
An Antiquorum representative could not be immediately reached for comment.
The collection is part of a group of 643 "important modern and vintage timepieces" to be sold under the hammer by Antiquorum during a two-day sale this weekend at the Mandarin Oriental Hotel.

One of them is a Rolex "Oyster Perpetual" chronometer dating from 1953 that was presented to Edmund Hillary in India after his descent from Mount Everest in honour of his achievement the same year.
At the age of 33, he and Sherpa mountaineer Tenzing Norgay became the first climbers known to have climbed the summit of the world's highest mountain.
Hillary subsequently wore the watch on a trans-Antarctic expedition from 1955 to 1958, the first overland crossing of Antarctica and the first expedition to reach the South Pole since British explorer Robert Scott in 1912.
"It has immense historic significance," Antiquroum says in its online catalogue, noting that the caseback is engraved "Sir E. Hillary".
The watch is valued at between 10,000 and 20,000 francs.
Another timepiece in the collection is an 18-carat yellow gold Rolex bought on May 29, 2003 by Hillary on the 50th anniversary of the day he reached the summit of Everest.
Its estimated value is between 8,000 and 10,000 francs.
Among the other Rolexes are ones bought by Hillary to commemorate the 20th anniversaries of the Everest climb and his attempted ascent of Himalayan peak Cho Oyu from the Nepal side in 1952.
The estimated value of the watches is not in the upper reaches often seen at Geneva auctions.
The headline watch in Antiquorum's weekend sale, for example, is a rare Patek Philippe "pink gold" wristwatch valued at between 800,000 and 1.2 million francs, and the auction house says it has sold 49 watches valued at more than a million francs.
But the New Zealand Ministry for Culture and Heritage said at least one of the Hillary watches has legal protection under the country's Legal Objects Act.
According to press reports from New Zealand the government wrote to Lady Hillary's lawyers on Friday to inform her of the watch's protected status.
Under the country's law, protected objects cannot by exported without the permission of the culture and heritage ministry.
However, its is not clear whether the injunction has any legal bearing in Switzerland.
It is possible that officials New Zealand government may have to contact Bern in order to intervene.
Hillary's son and daughter said their stepmother put the watches up for sale without asking them, according to a report from the New Zealand Press Association.
Peter Hillary said it was "very sad" he and his sister had had to take court action to stop Lady Hillary from going ahead with the sale, but it was the straw which had broken the camel's back.
"There have been a number of very significant items from the Ed Hillary collection that do belong to Sarah and I, that have been disposed of inappropriately," he said.
"I believe that it has been stopped for the time being and we are hopeful we can preserve these legacy items," Peter Hillary added.
"They, along with a lot of other items, are of great significance to this family and I would suggest in some respects to New Zealand, in terms of being important items from the Ed Hillary collection."
Neither Lady Hillary nor her lawyer were available to the press for comment.
June Hillary married the climber in 1989 after his first wife and one of his two daughters died in a plane crash in Nepal in 1975.

Among the 643 timepieces, Antiquorum is extremely proud to be offering for sale an extremely rare Patek Philippe Ref. 2499 as well as the personal collection of Rolex watches of the legendary 20th century explorer Sir Edmund Hillary. Previews are to be held in Shanghai, Hong Kong, Zhuhai and Geneva.

The highlight of the sale is the extremely rare Patek Philippe Ref. 2499, Third Series, made in 1971 and sold on June 14, 1972. This 18K pink gold wristwatch with round button chronograph features a 30-minute register, perpetual calendar and moon phases. It is accompanied by a Patek Philippe box and the Extract from the Archives.
Antiquorum experts are also delighted to present the personal collection of Rolex watches that belonged to Sir Edmund Hillary. These exceptional timepieces have been consigned for sale by Lady Hillary and all had special significance for Sir Edmund.

The earliest model in this collection is a Rolex, "Oyster Perpetual, Officially Certified Chronometer", reference 6084 dating from 1953. This watch was presented to Sir Edmund Hillary by Rolex Bosecks, Calcutta, India after his descent from Everest in honour of his achievement. It was then worn by him during the Trans-Antarctic Expedition of 1955-1958 - the first overland crossing of Antarctica and the first expedition to reach the South Pole since Scott in 1912 - and as such it has immense historic significance. The caseback is engraved "Sir E. Hillary".
Also part of the collection, the Rolex "Oyster Perpetual Date, Superlative Chronometer Officially Certified", REF. 15238. This 18K yellow gold tonneau shaped wristwatch with date was purchased by Sir Edmund Hillary on the 50th Anniversary of the day he reached the summit of Everest, 29th May, 2003. It is accompanied by the original Rolex certificate to Sir Edmund Hillary and a letter of authenticity.
Naturally the collection also includes both the Rolex Explorer I, reference 1016, made in 1972 - the 20th Anniversary of Sir Edmund Hillary's attempt to climb Cho Oyu from the Nepal side in 1952 (Estimate: 4'000 - 6'000 CHF) and the Explorer II, reference 1655, the so-called "Steve McQueen", made in1973 and bought by Sir Edmund Hillary to commemorate the 20th Anniversary of his ascent of Everest.

In addition to Sir Edmund's collection of Rolexes, Antiquorum is delighted to offer the Rolex "Oyster Perpetual, Precision", reference 6098 that was worn by Alfred Gregory on Everest during the successful expedition of 1953. Alfred Gregory was the official expedition photographer and this watch has been consigned to Antiquorum by his family. This watch is of enormous historic significance and is likely to present the only opportunity to acquire one of the original Rolex watches that were on Everest in 1953. The caseback is engraved "A. Gregory - Everest 1953" and the watch is accompanied by the Ice Axe used during the Everest expedition, 5 original photos taken by Alfred Gregory during the climb, service letter by Rolex Geneva and a letter of authenticity from Alfred Gregory's wife.
Also offered at auction, the Patek Philippe Ref. 3450, Third Series, made in 1985. This very rare, self-winding, 18K yellow gold wristwatch features perpetual calendar, moon phases, Roman numerals for the leap year indication. It comes with a wooden fitted box, setting pin, Certificate of Origin and instruction booklet.
Of interest for the Audemars enthusiast is the Audemars Piguet "Jules Audemars - Repetition Minutes a Quantieme Perpetuel," Ref. 26063 PT., made in 2009. It is an extremely fine and rare, astronomic, minute-repeating, platinum wristwatch with perpetual calendar, leap year indication and moon phases. It is accompanied by the original special fitted wooden box, a piano-shaped wooden box to amplify the sound of the minute repeater, certificate and warranty.
Another timepiece of great interest is the Quarter-Repeating Navette-Shaped Ring Watch - One of Only Two Known Examples - A Gift to The Emperor Napoleon I. made circa 1810. This exceptional timepiece is attributed to Antoine Rochard, Geneva, the mainspring is signed Marchand and the case engraved "a L'Empereur N". This extremely fine and exceptionally rare, 18K gold, pearl and rose-cut diamond-set ring watch with virgule escapement and visible balance, is one of only two known examples of a quarter-repeating ring watch of navette shape.
Antiquorum experts are also pleased to offer a collection 40 Omega Speedmaster limited editions, property of a private Italian collector, including the "Speedmaster Professional" Apollo XIII Ref. 3450022, made in a limited series of 999 examples to commemorate the 25th anniversary of the Apollo XIII mission in 1995. This stainless steel chronograph bears the Apollo XIII emblem on the subsidiary seconds dial at 9. It comes with the original box, warranty, certificate, instruction booklet, Apollo XIII patch, extra links and booklet.
AUCTION PREVIEWS
The timepieces of this auction will be on view as follows:
SHANGHAI
Tuesday November 2: 10:30 a.m. - 6:30 p.m.
Antiquorum Shanghai
Room 4106B, Bund Centre Office Tower,
222 Yan An Road East,
Shanghai 200002, China
Tel.+86 21 6335 1268
 
HONG KONG
Thursday November 4: 11:00 a.m. - 7:00 p.m.
Antiquorum Auctioneers (HK) Ltd.
Suite 704, No. 9 Queen's Road Central,
Hong Kong
Tel. + 852 2522 4168
 
ZHUHAI
Saturday November 6: 10:00 a.m. - 6:00 p.m.
Gemdale Eton
No. 298 Jinyi Road, Xiangzhou District
Zhuhai
Tel. + 852 2522 4168
 
GENEVA
Wednesday 10 to Friday November 12: 10:00 a.m. - 7:00 p.m.
Saturday 13 & Sunday November 14: 10:00 a.m. - 6:00 p.m.
Antiquorum's Showroom
2, rue du Mont-Blanc
1201 Geneva, Switzerland
Tel.+ 41 (0)22 909 28 50 - Fax. +41 (0)22 909 28 60
Email: geneva@antiquorum.com
 
AUCTION: Important Modern & Vintage Timepieces
Saturday, November 13
Session 1: lots 1 - 252 at 2:00 p.m.
Sunday, November 14
Session 2: lots 253 - 643 at 2:00 p.m.
Mandarin Oriental Hotel du Rhône
Salon Saint-Gervais - quai Turrettini 1, 1201 Geneve
Tel.+ 41 (0)22 909 00 00 - Fax +41 (0)22 909 00 10

Swiss watchmaking has continued to reinvent itself throughout the centuries as Swiss craftsmen, inspired by their passion and love of tradition, strive to enhance their precision expertise.
Maison Bunter, one of the leading specialists in major complications and jewel-setting, has been fired by such passion for some 155 years. Today Bunter is proud to present Arcadia: an innovative watchmaking concept that rises to the challenge of reviving one of the greatest emblems of Switzerland's watchmaking heritage.

During the 19th century the Arcadia brand was the symbol of Swiss watchmaking excellence and the standard-bearer of the celebrated Fleurier Watch Company, whose creative approach would inspire generations of watchmakers. Now, after falling victim to the 'quartz revolution,' Arcadia, and its incredibly avant-garde models, are being reborn under Bunter President Claude Sanz - a passionate devotee of watchmaking history.
This new adventure, imbued with unfettered imagination, offers a fresh approach to communicating the values of traditional Swiss watchmaking around the world.

HISTORY
1858 - 1970 : Arcadia
In the early 19th century Swiss watchmaking - hitherto a craftsman's activity - enjoyed one of its earliest industrial booms.
Thanks to Edouard Bovet, one of the first watchmakers to target the Far Eastern market, the number of watchmakers in Fleurier (a village in the Val-de-Travers near Neuchâtel) more than tripled inside 30 years.
Jules-Samuel Jequier, who was born in the village in 1835, chose to devote his life to watchmaking from an early age. He joined Bovet in 1856 after training as a jewel-cutter and, thanks to his enthusiasm and entrepreneurial zest, rose swiftly through the firm's ranks.
Later, helped by his five sons, Jules-Samuel Jequier founded the Fleurier Watch Company, a manufacturer devoted to jewel-cutting and designing watch calibres. The growth of the watchmaking industry would inspire the Jequiers to launch a number of different watchmaking brands.
Among them: Arcadia.

rcadia was founded in 1858 and became the flagship of the Fleurier Watch Company. The classically-inspired Fleurier brand enjoyed great renown among connoisseurs of quality watches, epitomized by names like Breitling and Rolex.
Arcadia watches displayed amazing creativity for the time.
This avant-garde brand produced some particularly stylish collections, typified by some of its early 20th century models - symbols of Swiss ancestral tradition imbued with modern, indeed contemporary, vision.
But the arrival of quartz was to be the downfall for many Swiss watchmakers, who failed to realize the importance of the 1970s electronic revolution. Swiss mechanical watches were left behind by cheap, mass-produced, electronic watches from abroad. The resultant economic crisis lasted 15 years and threatened the entire sector, coming close to completely destroying traditional Swiss watchmaking.
Many Swiss watchmaking firms were forced to close, taking with them the brands which had underpinned their success. Arcadia was no exception and, over a century after its launch by the Fleurier Watch Company, sank into oblivion.

2010 : Rebirth of Arcadia
Arcadia represents the crowning glory to an exceptional career and the fulfilment of a dream for a man to whom watchmaking is far more than a job. Claude Sanz cuts a unique figure in the watchmaking world: a trained geologist and mineralogist, as well as an expert in setting and mechanical complications.
Nearly forty years ago Sanz acquired Bunter, a firm specializing in the cutting of industrial stones and rubies needed for watchmaking. Today, thanks to their mastery of invisible settings and de luxe, made-to-measure projects, Bunter are recognized by all the pre-eminent Swiss watchmaking firms.
For Sanz, work is a passion: a passion for timepieces, for horological savoir-faire and for watchmaking history. It is also a dream... one he has secretly entertained for many years, to blend his skill and experience with the launch of a watchmaking brand that would write the final chapter of a story that began 35 years ago.
"When you make watch components, you inevitably think about creating your own brand," says Sanz.
But his ambition goes further. As a keen historian, he dreams of pursuing the mission of a Swiss watchmaking firm in the purest mechanical tradition - albeit one adapted to the contemporary era.
In the 1990s Claude Sanz learnt about the incredible story of the Fleurier Watch Company and its star brand, Arcadia. He was fascinated by this forgotten watchmaking venture, and promptly decided to take over the Arcadia brand - which had fallen into the public domain - and revive its century-old traditions. "Arcadia calibres were highly innovative for the time, and the Fleurier Watch Company was considered an international ambassador of Swiss watchmaking," he explains. Today the industry is witnessing a return to small mechanical movements, so Arcadia is perfect for the 21st century! It's the start of a whole new adventure.
The Arcadia renaissance is underway. With Bunter's structural and technical support, Claude Sanz has set about renovating each Arcadia calibre in the purest watchmaking tradition, inserting them into modern cases with sleek designs, made using the latest avant-garde technologies and materials.
A combination of the richness of the past and the boldness of the future, Arcadia aims to showcase and perpetuate an exceptional, time-honoured, heritage on the international scene - and restore the prestige of a watchmaking symbol that was the pride of Switzerland for over a hundred years.

AC01 : Transcending tradition
With its modern, virile look, the first re-edition of the Arcadia collection strides confidently into the 21st century - while retaining the utmost respect for watchmaking's greatest traditions.

This can be seen in the powerful design of this audaciously restyled retro model. While retaining its DNA - rounded shapes for the watch and displays within a tonneau case - the Arcadia AC01 has been entirely redesigned in line with today's technical codes. This new design approach is one of extremes: the watch combines harmonious volumes with aggressive elegance, with visible screws and push-pieces reworked to appear part of the case.
The watch is made from such avant-garde materials as titanium (for the case), carbon (for the split-level dial), and anti-allergenic technological fibre (for the strap), married to watchmaking functions that evoke the awesome savoir-faire of the Fleurier Watch Company: the hour-and-minute display in the centre of the dial is surrounded by four skillfully juxtaposed sub-dials with original, extra functions (including chronograph, date and 24-hour time-zone index). The automatic movement, with 18-carat pink gold rotor, can be admired through a transparent case-back.
Watchmaking tradition transcended! The watch is edited in a limited series of 275, and offered for sale with a revolutionary concept ideally suited to the era of new technologies: much in the manner of an iPhone or iPad, all data linked to the model (guarantee, aftersale service, orders for further timepieces) is entered on a USB key given to the owner and activated on-line at time of purchase.
Another novelty: each Arcadia model comes with a travelling case in supple, ultra-resistant neoprene for easy transport and maximum protection.

MUSIC
Ben Frost (Australia) chosen by mentor Brian Eno (United Kingdom)

Australian composer, producer and musician Ben Frost, 30, is recognized for his music that is at once compelling, mystifying, disturbing and beautiful. In 2005, after receiving a degree in fine arts in Melbourne, Frost relocated across the world to Reykjavik, Iceland, where he co-founded the Bedroom Community record label.
His genre-defying work, influenced as much by Classical Minimalism as by Punk Rock and Metal, includes three emotionally powerful and critically acclaimed albums: Steel Wound (2003), Theory of Machines (2007) and By the Throat (2009). Frost's multidisciplinary collaborations linked him with renowned choreographers Gideon Obarzanek, Erna Ómarsdottír and Wayne McGregor, and with artists as diverse as Amiina, Tim Hecker, Nico Muhly and Björk. He is currently composing the score for the forthcoming massive multiplayer online game, World of Darkness, and working on several commissions for film and dance, including a reworking of Tarkovsky's Solaris and music for the new Random Dance production, Flesh in the Age of Reason.

"In my works I celebrate being South African. I look at my ethnic identity, gender identity and colonial heritage," says 34-year-old visual artist Nicholas Hlobo. Since graduating with a degree in Fine Art from the then Technikon Witwatersrand in Johannesburg, in 2002, Hlobo has demonstrated the singularity of his artistic vision at group and solo shows from Cape Town to Rome and Boston. "The ideas he explores are as deliberate and dense as the stitches he uses to unite his signature materials - rubber, gauze and paper," observes Kerryn Greenberg, assistant curator at London's Tate Modern where, in 2008, Hlobo exhibited four works, entitled Uhambo, at the Level 2 Gallery for emerging international artists.
The distinctive use of evocative materials is a hallmark of Hlobo's sculptural installations and performances, which are rooted in his native Xhosa culture and language. Among his most recent successes, he won the prestigious 2009 Standard Bank Young Artist Award for Visual Arts.

A naturally gifted dancer and fledgling choreographer, Lee Serle, 28, is a much sought after performer in his native Australia. Since receiving a bachelor of dance degree from Melbourne's prestigious Victorian College of the Arts in 2003, he has contributed to the work of several, mainly Melbourne-based, companies, notably Lucy Guerin Inc and Chunky Move, with which he has performed both nationally and internationally.
His choreographic credits include A Little Murky, a small-scale piece that experiments with subtle characterization and showcases his powerful and theatrical style, and I'm in Love, for the Next Wave Festival in Melbourne. Serle relishes the Rolex mentorship as a "oncein- a-lifetime opportunity" of extending himself under the tutelage of such a "seminal influence" as Trisha Brown. "The chance of becoming a dance artist in New York is a personal goal," adds Serle, whom Brown describes as a dancer of "tremendous promise", ready to expand his horizons internationally.

Annemarie Jacir, 36, a visionary, Palestinian film director and poet living in Jordan, was named one of Filmmaker magazine's 25 New Faces of Independent Cinema in 2004, a year after graduating with a Master's in Fine Arts from New York's Columbia University.
Co-founder of the Dreams of a Nation project, dedicated to promoting Palestinian cinema, Jacir deftly incorporates a nuanced analysis of cultural and political issues in her films, including like twenty impossibles (2003), an Official Selection of the Cannes Cinefondation. Her widely acclaimed debut feature, Salt of this Sea (2008), the first feature film by a female Palestinian director, premiered at Cannes and was an Academy Award submission for Best Foreign Language Film. It also won the FIPRESCI International Critics' Prize. Currently working on a new feature, Jacir cites Zhang Yimou's Raise the Red Lantern as a source of inspiration. "Films that I find the most inspiring are about the human spirit," she says.

For over a decade, Lebanese actor, writer and aspiring director Maya Zbib has been impressing critics with her subtle portrayals in widely diverse roles. The multi-genre work of the 29-year-old bridges theatre and performance by marrying the two practices through a variety of techniques.
Having acquired a Master's in Performance Making in 2007 from Goldsmiths, University of London, Zbib has created and performed in solo work, including The Music Box, a performance-installation staged in people's houses and showcased at international festivals. She currently comanages Beirut's Zoukak Theatre Company and Cultural Association, which she co-founded in 2006, and also teaches at Lebanese University's Institute of Fine Arts. In 2009, she was invited to participate in the British Council's Cultural Leadership International programme. Dedicated to theatremaking that has an impact on society, Zbib says: "I am very inspired by Mr Sellars' advocacy of theatre as a force for change."

The Rolex Mentor and Protege Arts Initiative
The Rolex Mentor and Protege Arts Initiative is an international philanthropic programme devised by Rolex and run by a team at the company's headquarters in Geneva. It seeks out highly talented young artists from around the world and brings them together with great masters for a year of creative collaboration in a one-to-one mentoring relationship.
History and objectives
The Rolex Mentor and Protege Arts Initiative was launched in June 2002. It runs biennially and is now beginning its fifth cycle (2010-2011). Its objective is to help perpetuate the world's artistic heritage. In keeping with its tradition of supporting individual excellence, Rolex is giving emerging artists time to learn, create and grow.
Programme format
Rolex invites masters in dance, film, literature, music, theatre and the visual arts to provide individual guidance to gifted young artists. In six disciplines, a senior artist (the mentor) agrees to foster and counsel a young artist (the protege) for one year. Each pair decides the most effective way of interacting.
Selection of mentors
Every two years, a new Advisory Board of distinguished artists and arts practitioners suggests and endorses potential mentors. Once the mentors have been approached and have agreed to take part, Rolex works with them to establish a profile of the protege they would like to work with.
Selection of proteges
Then, six Nominating Panels - one panel per discipline - are assembled. The panels are made up of experts qualified to identify suitable potential proteges. To ensure that the process is impartial, panel members remain anonymous during the selection period. Artists do not apply directly to the programme. Each Nominating Panel recommends potential proteges, who are then invited by Rolex to submit applications. The Nominating Panel studies all the applications and recommends three finalists. The entire process has an invaluable spin-off, as it allows the panellists to become aware of about 20 talented young people in their field. Rolex then arranges for the mentor to meet the finalists and choose his or her protege.
Year of mentoring
Mentors and proteges spend a minimum of six weeks together, though many spend considerably more time sharing knowledge and experience. The place and time of these interactions are arranged by mutual agreement. The form of the interaction is flexible, ranging from a protege being granted access to a master at work, to mentor and protege actually collaborating on a work. During the year, Rolex keeps in contact with the mentors and proteges to provide logistical support as required.

Protege grant
Each protege receives a grant of US$25,000 during the mentoring year, in addition to money to cover travel and other major expenses. Proteges are also eligible to receive a further $25,000 after the year is over. This is offered specifically towards the creation of a new piece of work, a publication, a performance or public event.
Documentation
To help give exposure to both the proteges and the programme, Rolex documents the year of mentoring in a publication and a film. A website - rolexmentorprotege.com - also describes the programme.
Outcome
After the mentoring year is over, Rolex continues to keep in touch with the proteges, following their careers with interest. The outcome for proteges varies: a new novel, a new stage production, a dancing career with the mentor's company and a collaborative artwork with the mentor are all examples of proteges' achievements through the programme. However, Rolex is aware that the full benefits of the programme for many of the young artists may continue far into the future.

Global creative community
Since the launch, in 2002, of the Rolex Mentor and Protege Arts Initiative, 256 artists, arts leaders and other cultural luminaries have participated in the programme. This includes 67 advisors who have helped select mentors and 147 nominators who have identified potential proteges. Programme participants contribute from across the globe, building a Rolex community of artists spanning more than 40 countries that grows in depth and scope with each mentoring year.

WORLDTEMPUS - 25 June 2010

Despite the final statement of my last Chronicle, these connoisseur collectors all end up owning a Rolex again at some point. So if you are in the ascending stage of your collecting career and are tempted to branch out from your Rolexes and Omegas, hang onto at least one of your Rolexes…you'll want it back someday—I guarantee it. And it will probably be that Submariner that you once thought was uncool because everybody has one. It's with good reason everyone has one: it might just be THE watch to have if you can only have one watch.

The first watch that I loved, but never owned, was the Revue Thommen Airspeed chronograph outfitted with the Lemania 5100 movement. I did pick up the Cricket with the copper-colored dial from Revue Thommen, which is an excellent and affordable alarm watch, but I have never owned the original Airspeed chronograph. Revue Thommen has been a manufacturer of industrial and airplane instrument gauges for more than 150 years. In the early to mid-1900s, the company discovered that its skill in making gauges transferred nicely to making military and pilot's watches, both of which required the same legibility and technical excellence that the company prided itself on in its airplane instruments. In fact, the crystal on the Airspeed chronographs is so clear that the watch looks like it has no crystal at all. The Airspeed chronograph is still offered, now outfitted with a Valjoux 7750 movement, and it looks much the same as the original model, which—not coincidentally—looks just like the clocks in many airplane cockpits.

The Glycine Airman is a dual-time (actually displaying three time zones), 24-hour dial watch that became well known after many U.S. Air Force pilots returned home from Vietnam wearing one. I don't believe the watch was ever issued as a military watch, but the Airman offered a simple, intuitive dial and time interface that made tracking local, UTC, and a third time zone easy. Glycine has extended the Airman lineup considerably over the years, and, in fact, Glycine has evolved into having a most interesting and diverse model lineup—all while offering economic pricing and great quality. The Glycine Airman is a gap that I closed, having owned several of these historical watches over the years.

WORLDTEMPUS - 22 June 2010

A world's first—this was the remark from Rolex's management when Danish Rolex retailer, Klarlund, invited a few select journalists from Scandinavia, Germany, and Switzerland to salute the "King of Le Mans," Tom Kristensen.
Danish driver Kristensen has no less than eight Le Mans victories listed on his automotive resume, which is two more than legendary driver Jacky Ickx, who ended his career with six Le Mans wins.

Kristensen's position as a natural choice to enter the exclusive club of Rolex testimonials moved Klarlund to stage the intimate gathering celebrating his new official position as ambassador.
Rolex has never before made an official announcement when "knighting" an ambassador, which is the reason for the remark from the Rolex management. Klarlund was only able to convince Rolex to celebrate this occasion in the presence of the press thanks to the retailer's long-standing relationship with the Genevan watch brand.

"Not only are we proud of Tom Kristensen's victories, we are also very proud hosts of such a rare and special occasion," Klarlund managing director Stig Andersen told Worldtempus after presenting the new ambassador with a Rolex Daytona Everose, one of Rolex's gifts to its new sporting face. The other Rolex that Kristensen will receive is a Milgauss outfitted with a green sapphire crystal. These watches not only suit the "King of Le Mans," they are also timepieces fit for an icon of our time.

WORLDTEMPUS - 19 April 2010

I decided to extend my annual trip to Geneva's S.I.H.H. in January and visit any car buff's Holy Grails: the Porsche and Mercedes Benz museums in Stuttgart as well as a personal tour through the AMG factory in Affalterbach. I was actually welcomed there with a proudly displayed American flag—now that's attention to detail. As if that wasn't enough, I ventured on to partake in the Mercedes AMG Winter Driving event in Arjeplog, Sweden, and a few weeks later the Porsche Ice Force in Ivalo, Finland.

The experience was incredible: the Mercedes AMG E63, C63 and SLK55 and the Cayman S, 911 C2S, C4S, Turbo and Panamera 4S are all equipped with studded winter tires to gain traction on the giant frozen lakes' endless tracks. I basically drove sideways from 9:30 am until 5:00 pm for three days straight, only interrupted by coffee breaks and sumptuous lunches with 40 other car enthusiasts from all over the world.
Being in the watch business, I thought it would also be a great opportunity to test a few of the world's best sports watches under these frigid conditions—so I left a Rolex Deepsea, an Audemars Piguet Royal Oak Offshore, a Panerai Marina Diver, and our very own limited edition Wempe Zeitmeister ceramic chronograph outside overnight at -24°F. Needless to say, I slept a little uneasy having watches worth over $55,000 lying in the snow on my balcony unattended, but then again, nobody would have suspected these kinds of treasures there either.

This was an experiment I wouldn't have dared to pull off in New York. All watches performed well, by the way, and even the rubber straps survived the night in the cold without becoming brittle. As for the driving experience, it was exhilarating and certainly has greatly increased my car control skills. We kept the Porsche Cayenne and Mercedes ML drivers busy as we overshot corners and turns just to find ourselves in two feet of snow.
The beautiful thing was that you couldn't get hurt or damage the cars. I'm not quite ready to initiate the drift with the brake when I turn on Fifth Avenue into 55th Street in front of the Wempe store, but it sure is tempting.

WORLDTEMPUS - 20 March 2010
It could have been an uneasy herd of impatient fans prior to a rock concert about to start for onlookers that did not have an interest in horology, but just happened to stroll by Hall 1 in Basel. However the impatient herds of bloggers, collectors and journalists did not wait for a big-ticket name in the music business to go on stage, but for a ditto in Swiss horology, Rolex, to reveal its novelties.
Every year watch related websites start discussing what the leader of Swiss watch making might introduce of novelties once the doors open. Yet nobody knows for sure, since Rolex is as secretive with their novelties as their Oyster-cases are waterproof.

This year, however, the introduction of a steel Submariner with maxi case and ceramic bezel insert was not much of a surprise. Such is the evolution of Rolex. Gold first, then steel/gold and now steel. The "aaaaahhhh" reaction did arise though, when the first impatient souls reached the mirror polished exhibition windows on Wednesday March 17th, when Baselworld opened its doors. The surprise reaction was due to a green dial and ditto ceramic bezel version of the Submariner of steel that paired up next to the black version at Rolex's impressive stand.

Green may not be a colour embraced as joyfully by everyone as the Irish on St. Patrick's Day. This could be why Rolex decided to introduced a 39 millimetres version of what could easily be considered as one of the best looking models of all time, the legendary Explorer. A watch famed by Sir Edmund Hillary and Tensing Norgay's Mt. Everest exhibition in 1953. Both of them wore Rolex Oyster Perpetuals, creating yet another achievement for the Swiss watch company who used the world as a laboratory to test its watches under real conditions, since the young Mercedes Gleitze swam across the English Channel, wearing a Rolex Oyster, in 1927.

The clean military look of the Explorer has not changed. But the new size of 39 millimetre - which is three millimetre bigger that the earlier version, ref. 114720 - is a perfect reason to rediscover a watch that has too long been considered too small for men and too masculine for women. This said, many women might just embrace this new size Explorer, as big watches are still popular on female wrists.

Fresh, refined and elegant. Fitting descriptions of the gracefully feminine new Rolesor models in the Oyster Perpetual Datejust Lady 31 mm collection.
An ode to passion and sensuality, these delicate gems for daily wear are an invitation to share in their carefree youthfulness. They celebrate with brio the marriage of their materials — precious stones, 18 ct gold and 904L steel — and colours.

Wide range of dials
These new Lady 31 mm models in yellow, white and Everose Rolesor are available with a wide range of dials and decors. The floral motifs on the dark rhodium, and champagne and pink dials are produced using an electroforming technique, a very subtle deposition of material that reproduces the design with extreme precision. These visually attractive motifs give pleasing volume to the dial.

Fluted and gem-set bezels
The Oyster Perpetual Datejust Lady 31mmis available with either a fluted bezel or domed bezel set with 24 or 46 brilliants, reflecting the slightly rebellious and mischievous side of the pieces with a hint of intrigue.

Gem-set 6 o'clock hour marker
The gem-set Roman numeral hour marker at 6 o'clock adds a fascinating, singular touch to a watch that makes every minute an escape from time.
The timeless lightness of this Lady 31 mm should not obscure the extreme precision of its mechanical self-winding movement with a Perpetual rotor.
The lady can thus return at any time to the world of the present and live the moment to the fullest.

50 years later, this deep dive into uncharted waters not only remains an unmatched record but constitutes a milestone in underwater exploration and in increasing awareness of the need to better protect the oceans.

Fifty years ago, Rolex and the bathyscaphe Trieste made history when US Navy Lieutenant Don Walsh, accompanied by Swiss oceanographer Jacques Piccard, piloted the US Navy vessel to the bottom of the Challenger Deep in the heart of the Mariana Trench, some 200 miles off the island of Guam in the Pacific Ocean. Strapped to the outside of the Swissdesigned submersible was a Rolex watch. A third-generation Rolex prototype of the Deep Sea Special was specifically engineered to withstand the tremendous pressure that would be encountered, approximately eight tons per square inch, at a depth of over 10,900 meters (35,000 feet) in the Challenger Deep.
When the Trieste and her intrepid crew of two surfaced over eight and a half hours later, they had completed the deepest dive ever undertaken by a vessel - manned or unmanned - and the Rolex Deep Sea Special was in perfect working condition. "Happy to announce that your watch works as well at 11,000 meters as it does on the surface", Piccard wrote in a telegram addressed several days after the dive to the Rolex headquarters in Geneva.
Their successful voyage to the still deepest known place in the Earth's oceans not only set a record that has never been broken, but also constituted an important milestone in the exploration and knowledge of the underwater world, an environment that was little known at the time despite its crucial role for man and his survival on earth.
Nearly seven miles below the surface, Walsh and Piccard used the light from their mercury vapor lamps to witness something never seen before: marine life at the very bottom of the ocean, previously believed to be unsustainable under such pressure and in the total absence of light. A discovery that astonished the global scientific community and contributed to increasing awareness of the need to better preserve our oceans.
Protecting the "blue heart of the planet"
"We are very dependent on the natural systems that sustain us. If we take care of the ocean and the rest of the natural world, we're really taking care of ourselves", said Sylvia Earle, the pioneering US marine biologist and Rolex Testimonee who has dedicated her life to the protection of what she calls the "blue heart of the planet".
Walsh and Piccard's achievement brought Rolex and its extraordinary technology into the public consciousness for its scientific value. Moreover, special notice of the feat was also taken by the elite diving community who would come to treasure Rolex watches as essential tools of their trade. In water, Rolex is in its element and the name of its iconic waterproof wristwatch, the Oyster, is no accident.

In the years following the Trieste's "deepest dive", the Rolex Submariner was the watch of choice for the US Naval School for Deep Sea Divers and for the US Navy's SEA-LAB program which also provided robust developmental testing, in advance of the Rolex Sea-Dweller's introduction in 1967.
From the creation of the Oyster in 1926 to the utmost test of its prowess in Mercedes Gleitze's 1927 English Channel swim, on to the introduction of more and more sophisticated waterproof models since then to the present, Rolex has continuously sustained its commitment to being at the forefront of manufacturing watches that resist water and are ultimately compatible with water-related activities and underwater research.
Rolex milestones include: the Submariner created in 1953, originally waterproof to a depth of 100 meters and today to 300 meters (100 feet); the Deep Sea Special prototype of 1960 that withstood the pressure at Earth's deepest point; the Sea-Dweller presented in 1967, waterproof to 610 meters (300 feet) and featuring a helium valve to protect it during deep dives; the 1978 Sea-Dweller 4000, waterproof to 1,220 meters (4,000 feet); the revolutionary Rolex Deepsea of 2008, waterproof to 3,900 meters (12,800 feet).
The world's most noteworthy exploits
Rolex has always been proud to be associated with some of the world's most noteworthy exploits: Sir Edmund Hillary's ascent of Everest, Chuck Yeager breaking the sound barrier, Roger Federer becoming the champion of champions in tennis, the many victories of Arnold Palmer, Gary Player and Jack Nicklaus, the legendary "Big Three" in the golf world, the triumphs of sailors in major races like the Rolex Sydney Hobart, to name but a few.
The integrity of these champions and their achievements go hand in hand with the outstanding quality and precision of the Rolex watches they were wearing and the well-earned reputation of the company that stands behind these exceptional timepieces.

30 juillet 2009

VOIR LA GALERIE-PHOTOS

La galerie du Jeu de Paume a Paris propose actuellement et jusqu'au 27 septembre une exposition intitulee « Planete Parr. La collection de Martin Parr ». Organisee par la Haus der Kunst a Munich, en collaboration avec le Jeu de Paume, elle presente pour la premiere fois la riche collection de livres photographiques et de photos de Martin Parr, accompagnee d'une partie de sa collection d'objets heteroclites, ainsi que de quelques-uns de ses travaux recents, notamment les series «Luxury» et «Small World». Ce photographe, membre de la fameuse agence Magnum, se presente lui-même comme un « collectionneur, un editeur et un photographe », et joue ironiquement sur le cliche de l'Anglais extravagant aimant a accumuler toutes sortes d'objets divers.
Ben Laden en montre de poche
Outre le plus grand paquet de chips du monde, des theieres a la gloire de Margaret Thatcher ou un slip orne du portrait de Barack Obama, le sieur Parr a recolte une incroyable serie de garde-temps. Montres-bracelets, montres de poche, horloges, reveils, usurpant ou non le logo d'une marque celebre ou le fameux Swiss made, tous ont pour point commun de celebrer sur leur cadran une personne ou un evenement historique. Le visiteur pourra ainsi admirer des reveils commemorant les exploits de Gagarine ou divers modeles aux couleurs de Mao, de Staline ou même de Barack Obama. Certaines de ces tocantes meritent sans conteste la palme de l'originalite, comme cette montre de poche a l'effigie de Ben Laden ou cette horloge chinoise en forme de raquette de ping-pong. Une vitrine entiere est consacree aux montres a l'effigie de Saddam Hussein. Certaines, provenant vraisemblablement d'Irak, sont tout a sa gloire. D'autres, conçues apres le 11 septembre, vehiculent le propos inverse, notamment celle sur laquelle un montage photographique represente un corps de rongeur surmonte de la tête de Saddam et de ce slogan : « captured like a rat » ! La montre, objet de propagande par excellence qui permet d'afficher son opinion dans cette vitrine miniature qu'est son cadran, provient ainsi des deux côtes de l'histoire. Il en va de même pour les tapis de priere musulmans ornes des tours jumelles percutees par les avions et estampilles « made in Afghanistan » qui sont ici exposes face a des bibelots aux couleurs de l'aigle americain exaltant les slogans va-t-en-guerre de l'ere Bush.

Ironie britannique
Le dialogue entre photographies et objets nous tend ainsi un miroir de notre epoque, revelant les tendances de nos modes de vie contemporains. Comme le dit Martin Parr lui-même, « Ce travail ressemble a une epitaphe pour une periode sur le point de s'achever, faite de croissance excessive, de parade et de luxe ostentatoire. C'est une opportunite de jeter un regard retrospectif sur cette periode de nos vies. » Un regard qui n'oublie pas neanmoins la distance et l'ironie « so british » !
www.jeudepaume.org
www.martinparr.com

22 June 2009
- www.fratellowatches.com
I don't consider myself a collector of watches, I just 'collect' what I will actually be wearing. I had a modest collection of new & vintage Omega watches in the past, but I traded most of them for watches that would actually see some daylight every now and then instead of the inside of a safe.  
For me, this results in buying 'iconic' watches most of the time. True classics in terms of design, movement, history or a combination of all these aspects. For example, these icons include the Omega Speedmaster Professional, Rolex GMT-Master and (recently added) the Audemars Piguet Royal Oak. Michael Balfour wrote a nice book about iconic timepieces called ' Cult Watches'. Of course, some people may think differently on what an iconic timepiece may be. I can imagine that there are watch aficionados who consider an Ikepod Cunningham or a Bell & Ross BR01 to be cult watches as well.

Anyway, in the 10 years I have been buying or collecting timepieces, I always envied the people that just have one watch. Like the guy in the Patek Philippe advertisements, having a nice Patek Nautilus ref. 5711/1A, wear it almost a life time and then pass it on to the next generation (or someone else you love or care for). And in the beginning, I actually thought that an Omega Constellation would be my perfect "only watch". Or my Speedmaster Professional. Or my Rolex Sea-Dweller. Although I was able to wear a timepieces for months in a row, it turned out that I kept rotating timepieces from my collection (or buying new/other ones).

On some of the online watch forums, contributors tend to write about their latest acquisition as being their exit watch. By exit watch, they mean that they finally found their "only watch". Of course, after a while you see the same contributors adding a message that they bought something else or something new. To quote Michael Corleone in The Godfather part III, "Just when I thought I was out... they pull me back in."
Let me tell you this: There is no exit watch. At least, not for us watch addicts. An Omega Speedmaster Professional could be a perfect only watch. Or a Rolex GMT-Master. Or an Audemars Piguet Royal Oak. For a lot of people, they probably are. But we are spoiled. We complain about having no date on a Speedmaster Professional, the Royal Oak being a scratch magnet, the GMT-Master for not being as water resistant as a Sea-Dweller. It is rubbish. Normal people probably don't even come up with these lame excuses.
Would finding a new passion be a solution (or an excuse to only have one watch)? I guess not, because as soon as the word 'collect' comes in, you are lost… It doesn't matter what the subject will be.

Antiquorum, the world's leading watch auctioneer, is pleased to announce its upcoming 'Important Collector's Wristwatches, Pocket Watches, Clocks and Horological Tools' sale on March 28 & 29, 2009 at the Grand Hotel Kempinski in Geneva. This auction will occur during Baselworld 09, which attracts the most prestigious watch manufacturers and jewelers in the world. The auction, featuring 481 lots, brings together a remarkable selection of the finest timepieces by world-renowned watchmakers.

Highlights of this spring auction include two very rare Patek Philippe watches that represent milestones in the history of the brand, respectively Ref. 1518 in 18K pink gold with a special dial with enamel numerals, estimated between 600,000 and 800,000 SFr. and a Ref. 2499/100 in 18K yellow gold made in only 349 examples, estimated at 280,000-350,000 SFr.

The Collection of an Italian Gentleman is certain to attract attention, as it is a very interesting private collection of about 30 Rolex wristwatches highlighting the most significant watches made by Rolex since the 1940's.

Furthermore, in celebration of the Antiquorum's 35th anniversary, the Geneva 2009 catalogues take on a new look. Their special covers, designed by exceptional artists and photographers recognized for their unique creativity and interest in horology, highlight the excitement and elegance of extraordinary watches. In the spring catalogue, well-known French photographer Gilles Pernet brings his own personal vision to illuminate one of the exceptional watches from the auction.

The watches will be shown in Tokyo, Shanghai, Hong Kong and Geneva.

Saturday March 28 and Sunday March 29, 2009 Grand Hotel Kempinski, Geneva

Highlights of the March Geneva Sale   

Patek Philippe, Geneve, Ref. 1518, 1st series. Made in 1946, sold on October 21st. 1947.

Very fine and extremely rare, 18K pink gold wristwatch with perpetual calendar, moon phases, square button chronograph, register and tachometer, fitted with an 18K pink gold Patek Philippe buckle.
Probably unique, due to the enamel numeral dial.

This watch is an exceptional example of the signature complications made by Patek Philippe at the time. Patek was the first brand to produce perpetual calendar chronograph wristwatches in series.

Estimate: 600.000/800.000 SFr
             
        
Patek Philippe, la Ref. 2499-100. Made in 1980, sold on June 30th, 1980.

Very fine and extremely rare, 18K yellow gold wristwatch with round button chronograph, 30-minute register, perpetual calendar, moon phases and fitted with an 18K yellow gold Patek Philippe buckle.

This watch is the last variation of the above-mentioned complication. It is the last reference produced by Patek Philippe in a very small production series.

Estimate: 280.000/350.000 Sfr
             
        
Jaeger-LeCoultre, "Gyrotourbillon 1", N. 46/75. Made in a limited edition of 75 pieces from 2005.

Exceptional and highly complicated, large, water-resistant, 8-day going platinum wristwatch with visible inclined lightweight two-cage multi-axis spherical tourbillon Jaeger-LeCoultre caliber 177, two barrels with sapphire covers, "marchante" equation of time, perpetual calendar with retrograde month indication.

Estimate: 300.000/400.000 Sfr
             
        
Audemars Piguet. Limited Edition No. 8 - Maserati Anniversary - Millenary MC12 Tourbillon & Chronograph.

Made in a limited edition of 150 pieces in 2006 to commemorate the success of the Maserati MC12 in the 2005 FIA GT Manufacturers' Cup, sold on December 24, 2006.
Extremely fine and very rare, oval, platinum wristwatch with twin white gold and palladium alloy barrels, black carbon movement with blue anodized aluminum bridges, 10-day power reserve, visible one-minute tourbillon regulator, oval-button chronograph, register, tachometer and a platinum Audemars Piguet deployant clasp.

Estimate: 200.000/300.000 Sfr

These last two models demonstrate the important revival of mechanical watches in the 21st century, highlighting cutting-edge technology
 
             
        
Rolex, Ref. 6270/6263, "Cosmograph, Oyster avec diamants baguette". Made in 1985.

Extremely rare and very fine, water-resistant, 18K yellow gold wristwatch with round button chronograph, registers, bezel set with 28 baguette diamonds. The dial is set with 240 diamonds and nine sapphires, and fitted with an 18K yellow gold riveted Rolex Oyster bracelet.
One of the rarest Daytona Cosmograph references.

Estimate: 100.000/150.000 Sfr.
             
        
Rolex, Ref. 1665 "Oyster Perpetual Sea-Dweller". Made especially in 1972 for the Sultan Qaboos bin Said of Oman, and retailed by Asprey (London retailer).

Very fine and extremely rare, center-seconds, self-winding, water-resistant, stainless steel wristwatch with gas-escape valve, date and a stainless steel Oyster "Fliplock" bracelet.

This is a very rare variation of the Red Sea-Dweller that will raise a lot of interest among collectors and aficionados of the model.

Estimate: 50.000/70.000 Sfr

 The Collection of an Italian Gentleman:

     
Rolex, Ref. 6541 "Oyster Perpetual, Milgauss, Superlative Chronometer, Officially Certified". Made in 1958.

Very fine and extremely rare, anti-magnetic, water-resistant, center seconds, self-winding, stainless steel wristwatch with straight seconds hand, honeycomb dial and a stainless steel riveted Rolex Oyster bracelet.

Estimate: 90.000/130.000 Sfr
           
        
Ref. 8171, "Padellone" N°66 Rolex, "Perpetual, Precision". Made in 1950.

Extremely fine and rare, self-winding, 18K pink gold chronometer wristwatch with triple date, moon phases and fitted with an 18K pink gold Rolex buckle.

The reference 8171 is one of the most sought-after. It was produced from 1949-1952 in 18K yellow and pink gold as well as in stainless steel. The excellent un-restored condition of the present watch, including the interior of the case back, gives the collector an excellent opportunity to better understand Rolex production techniques.

Estimate: 180.000/260.000 Sfr
             
        
Rolex, "Oyster, Chronographe, Serpico Y Laino, Anti-magnetique", Ref. 6234. Made in 1954 and retailed by Serpico Y Laino (a retailer in Caracas, Venezuela).

Very fine and equally rare, tonneau-shaped, water-resistant, 14K yellow gold wristwatch with round button chronograph, registers, telemeter and tachometer and a polished and brushed 14K yellow gold riveted Rolex Oyster bracelet.

Estimate: 80.000/120.000 Sfr
             
        
Rolex, Ref. 1680 "Oyster, Perpetual Date, Submariner, 200m/660ft, Superlative Chronometer, Officially Certified". Made in 1974 for the Fuerza Aerea del Perù.

Very fine and extremely rare tropical red military submariner with Meter First, center-seconds, self-winding, water-resistant, stainless steel wristwatch with date and a stainless steel special riveted Fliplock bracelet.

Estimate: 30.000/50.000 Sfr