Replica Audemars Piguet 47.00 mm Watches Online

Audemars Piguet Royal Oak Offshore Volcano (26170ST.OO.D101CR.01)

Bought these for gifts and they are fabulous, especially for the $13.50 that I paid before Christmas.

---- [Rating: 5 / 5 stars]

Review by Bjorn Edney, From Bkk Bangkok

Audemars Piguet Royal Oak 15300 (15300.OR.OO.D002CR.01)

EVERYTHING I PURCHASE OF VICTORIA WIECK I GET NOTHING BUT WHERE DID YOU GET THAT. I HAVE SO MANY OF HER PIECES AND I HAVE NEVER BEEN DISPOINTED. I PUT UP MY REAL DIAMONDS AND ONLY WEAR HERS. THANKS VICTORIA.

---- [Rating: 5 / 5 stars]

Review by Yeoh Ban Leng, From Czech Republic Stare Hradi?tě

Audemars Piguet Jules Audemars Tourbillion Silver Dial Men's Watch 26559OROOD088CR01

This is a good looking watch and it seems to work well. It is very useful and economical. It is a bargain for the price I paid for it.

---- [Rating: 5 / 5 stars]

Review by Will D, From United States Bridgeville

WORLDTEMPUS - 23 March 2012

Deftly blending history with art and culture, Audemars Piguet set up one of the most superb exhibitions on time and art to be seen in a long while in the U.S.A. The exhibit begins with the Royal Oak's daring entry into the world of luxury watches as a bold luxury sports steel watch in 1972, and showcases a selection of the most important Royal Oak watches in history. In fact, the 100 Royal Oaks on display include the very first one - designed overnight by Gerald Genta - as well as Genta's own personal Royal Oak.

Audemars Piguet brought in watchmakers, equipment to demonstrate the making of the tapisserie dials for the Royal Oak, and built a display in homage to the legendary Genta including a complete display explaining him and his genius. Additionally, to underscore the brand's commitment to independence, art and innovation, Audemars Piguet brought together extraordinary artists to participate in the creation of the exhibition. Photography, art, sound and film from three 21st-century artists came together in an exceptional backdrop for the display of watches and watchmaking.
"Our goal is to give consumers a real insight into the craftsmanship of our watches and watchmaking," said CEO Philippe Merk. "And to showcase a journey across the history of the Royal Oak and the ingenuity of our brand - the fact that we think out of the box in all we do."

Along the sidelines were crisp and alluring photographs of the Vallee de Joux, Switzerland, taken by Dan Holdsworth depicting the forests, the night sky and more. Artist Sebastien Leon Agneessens created a forest of organ pipes in sculptural beauty to outline the exhibition - which was designed to reflect a massive metallic rock split into six pieces, each showcasing a different part of the exhibition (the watchmaking station, a video station with films of the crafts of watchmaking, watch displays, and more). A huge visual film was designed by London-based visual artist Quayola that focuses on "The Thinker," as it morphs from an actual statue into crystals and back into the statue - a continuous transformation of matter that is meant to reflect perfection, beauty and precision - all attributes Audemars Piguet holds dear.

In attendance at the gala cocktail and dinner - which spanned four hours and was catered by the renowned Olivier Cheng - were Audemars Piguet top executives including Olivier Audemars and a host of celebrities associated with the brand. Among them was Governor Arnold Schwarzenegger - who recalled where he was in 1972 when the Royal Oak was born. In fact, at that time, he was an award-winning body builder - and Audemars Piguet showed a film depicting Schwarzenegger then. Additionally, New England Patriots quarterback Tom Brady was in attendance, as were producer/rapper Swizz Beatz, former New York Giants player Tiki Barber, film actor Ed Burns and the Montreux Jazz Festival's Claude Nobs. These star guests, along with key U.S. retailers and international press sat at three 60-foot-long tables in the Armory's spectacular hall. Capping the night was an audacious performance by the theatrical musical band The Irrepressibles.