Rolex Silver Imitation Watches, Vintage Rolex Silver Watch

Rolex Datejust 36 Rolesor Everose Oyster Pink Computer Diamonds (116201-0078)

This is one of the best Rolex Datejustwatches I own. I can dress it down for work and up for a night on the town. If you want a watch that you can wear everyday this is the one for you.

---- [Rating: 5 / 5 stars]

Review by Sharmane Hussie, From United States Laguna Niguel

Rolex Datejust White Dial Automatic Stainless Steel and 18kt Yellow Gold Ladies Watch 116243WDJ

You will love this Rolex Datejust watch! It's so sparkly and fantastic, you'll hardly be able to take your eyes away from it

---- [Rating: 5 / 5 stars]

Review by Poor, From France Amberieu En Bugey

Rolex Datejust Blue Concentric Dial Automatic Stainless Steel and 18K Yellow Gold Men's Watch 116233BLCAJ

Came as described.

---- [Rating: 5 / 5 stars]

Review by DJ Scopel, From Australia Bolwarra Heights

By now most of us are preparing for the summer break and finally find the time to think about and analyze the state of the market for fine and rare collectors watches. First of all, I can hardly remember an auction season that has been so eagerly anticipated as the series of sales that took place in Geneva this past May. Not only were there really amazing and uber-rare watches on offer (and also many not so good ones…) but for the first time there were four auction houses wanting a piece of the cake. Besides Antiquorum, Christie's and Sotheby's (in alphabetical order), Phillips in Association with Bacs & Russo made its debut in the arena.

Let me start with the good news first: in terms of participation, sell-through rates and results, it was one of the most successful and animated seasons ever, with over US $ 60 million of sales and a number of new all-time world-records established. Many insiders who carefully studied the catalogues expected such positive results but a large number of players also wondered if the market was hungry enough to absorb the large number of watches on offer. Also, some observers asked themselves if the absolute number of watches coming to the auction market every season wasn't too limited to properly fill four auction catalogues and hence diluted the quality of the sales.

Then, late April, some two weeks before the Geneva auctions, my dear friend, well-informed market observer and Hodinkee founder Ben Clymer asked openly in an article "Is now the best time to buy a 2499, or the worst?", opening Pandora's box and prompting one of the most animated discussions, on-line and off-line, about the state of the market. Unusually, the four auction houses each offered a Patek Philippe reference 2499/100 for sale, the last generation of the venerable manufacturer's all-time legendary model. Would this be good or bad for the market? Were their enough bidders out there to bid, and to bid bly, on all four of the watches? Opinions varied, with some saying that this is the beginning of the end, while others suggested that it is always good to buy a 2499, regardless of the circumstances.

With delight I can report that all four watches sold, and sold well above their estimates. Antiquorum sold their Tiffany-signed example for CHF 471,750 (estimated at CHF 300,000/500,000). Phillips achieved even more with the Beyer-retailed specimen fetching CHF 533,000 (against the same presale estimate). The next day Christie's achieved a highly appropriate CHF 650,000 (against an estimate of CHF 400,000/800,000) for their mint example and lastly Sotheby's sold their Gobbi-signed example for CHF 382,000 (against an estimate of CHF 200/400'000). Certainly, the four watches weren't identical in terms of condition and completeness but with an average price of over CHF 500,000, one should rather think of all time record levels than crisis! It shows that the appetite for fine and rare vintage watches is greater than ever before and the political turbulences around the world aren't stopping collectors from pursuing their passion. In fact, it is rather the contrary.

Consequently, we have seen at all auctions the same pattern. The greatest pieces were fiercely fought over by the world's leading collectors and dealers while the average (and below-average…) quality struggled to reach the low estimate or even failed to sell. This may appear as bad news - but actually it isn't. As mentioned in my past articles, collectors around the world are very well informed and do their homework before bidding. Since the offerings at the four auction houses weren't at the same level of quality, we have seen mixed results. In terms of performance, we could observe sold-rates going from anywhere around 70% to close to 100%! Also, the different propositions meant that the sale totals and average lot values couldn't be more different: Ranging from less than CHF 7 million (Antiquorum) in global sales with an average lot value of less than CF 20'000 to Phillips with sale totals at some CHF 30 million, averaging at over CHF 140'000 per watch!

The other good news is that we have seen beautiful results across the board, regardless of the maker, model, vintage or price level, showing it is no longer the classic "Federer-Nadal-Wimbledon-style final" between Patek Philippe and Rolex. Certainly, there were some results which stunned the market, be it the CHF 4.6 million paid for the spectacular stainless steel Patek Philippe single-button chronograph (Phillips) or the Audemars Piguet minute repeating wristwatch at Christie's fetching over CHF 600'000. The new world-record for any Rolex ever sold at auction, the ex Eric Clapton "Albino" Daytona selling for over CHF 1.3 million (Phillips) made headlines but the General MacArthur Jaeger LeCoultre Reverso at Antiquorum reaching CHF 87'500 was a memorable moment, too. The pattern is always the same: collectors are seeking quality, expressed by condition, rarity, originality, provenance and freshness to the market.

Also antique (pocket-) watches enjoyed a solid performance with many notable results, demonstrating that we are not only looking at a phenomenon linked to wristwatches.

Certainly, Rolex continues to be the hottest name in terms of audience, as demonstrated by the themed Glamorous Day-Date Auction staged by Phillips where an exceedingly rare example in platinum (Ref. 6612 from 1958) fetched CHF 473'000, setting a new absolute world-record for any Day-Date ever sold at auction. But when looking at the top-ten lists published by the auction houses, one can spot a number of other names, showing that the market is more varied and open-minded than ever before.

So, we have all the good reasons to look forward to our summer holidays and expect an even more interesting fall auction season, as I expect all players (sellers, buyers, dealers and auction houses) will do their analysis and adapt their strategies to this 2015 reality - already understood by some, by others maybe soon.
 

WORLDTEMPUS - 2 August 2012

Every vintage watch is different. Accordingly, a collector determining the value of each vintage wristwatch comes down to putting values into an equation. And, ultimately, each watch has its own value equation. Knowing how to quantify and calculate the variables in the equation is equal parts experience, education, astuteness, and power of observation. While there is no substitute for experience, there are resources that can speed up the learning curve: an expansive collector's library, bookmarking the best websites, and - frankly - buying and selling as many wristwatches as you can responsibly afford.
As I explained to my wife many years ago (I don't think she believed me, but it's true), "Every time I buy and own a watch, I learn about the watch and learn from the transaction." Don't underestimate the learning also garnered when a watch is sold. You quickly learn which brands and models are the best to collect (which also equates to investing in), and which watches are better left to looking at pictures of.
 
The first order of magnitude, in establishing the value of a vintage watch is authenticity. While a counterfeit watch has value in the sense that it may (or may not) keep time and may look nice, we are talking pennies on the dollar (and sometimes much less) in terms of comparing the value of a counterfeit watch to its authentic counterpart. Our starting presumption and the first step in the evaluation of any wristwatch must be: is this watch authentic?

For the beginning collector, this is easier said than done. If you are going to be buying most of your watches from an established watch dealer, you can piggy-back on his or her experience and trust that you are purchasing authentic watches. Any dealer worth doing business with will guarantee the authenticity of any and all watches and will put that pledge in writing and offer a lifetime money-back guarantee should a watch turn out to be less than 100 percent authentic. Buying from established dealers allows you to safely spend your money and learn from each watch that you buy. Obviously, the dealer works on a profit, and buying from him or her may mean you are paying more than if you venture out into the wild by yourself. However, in my opinion, the extra layers of protection are worth the premium.
This is where spending big on a watch library before you start spending big on watches will really pay off. There are numerous watch books available, all of which are illustrated with pictures. From coffee table books, magazines and watch annuals to auction catalogs and collector's value guides, each and every book will advance your education. Many of the Italian collector's books are excellent (and expensive, but worth every penny). There are Japanese books and magazines usually focused on Rolex watches that feature amazingly in-depth picture series on the various models and their iterations over time. The Antiquorum auction house offers many, also available on Amazon and eBay. Unfortunately, many of the best books are now out of print. However, my advice is to spend liberally on books. Even after you are an experienced collector, you will find yourself referring again and again to your library. I know I do, every day.

Democratization of information is the essence of the Internet. There is no limit to the amount of learning one can achieve online. Antiquorum's online database of auction results is an educational goldmine. You can study the pictures of watches - each picture can be clicked on to open up a high definition image - and find out both what the experts on staff predicted the value of each watch would be at auction and what the watch actually sold for. Studying these results over time, one can learn which models do best in terms of value and which characteristics most closely correlate with a watch's value. Timezone is a great resource to spend days immersed in learning and DoubleRedSeaDweller is a magnificent website for Rolex Submariners and SeaDwellers. You should explore all that the Internet has to offer in terms of watch knowledge.
However, there is simply no substitute for experience. You should strive to see as many watches as possible "in the metal." Holding watches in your hands, studying them under a loupe, feeling their weight, winding them, playing with their crowns and chronograph buttons, putting them on your wrist, and noticing every last detail is the surest way to know immediately if a watch is authentic and if it is not.

Related stories:

COLLECTING - Vintage Value Equation (2)
COLLECTING - Vintage Value Equation (3)
COLLECTING - Vintage Value Equation (4)

Juan Martín Del Potro had an easier time bringing home the gold at this tournament than perhaps others. It was obvious he felt right at home on the red clay of the Lisbon suburb's courts: disposing of France's Richard Gasquet (number 18 in the ATP rankings) in the finals and Switzerland's Stanislas Wawrinka (number 21) in the semifinals, the gentle giant put his Rolex Milgauss on his wrist directly after shaking his opponents' hands at every match.

Furthermore, Salomão Kolinski of the retail chain Boutique dos Relógios was on hand to present the winners with timepieces from Omega for the third year running. As Del Potro's Rolex ambassadorship prevented him from wearing other timepieces, he gifted his Seasmaster to the best Portuguese player, João Sousa, who lost to Spain's Albert Ramos in the quarterfinals in a valiant battle.
 

The ladies' champion, Estonia's Kaia Kanepi - currently number 26 in the world - received a ladies' Constellation.

When it appeared in 1956, the DAY-DATE was the first wristwatch with a calendar indicating the day of the week spelt out in full in a window on the dial. The DAY-DATE adorned with a new gem-set dial perpetuates Rolex's legendary excellence and displays all the brand's watchmaking know-how and technology.

Chocolate, diamonds and rubies
In an 18 ct EVEROSE gold case of incomparable lustre, this DAY-DATE is fitted with a chocolate colour dial on which the hours are marked by precious stones: eight diamonds and, at 6 o'clock and 9 o'clock, baguette-cut rubies.

Rolex pink gold
The 18 ct EVEROSE gold of the OYSTER case and bracelet is alloyed by Rolex in its own foundry before being shaped in the brand's workshops. The incomparably warm tone of this exclusive pink gold alloy developed by Rolex is heightened by the addition of a touch of platinum. Its unique lustre is the result of the extreme care with which it is shaped, machined and finally polished.

The OYSTER case, symbol of waterproofness
The DAY-DATE's 36 mm OYSTER case, guaranteed waterproof to a depth of 100 metres (330 feet), is a paragon of proportion and elegance. The characteristically shaped middle case is crafted from a solid block of 18 ct gold. The fluted case back is hermetically screwed down with a special tool exclusive to Rolex watchmakers. The winding crown, fitted with the patented TWINLOCK double waterproofness system, screws down securely against the case. The fluted bezel is a Rolex signature aesthetic feature. The crystal, with a CYCLOPS lens at 3 o'clock for easy reading of the date, is made of virtually scratchproof synthetic sapphire. The waterproof OYSTER case allies refinement with efficiency in protecting the DAY-DATE's high-precision movement.
Calibre 3155, a superlative chronometer
This DAY-DATE is equipped with calibre 3155, a self-winding mechanical movement entirely developed and manufactured by Rolex. Like all PERPETUAL movements, the 3155 is a certified Swiss chronometer, a designation reserved for high-precision watches that have successfully passed the Swiss Official Chronometer Testing Institute (COSC) tests. Its architecture, like that of all OYSTER watch movements, makes it singularly precise and reliable. The oscillator, the true heart of the watch, has a blue PARACHROM hairspring patented and manufactured by Rolex in an exclusive alloy. Insensitive to magnetic fields, the PARACHROM hairspring offers great stability when exposed to temperature variations and remains up to 10 times more precise than a traditional hairspring in case of shocks.

Comfort and elegance of the OYSTER bracelet
This DAY-DATE model is fitted with an 18 ct EVEROSE gold OYSTER bracelet with a concealed folding CROWNCLASP. Developed and patented by Rolex, this elegant solid-link bracelet offers remarkable comfort and ease of use.

Revue FH - 27 October 2011

Nestled in the heart of the Joux Valley, the firm Dubois Depraz designs, develops and constructs additional movements for watch complications for some of the greatest names in watchmaking, including Patek Philippe, Breitling, Rolex, Omega, Richard Mille, etc. Be it chronographs with multiple indications (with or without perpetual calendar), special mechanisms indicating days, months, leap years, moon phases, sunset and sunrise, the equation of time, tides, timezones, jumping-dials, governors, mechanisms for regattas, watches for polo, as well as minute, quarter and five-minute repeaters, extra-flat mechanisms, etc, the world of complications no longer holds any secrets for Dubois Depraz. Around fifty brands currently employ the services of the firm, which is ready to rise to any challenge thrown down to it.

110 years of history have led Dubois Depraz on the path to their present success. On 1st January 1901, Marcel Depraz set up his first watchmaking workshop in Le Lieu, at number 12, Grand-Rue, over the family baker's shop. Ten years later, with a view to increasing his firm's capacity, he teamed up with his brotherin- law Marius Guignard. Together, they set up a second company: Depraz & Guignard. Marcel's children, Gabrielle and Roger, also joined the family business. In 1937, Marcel Depraz decided to strengthen his two companies and employed his son-in-law Reynold Dubois. Results were not long in coming, with the rapid launch of the 13 3/4 chronograph calibre. This master stroke saw the production of more than 4.5 million movements up to the 1970s. In 1947, the two firms merged under the name Depraz & Cie. In 1956, Gerald Dubois, a young watchmaking engineer and father of the two present-day directors, set up a research and development design office.
Eleven years later the world's first modular chronograph was born, the 11-12 Chronomatic calibre. This invention was awarded the diploma and silver medal at the Brussels Inventors Show in 1969. Meanwhile, Depraz & Cie changed its company name to Dubois Depraz SA.

In the 1970s, despite the economic difficulties, the firm presented another world first, a mechanical chronograph with an analogue display featuring an electronic tuning-fork movement. In parallel, it diversified and embarked on the production of mechanical and quartz chronographs fitted as standard on aircraft and cars. Despite these launches, the crisis proved too b for the partnership between the two directors and in 1979 Gerald Dubois purchased the buildings and continued the adventure alone. In 1983, after several years of research, Dubois Depraz launched the calibre 2000 chronograph which could be adapted to all mechanical or quartz movements. This innovative concept caused a sensation in the watchmaking world and even today remains one of the firm's flagship products (around two million have been manufactured to date).
In 1987, Jean-Philippe Dubois, the current CEO, joined the company. He was followed five years later by his brother Pascal, who was appointed as director. Finally, in 2006, they acquired one of their suppliers, DPRM (Decolletage pignons et roues manufacture), located in Arch (canton of Bern).

In the course of these eleven decades, Dubois Depraz accumulated a huge wealth of expertise that was passed on from generation to generation. Even today the firm holds the secret of certain manufacturing phases no longer used by anyone else in the watchmaking world. An example is «tribofinishing», the process which consists in deburring and polishing pieces in a single operation. This involves turning pieces from one to seven days in sealed cylinders of different sizes, according to the desired end result. The media inside the rollers consist of different materials (copper, ceramic or plastic), special soap and polishing powder. Although the processes of deburring and polishing are widespread in the watch industry, Dubois Depraz's secret lies in the dosing of components and the length of the operation.

Manufacturing secrets alone would be worth nothing without skill, hard work, and the precision and quality of products delivered by Dubois Depraz. Today, 220 people in the Joux Valley and 50 in Arch work industriously under the roof of this independent family business.

Sotheby'S autumn sale of Important Watches confirmed the b interest of international collectors for rare and historic timepieces and automata. Over 400 clients registered to participate in the 243-lot sale, and many others relayed bids online and over the phones through Sotheby's staff. The auction brought CHF 7,920,100 (US$ 8,129,903), above the pre-sale estimate of CHF 5,505,100-7,659,500 (US$ 5,650,930-7,862,400)*. 42% of the lots sold achieved hammer prices in excess of their high estimate, with sell-through rates of 84% by lot.

Commenting on the exceptional results of the sale, Geoffroy Ader, European Head of Watches at Sotheby's, said: "Recent sales have witnessed a b and ever-increasing demand for antique pieces of particular historic and decorative interest. Based on recent demand from buyers from the Middle East and Asia, we were fortunate to be able to source a large group of very rare enamel timepieces and automatons made for the Chinese and Turkish markets and were rewarded with enthusiastic interest and bidding participation from an international clientele. In addition, an exceptional selection of modern and vintage timepieces held tremendous appeal for worldwide collectors seeking quality in today's marketplace".
A rare automaton caterpillar, made for the Chinese market circa 1820, sells for CHF 404,500 (US$415,215) to an Asian Buyer.

One of the top lots of the sale was a rare gold, enamel, jewel and pearl-set automaton caterpillar, probably made by Henri Maillardet, circa 1820 (lot 138). Estimated at CHF 350,000-450,000 (US$ 357,000- 459,000), this automaton, which perfectly mimics the gracious undulating crawl of a caterpillar, is sometimes referred to as "Vers de Soie" to further enhance its Orientalist character. This singular piece, one of only a handful of automated caterpillars known to exist, has been attributed to Henri Maillardet. Made in early-19th century in Switzerland, it was titled "the Ethiopian caterpillar" when Maillardet, in partnership with Jaquet Droz, organized an exhibition to show off his menagerie of miniaturized automata in London, which dazzled the public.

Historical Pocket Watches soar, totalling an impressive CHF 2,266,500, to nearly double presale estimates Tonight's sale showed a groundswell of interest in pocket watches with historical resonance and decorative allure. This category - the subject of increasingly fierce competition in recent Sotheby's sales - secured b bids, bringing the combined total for pocket watches to CHF 2,226,500, well above the pre-sale estimations (CHF 1,321,500- 1,834,500/ US$ 1,350,950-1,874,300).
Highlighting the outstanding group of historic pieces were unique timekeepers and automata made for the Chinese and Turkish markets. Five bidders competed for a rare and exceptional pair of gold, enamel and hard stone centre seconds watch with split pearls made for the Chinese market, circa 1800. Estimated at CHF 80,000- 120,000, these two watches accompanied by their original keys (lot 135) fetched CHF 266,500 (US$ 273,560). This great result was no doubt sparked by the fact that this exquisite piece was made by William Ilbery, most commonly known as a fine maker of watches for the Chinese market and credited for rare examples made of moss agate such as this present example. Examples of Ilbery's extraordinary craftsmanship are exhibited worldwide, notably in the Patek Philippe Museum, Geneva.
Testament to the extraordinary craftsmanship and imagination behind the ornamental pieces made for the Turkish market, a fine and rare chronometer watch with date indication, made circa 1830 by Aug. Courvoisier & Cie, Chaux de Fonds realised CHF 62,500 (US$ 64,156) (lot 140). Estimated at CHF 15,000- 25,000, this exquisite timepiece depicts on the reverse the Cemetery of Eyup, Istanbul.
Antique pocket watches featured bly in the sale, covering four centuries from the 17th century to the 20th century. Among the highlights in the selection was a very fine and rare yellow gold and hardstone-set openfaced watch by Breguet, legendary Swiss watchmaker who counted among his most loyal clients Marie-Antoinette, Napoleon, the Queen of Naples and Russian Tsar Alexander I. Estimated at CHF 30,000-50,000, this watch (lot 161) sold for CHF 68,500 (US$ 70,315). Reflecting the originality, fine workmanship and elegance of Breguet's timepieces, this watch was decorated by Jean-Baptiste Fossin and his son Jules, predecessors of Chaumet, it was sold on 20 March 1839 to Madame la Generale Adadouroff.
Provenance and rarity triggered b competition for another historical time piece in the sale: a fine and rare gold perpetuelle, calendar dress watch no. 02/07, made circa 1925 by L. Leroy & Cie, Paris (lot 162). Estimated at CHF 20,000-30,000, this watch achieved CHF 45,000 (US$ 46,192). It remained in the hands of the original owner's family until now. This limited edition, of which seven examples were made, was purchased through Robert Darblay who commissioned them for himself and other members of his family.
Five bidders competed for one of the highlights of the 18th century pocket watches: a magnificent gold and agate quarter repeating verge watch with two matching chatelaine and necessaire, which sold for CHF 134,500 (US$ 138,063) (lot 121). Made circa 1760 by Cabrier, known as the 17th and 18th century French watchmaker of European monarchs and aristocracy, the lot was estimated at CHF 25,000-35,000.
Blue chip vintage and modern wristwatches perform well Bringing together an impressive range of timepieces charting the evolution of watchmaking from the 1620 to the present day, tonight's sale saw good performance for blue chip vintage and modern wristwatches, Following the success of Rolex wristwatches last May, a very rare stainless steel Rolex chronograph wristwatch with brown dial, registers and bracelet circa 1969 (ref. 6263/6239) oyster cosmograph "Paul Newman" (lot 104) realised CHF 464,500 (US$ 476,805), over five times its pre-sale high estimate of CHF 60,000 - 80,000. Among the rarity of its "Paul Newman" dial, the present watch is notable for its unusual signature featuring the Oyster on the third line after Rolex and Cosmograph and for its rare discoloured dial.
A rare stainless steel Rolex chronograph wristwatch with registers and dated circa 1966 (ref. 6263/6239) oyster cosmograph Daytona "Paul Newman" - one of the most celebrated models by the prestigious Swiss maker - fetched CHF 254,500 (US$ 261,242) (est. CHF 60,000 - 80,000) (lot 91), more than twice its pre-sale high estimate.
The celebrated Geneva-based watchmaker Patek Philippe was also widely represented in the sale: Lot 198, a fine and rare 18K yellow gold Patek Philippe open-faced minute repeating perpetual calendar watch with moon-phases (ref. 844 MVT 198397 case 314584) whose production began in 1930 and was completed in 1964 realised CHF 134,500 (US$ 138,603) (est. CHF 60,000-80,000), and lot 207, a rare 18k pink gold Patek Philippe chronograph wristwatch with two-tone dial, register and tachometer 1955 (REF 1463R MVT 868696 case 684704), which realised CHF 242,500 (US$ 248,924).
The sale also included a selection of vintage models by Cartier. Among them was a Cartier platinum curved rectangular bracelet watch circa 1930 Tank Cintree (lot 194) which fetched CHF 105,700 (US$ 108,500). Estimated CHF 30,000-50,000, this exaggerated and elegant Tank Allongee is a daring re-interpretation of the classic Tank shape, its closest relative in the Tank family being the Tank Louis Cartier. In Cartier: The Tank Watch, Franco Cologni describes the Tank Allongee as 'far and away the most categorical assertion of the rectangular form ever produced by Cartier, and in fact in the history of watch design.'

The results

WORLDTEMPUS - 15 October 2010

The visibility of Rolex as the world's most recognizable status watch for men comes at the expense of overshadowing the brand's innovations in the ladies' segment. From the beginnings of the Oyster in 1926, Rolex has produced both men's and ladies' watches. However, with few exceptions, that was back in the days when ladies' watches were simply smaller versions of men's watches. It wasn't until the 1990s that the top brands began to make ladies' watches distinguishable from their men's collections, and the results have been transformational. Brands have deftly combined the metiers d'art to include gem setting, enameling and engraving with original designs for women, all the while retaining their signature looks. Rolex's new Datejust collection is a perfect example of this subtle combination and how far ladies' watch design has come.

For a brand whose men's designs never vary substantially from the signature elements of the collection — logo crown, Cyclops date window with magnifying lens and distinctive case and bracelet design — all of which can be found on the new Ladies' Datejust — the design is nevertheless pretty out-there. With applied floral motifs, random gypsy-set diamonds on the bezels and options of purple or green dials, Rolex has introduced one of the most decorative ladies' collections on the market.

The applied floral motifs on the dials are produced using an electroforming technique involving a deposition of either rhodium, yellow gold or pink gold over a pattern created from a metal plate. The flowers, aside from identifying the watch unquestionably as a ladies' style, add dimension and volume to the dial. Not surprisingly, the PVD technique used to color the flowers as well as the purple dial (available on rose or white gold models) and the olive green dial (available on the yellow gold model) is exclusive to Rolex and patented.
The brand's gem setting is also done in-house. The bezels are set with 24 diamonds that are gypsy-set or 46 diamonds in a single row, and the Roman numeral at 6 o'clock are also diamond set. All the work done on this takes place at Rolex's Chêne-Bourg site, located in the eastern part of the canton of Geneva — one of four Rolex manufacturing sites in Switzerland. This facility is home to the brand's in-house gemology department and houses all Rolex activities linked to dial creation and manufacture, including jewelry and gem setting.

With so many Cartier accounts closing this year, the new Rolex Ladies' Datejust is the obvious line to fill that showcase space. U.S. prices range from approx. $7,150 to $8,980.