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Top Quality Rolex Champagne Watches (198) Items
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  • Chanel - Lasting luxury in the heart of Parisian culture

    The boutique was open for three months ending on September 1, in time to take advantage of the summer tourist season. In a crisp decor bathing in the signature black and white colors of Coco Chanel, the boutique showcased some of the house's iconic models, immortalized by the talents of the photographer Patrick Demarchelier who shot Chanel's most recent publicity campaign titled "L'Instant Chanel."

    The boutique offered museum visitors, on their way to see Leonardo da Vinci's Mona Lisa, a chance to admire Chanel's new J12-365, the new Premiere with its triple row bracelet, and the J12 Blue Light, a version of the J12 in white "hi-tech" ceramic and luminescent blue numerals.


    "The idea of the pop-up store was a reference to 1987 when we first opened a boutique dedicated to watches on Avenue Montaigne that launched a new era in watchmaking for Chanel," said Nicolas Beau, international director of Chanel Horlogerie. "Our goal has always been to make beautiful watches where mechanics are at the service of aesthetics," Mr. Beau said.

    For a brand that places a high value on creativity and aesthetics, the enclosure of Musee du Louvre, one of France's most revered cultural venues, offers the means to combine the experience of a luxury boutique with that of an art museum. For Chanel, it is a means to intimate the association between luxury and cultural heritage, inscribing its luxury products in the long-term tradition of culture.

    "The appeal of Chanel's products is their lasting appeal," Mr. Beau explained.  "The Chanel no. 5 perfume has been around since 1921. It is not a trend-based product. The same is true of the little black dress and the quilted Chanel bag."

    The relationship to art allows luxury products to acquire the characteristics of art by association, including uniqueness, legitimacy and permanence. "Chanel makes products that last and remain desirable," Mr. Beau said. "Few luxury brands have a portfolio of products with an endless lifetime. That is what lives in the Chanel name and was invented by Gabriel Chanel."

    Over the years, Chanel has experimented with the idea of connecting art to its luxury products. In 2008, for instance, it commissioned the Mobile Art Pavilion, a 700-square meter futuristic structure designed by the Pritzker-award winning architect, Zaha Hadid, filled with works commissioned from 20 international contemporary artists asked to interpret the brand's iconic quilted 2.55 handbag, the black, stitched-leather purse designed by Coco Chanel in 1955.


    Establishing a presence, ephemeral or not, in close proximity to the Louvre, a prime international cultural destination, also enables luxury brands to benefit from the rising trend in cultural tourism.

    Last year, the Louvre welcomed 9.3 million visitors making it not just the most visited attraction in Paris, but also the most visited museum in the world, ahead of the British Museum in London (with 6.7 million visitors) and the Metropolitan Museum in New York (with 6.3 million visitors), according to figures published last April by the Art Newspaper.  

    According to Paolo de Cesare, Le Printemps's president, a luxury goods department in the commercial area of the museum enables tourists to satisfy their two principal reasons for being there, luxury shopping and culture.  

    The Louvre expects attendance numbers to rise by 30 percent over the next decade, forecasting some 12 million visitors by 2025. Le Printemps du Louvre estimates its revenues to top €20 million this year alone.

     A number of high-end watch brands including Chopard, Rolex, Montblanc, Hermes and Parmigiani are already present in the Carrousel du Louvre. With the 2014 edition of the Salon des Belles Montres set to take place in the same venue next November, the list is likely to grow.

  • Tennis & Timepieces - A Watch Connoisseur in Paris


    WORLDTEMPUS - 27 May 2011

    During the Australian Open in January, Robin Söderling was asked what people would be most surprised to know about him. The Swede, currently number five in tennis's world rankings, answered, "Probably that I love watches."
    For insiders, this wasn't a big revelation. The two-time French Open finalist is a true aficionado and always wears interesting timepieces on his wrist. He's not the only one, but he is a man who likes "different" watches. "If you walk around the tennis tour, everybody seems to have a nice watch - but I don't really like the obvious ones. In the beginning, maybe yes, but then to have a good brand or a nice model that not many others have is a pretty nice feeling. These are the types of watches you find when reading a lot of watch magazines," he says before jokingly adding, "Well, half of what I read about watches I don't even understand, but I still think it's cool and I try to learn!"
    The more Söderling learns about watches, the more careful he is about choosing his next timepiece: "I never go out just to buy a watch, I never decide on the spot - I always like to look at different watches and to think about it. I buy them as a reward. I always think that the next time I win a tournament I'm going to buy that particular watch I've been thinking about."

    Time to Kill

    His reward doesn't have to be related to a tournament win, actually. A year ago, after beating Tomas Berdych in the semifinals at Roland Garros, he got the Hublot Big Bang he'd been eyeing. When will he get his next timepiece? Maybe soon. Söderling is back in Paris trying to at least emulate his killer performances of the past two years, where he ended two outstanding Rafael Nadal and Roger Federer records: in 2009, in the fourth round, he beat Nadal and still is the only player to have ever beaten the Spaniard at the French Open. In 2010, he overcame Federer in the quarterfinals, ending the Swiss champion's incredible run of 23 consecutive semifinals at Grand Slam tournaments.
    Federer is a well-known Rolex ambassador, whereas Nadal has caused quite a sensation sporting ultra-expensive Richard Mille timepieces, from the $550,000 RM027 tourbillon he wore last year as his good-luck charm to his new RM035. And Roland Garros is sponsored by Longines. Söderling is still thinking about a possible sponsorship and looking at different brands, but he won't rush; he never has when it comes to watches.
    "Good watches are expensive. When I was young and started to win more matches, I really felt I could buy a good watch and I wanted to have a Rolex - and actually the first really nice watch I bought was a pre-owned steel Daytona chronograph that I saw in a shop in London in 2006. I still like it a lot, but these days it's my girlfriend Jenni who has been wearing it; it became a bit small for me, but I reckon small and thin watches are back."


    He didn't have to buy the second good timepiece of his collection. "I got a gold Bulgari Diagono Professional Diving as a gift from the tournament in Bastad - they were happy I played there for so many years, and I was really happy with the present." During this very interview, Söderling is wearing an Audemars Piguet Royal Oak Offshore Volcano, also known as "The Jarno Trulli."
    "I bought it during the U.S. Open in 2009," he says. That year, in New York, he had been undecided between the Royal Oak Offshore and a Jaeger-LeCoultre Master Compressor Extreme W-Alarm. Then he opted for the Volcano.
    Deep Purple, Hard Rock
    There's a watch in his collection that Soderling particularly appreciates and whose b looks match his powerful "hard-rock" style of tennis: a Graham Chronofighter Oversize Diver "Deep Purple." "I had been looking at Graham, because Thomas Johansson has a friend who owns a watch store in London and they sell Graham - he showed them to me a few years ago." The "Deep Purple" is a stunning limited edition of 500 pieces of the Chronofighter Oversize Diver in black-and-purple. It perfectly embodies the Swedish star's taste for niche brands and exquisite, sporty timepieces. "When my girlfriend Jenni and I went on vacation last December, we went diving a lot and I really wanted to test it, so I brought the Graham along."
    At the Estoril Open in Portugal, Söderling took the time to visit a small watch exhibition by tournament sponsors Boutique dos Relógios in the VIP area. There he appreciated some fine timepieces from several top brands - from Richard Mille to IWC. "For a man, a watch truly is the best thing," he says. "I don't really like earrings or necklaces or bracelets, so a watch is the best accessory and a way of expression for a man."


    And what better way to express himself than wearing a fabulous Audemars Piguet Royal Oak Concept at the photo shoot for the cover of King magazine? "They brought it from a watch store in Stockholm called Nymans Ur; it's a really nice store where they sell some incredible watches...unfortunately they didn't let me keep it after the shooting was over."
    Maybe he'll get it if he finally wins Roland Garros. It won't be easy; he is on collision course with Nadal, who he is expected to face in a blockbuster quarterfinal. In six appearances at the French Open, the Spaniard has won the title five times - and Söderling was the only one to defeat him on Paris's slow red clay courts. If and when they face each other, time will surely stand still for all tennis (and watch!) aficionados.

  • Rolex - Wild Ladies


    WORLDTEMPUS - 15 October 2010


    The visibility of Rolex as the world's most recognizable status watch for men comes at the expense of overshadowing the brand's innovations in the ladies' segment. From the beginnings of the Oyster in 1926, Rolex has produced both men's and ladies' watches. However, with few exceptions, that was back in the days when ladies' watches were simply smaller versions of men's watches. It wasn't until the 1990s that the top brands began to make ladies' watches distinguishable from their men's collections, and the results have been transformational. Brands have deftly combined the metiers d'art to include gem setting, enameling and engraving with original designs for women, all the while retaining their signature looks. Rolex's new Datejust collection is a perfect example of this subtle combination and how far ladies' watch design has come.


    For a brand whose men's designs never vary substantially from the signature elements of the collection — logo crown, Cyclops date window with magnifying lens and distinctive case and bracelet design — all of which can be found on the new Ladies' Datejust — the design is nevertheless pretty out-there. With applied floral motifs, random gypsy-set diamonds on the bezels and options of purple or green dials, Rolex has introduced one of the most decorative ladies' collections on the market.


    The applied floral motifs on the dials are produced using an electroforming technique involving a deposition of either rhodium, yellow gold or pink gold over a pattern created from a metal plate. The flowers, aside from identifying the watch unquestionably as a ladies' style, add dimension and volume to the dial. Not surprisingly, the PVD technique used to color the flowers as well as the purple dial (available on rose or white gold models) and the olive green dial (available on the yellow gold model) is exclusive to Rolex and patented.
    The brand's gem setting is also done in-house. The bezels are set with 24 diamonds that are gypsy-set or 46 diamonds in a single row, and the Roman numeral at 6 o'clock are also diamond set. All the work done on this takes place at Rolex's Chêne-Bourg site, located in the eastern part of the canton of Geneva — one of four Rolex manufacturing sites in Switzerland. This facility is home to the brand's in-house gemology department and houses all Rolex activities linked to dial creation and manufacture, including jewelry and gem setting.


    With so many Cartier accounts closing this year, the new Rolex Ladies' Datejust is the obvious line to fill that showcase space. U.S. prices range from approx. $7,150 to $8,980.

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