Rolex Black Watches Collection, Replica Rolex Black Watches

Rolex Datejust Blue Dial Automatic Diamond Bezel Steel Ladies Watch 116244BLRO

I've been purchasing jewelry for over 12 years and by far this is the best piece, I've bought. This Rolex Datejust watch is not only beautiful, it's functional as well. Long after the watch stops telling time it will be an amazing bracelet that fits my 6-inch wrist perfectly. Well worth the price.

---- [Rating: 5 / 5 stars]

Review by SEOSAMH MACGIOLLA, From K.s.a.-kingdom Of Saudi Arabia Hail Region - Hail

Rolex Datejust Champagne Jubilee Dial Automatic Stainless Steel and 18kt Yellow Gold Ladies Watch 116243CJDJ

If you have wanted a quality watch, (gold plated with diamonds on the dial) that looks similiar to that other one, then don't hesitate to purchase this watch. For the price it is indeed a bargain. Save yourself thousands.

---- [Rating: 5 / 5 stars]

Review by Tracie Rae Larson, From Singapore Ho Chi Minh

Rolex Datejust 36 Automatic Pink Champagne Dial Steel and 18kt Pink Gold Men's Watch 116231PSO

Had to have this one, it is beautiful. If you love glam and attention, grab this one. Very well made and high end looking. Love it!!

---- [Rating: 5 / 5 stars]

Review by Karan, From Estonia Laane.virumaa

The boutique was open for three months ending on September 1, in time to take advantage of the summer tourist season. In a crisp decor bathing in the signature black and white colors of Coco Chanel, the boutique showcased some of the house's iconic models, immortalized by the talents of the photographer Patrick Demarchelier who shot Chanel's most recent publicity campaign titled "L'Instant Chanel."

The boutique offered museum visitors, on their way to see Leonardo da Vinci's Mona Lisa, a chance to admire Chanel's new J12-365, the new Premiere with its triple row bracelet, and the J12 Blue Light, a version of the J12 in white "hi-tech" ceramic and luminescent blue numerals.

"The idea of the pop-up store was a reference to 1987 when we first opened a boutique dedicated to watches on Avenue Montaigne that launched a new era in watchmaking for Chanel," said Nicolas Beau, international director of Chanel Horlogerie. "Our goal has always been to make beautiful watches where mechanics are at the service of aesthetics," Mr. Beau said.

For a brand that places a high value on creativity and aesthetics, the enclosure of Musee du Louvre, one of France's most revered cultural venues, offers the means to combine the experience of a luxury boutique with that of an art museum. For Chanel, it is a means to intimate the association between luxury and cultural heritage, inscribing its luxury products in the long-term tradition of culture.

"The appeal of Chanel's products is their lasting appeal," Mr. Beau explained.  "The Chanel no. 5 perfume has been around since 1921. It is not a trend-based product. The same is true of the little black dress and the quilted Chanel bag."

The relationship to art allows luxury products to acquire the characteristics of art by association, including uniqueness, legitimacy and permanence. "Chanel makes products that last and remain desirable," Mr. Beau said. "Few luxury brands have a portfolio of products with an endless lifetime. That is what lives in the Chanel name and was invented by Gabriel Chanel."

Over the years, Chanel has experimented with the idea of connecting art to its luxury products. In 2008, for instance, it commissioned the Mobile Art Pavilion, a 700-square meter futuristic structure designed by the Pritzker-award winning architect, Zaha Hadid, filled with works commissioned from 20 international contemporary artists asked to interpret the brand's iconic quilted 2.55 handbag, the black, stitched-leather purse designed by Coco Chanel in 1955.

Establishing a presence, ephemeral or not, in close proximity to the Louvre, a prime international cultural destination, also enables luxury brands to benefit from the rising trend in cultural tourism.

Last year, the Louvre welcomed 9.3 million visitors making it not just the most visited attraction in Paris, but also the most visited museum in the world, ahead of the British Museum in London (with 6.7 million visitors) and the Metropolitan Museum in New York (with 6.3 million visitors), according to figures published last April by the Art Newspaper.  

According to Paolo de Cesare, Le Printemps's president, a luxury goods department in the commercial area of the museum enables tourists to satisfy their two principal reasons for being there, luxury shopping and culture.  

The Louvre expects attendance numbers to rise by 30 percent over the next decade, forecasting some 12 million visitors by 2025. Le Printemps du Louvre estimates its revenues to top €20 million this year alone.

 A number of high-end watch brands including Chopard, Rolex, Montblanc, Hermes and Parmigiani are already present in the Carrousel du Louvre. With the 2014 edition of the Salon des Belles Montres set to take place in the same venue next November, the list is likely to grow.

Building up a brand that is essentially trading on the name of a single person is not an easy process, particularly when that person was renowned for his skeletonisation work, which by its very nature meant relatively low volumes.

Armin Strom the man stood as a reference in the skeletonisation of watches, earning himself a mention in the Guinness Book of Records in 1991 for the smallest hand-skeletonised ladies' watch (12.5mm diameter) and working on hand skeletonisation for some major Swiss brands.

As he approached retirement, however, Armin Strom sought investors to continue his legacy in the form of a brand. But such a brand could not grow on the basis of skeletonisation alone…

Brand building
The transition started in 2006 and the new brand emerged thanks to several fortuitous events. Firstly, it was lucky enough to acquire in 2008 premises that had been occupied by a micro-stamping facility of Rolex, which were thus perfect for installing watchmaking machinery. Secondly, the financial crisis at the time offered a blessing in disguise for the new investors, who managed to purchase "for a song" some CNC machines that had been pre-ordered but cancelled by other brands.

The premises were fitted out between January and August 2009 and, astonishingly, by the end of 2009 Armin Strom had already presented its first in-house mechanical calibre. Today, only five years later, Armin Strom is a veritable brand boasting 12 different in-house calibres and a clearly structured collection, with each line - from the Manual up to the Tourbillon Gravity (the "Gravity" appended to an Armin Strom model means that it is powered by the force of gravity and is thus self-winding) being offered in four "elemental" configurations: Air, Earth, Fire and Water.

The elements
Aside from ensuring an unparalleled consistency of design across the line, the use of the elements offers four highly distinct looks to each line. The "Air" models, suffused with white on the strap and outer "ring" (the watch has no dial, in continuation of Armin Strom's philosophy of skeletonisation), are the most feminine, while the black PVD case of the "Earth" models and black ring with black leather strap, offers the masculine opposite. In between are the more classic designs of the "Water" models, with their stainless-steel case and the luxury touch of the "Fire" models, with an 18-carat red-gold case.

The "lip" at 6 o'clock on the case is also a distinctive trait of Armin Strom and stems from the craftsman's desire to have a space on the watch for personalization. A subtler, yet equally important, distinguishing characteristic is the slightly off-centre axis for the hour and minute hands, which is the brand's way of highlighting the in-house provenance of its movements. Only a company in total control of its own production and unreliant on third parties can allow itself such a discreet luxury.

Just like the much bigger brands whose shadow Armin Strom lives under in the industrial watchmaking city of Biel, the company employs a powerful combination of partnerships and ambassadors in its marketing portfolio, the most significant of which is undoubtedly the brand's association with the Marussia Formula 1 team, which is already in its fourth season.

Despite the communication efforts akin to a big brand, Armin Strom's pretensions remain modest. Its annual production hovers around the 1,000 mark and its latest collections, such as the Racing collection that is hitting the stores around now, are only produced in limited quantities, in this case only 100 units per reference. It's a level of rarity that could be qualified as reassuring for this remarkable niche manufacture brand.

WORLDTEMPUS - 6 march 2013

Patrick Heiniger marked the history of the company throughout the 16 years he presided over its destiny, from 1992 to 2008.
M.Heiniger was appointed Managing Director of Rolex in 1992, six years after he joined as Commercial Director. He was also named Chief Executive Officer in 1997. As the company's third Managing Director since it was founded, he followed his father, Andre J. Heiniger, who in 1963 had succeeded Hans Wilsdorf, the founder of Rolex.

Born in Argentina in 1950, Patrick Heiniger was a lawyer by training, specializing in international and intellectual property law. He made it his mission to reinforce the protection of the brand throughout the world.
Under his impetus, in the mid-1990s Rolex made a fundamental strategic choice and opted for the vertical integration of its means of production. This strategy was intended to guarantee control over manufacturing of the essential components of the brand's watches and thus to ensure its autonomy.
As a true independent watchmaker of the 21st century, enjoying unprecedented freedom in the design and manufacture of its watches, Rolex could take its ambition for excellence and innovation to new heights.
In 2002, Patrick Heiniger created the Rolex Mentor and Protege Arts Initiative, dedicated to helping promising young artists realize their full potential under the watchful eye of a renowned mentor in their discipline.
That same year, he was awarded the insignia of Chevalier of the National Order of the Legion of Honour and, in 2005, he was appointed Commander of the Order of Arts and Letters.
Patrick Heiniger retired from the helm of Rolex in December 2008.
Worldtempus would like to express its deepest sympathy to Patrick Heiniger's family and Rolex teams.

HODINKEE - 15 October 2012

Turn down a side street off one of London's most famous roads, and you'll find yourself on a block that could be nearly anywhere in central London. Rows of identical townhouses in faded brick line both sides of the narrow paved lane, and there is something sleepy about the place. But hidden on an upper floor of one of these nondescript residences sits the Bamford Watch Department.
The Bamford Watch Department is the brainchild of George Bamford, a charming, amiable Londoner with a love of spy novels (which inspired the semi-hidden headquarters) and a very earnest telling of the inspiration for his company. For his eighteenth birthday, George was given a Rolex Daytona and thought he had received the coolest watch on the planet. But quickly, after finding numerous friends with the same Daytona on their wrist, he started thinking of ways to make his watch more "his."

George is passionate about Rolex and historic sport watches, and collects them feverishly. He wanted to work within this framework while also creating something personal and unique for himself (and now his customers). Rather than designing new watches from the ground up, George decided to take the classics he loves so much and customize them.
The foundation of a Bamford watch is the super high quality PVD coating. But on top of this there are numerous options. Dial finish, hours/minutes markers, hand configurations, bezel treatments, and a number of other things can be tweaked and adjusted to suit the customer's preferences. The goal is to deliver a watch that is unique and personal to the wearer. It is important to note that Bamford was indeed the first to customize a Rolex, and is considered to be the highest quality of the now many after-market customizers. No expense is spared. To give you an idea, Bamford is currently working on a special engraved case for a client, and they've hired ex-Purdey engravers to do the work. If you know Purdey, you know what that means - the absolute best.

Entering the discrete Bamford Watch Department headquarters feels like stepping into a Bond novel. Up the plush stairs and through a heavy door is a watch lover's dream lounge. Outfitted with chalk-striped Ralph Lauren furniture, photographs of BWD watches, white orchids, a model Ferrari, decades-old watch books, and even a few bottles of Rolex's Perpetually Yours cologne, the room feels more like your cool best friend's living room than a place to buy watches. And Bamford's love of Rolex is more apparent nowhere than in this room.
During our recent trip to London, George was kind enough to sit down with team HODINKEE to walk us through his latest offerings. Opening the sleek case he brought with him, George showed us a California Dial Submariner, a Sonar Milgauss, a Ghost Milgauss, a Paul Newman-esque Daytona, and a handful of other interesting BWD watches. The quality of every details was extremely high across the board - these are a far cry from most after-market modifications. Very cool indeed.

George gets excited when he talks about meeting clients with interesting ideas (whether they share his particular taste or not), listens more than he speaks, and seems genuinely excited about giving people a product for which they can feel a real sense of ownership. The "I did it for myself and it just happened to become a business" story doesn't sound contrived or fake at all when George tells it, and by the end of our afternoon together, I was already trying to figure out which configuration I might want most.
Click here to check out more from the Bamford Watch Department, and view their recently redesigned website.

The archetype of the diver's watch, the Oyster Perpetual SUBMARINER presented at Baselworld 2012 sports a new look to complement its iconic personality. with its subtly redesigned case and its new bezel and bracelet both benefitting from recent Rolex innovations, this latest generation SUBMARINER is firmly in line with the tradition of the historic model launched in 1953. It sets new standards in terms of robustness, legibility and reliability, strengthening its status as a watch of action with timeless allure.

Ceramic bezel and long-lasting luminescent display 

The unidirectional rotatable 60-minute graduated bezel of this new SUBMARINER is equipped with a black CERACHROM insert made of virtually scratchproof, non-fading, corrosion-resistant ceramic. The graduations are coated via a PVd process with a thin layer of platinum. The sleek black dial harbours large CHROMALIGHT hour markers and hands filled with luminescent material that emits a long-lasting blue glow. This exclusive display offers exceptional legibility in the dark. 

The OYSTER case, symbol of waterproofness 

The SUBMARINER's 40 mm OYSTER case, guaranteed waterproof to a depth of 300 metres (1,000 feet), is a paragon of robustness. The middle case is crafted from a solid block of particularly corrosion-resistant 904L steel. The fluted case back is hermetically screwed down with a special tool exclusive to Rolex watchmakers. The winding crown, fitted with the patented TRIPLOCK triple waterproofness system, screws down securely against the case in a manner akin to a submarine's hatch. It is protected by a crown guard that is an integral part of the middle case. The crystal is made of virtually scratchproof synthetic sapphire. The waterproof OYSTER case ensures optimal protection for the SUBMARINER's high-precision movement.

Calibre 3130, a superlative chronometer 

The new SUBMARINER is equipped with calibre 3130, a self-winding mechanical movement entirely developed and manufactured by Rolex. Like all PERPETUAL movements, the 3130 is a certified Swiss chronometer, a designation reserved for high-precision watches that have successfully passed the Swiss Official Chronometer Testing Institute (COSC) tests. Its architecture, like that of all OYSTER watch movements, makes it singularly precise and reliable. The oscillator, the true heart of the watch, has a blue PARACHROM hairspring patented and manufactured by Rolex in an exclusive alloy. Insensitive to magnetic fields, the PARACHROM hairspring offers great stability when exposed to temperature variations and remains up to 10 times more precise than a traditional hairspring in case of shocks. 

The OYSTERLOCK clasp, functional and secure 

This SUBMARINER is fitted with a solid-link OYSTER bracelet in 904L steel. It features a new-generation OYSTERLOCK safety clasp and GLIdELOCK extension system. The ingenious patented system, located beneath the clasp cover, allows fine adjustments of the bracelet length in 2 mm increments for a total of approximately 20 mm - without using any tools. This allows the watch to be worn over a diving suit up to 3 mm thick and provides additional comfort in any circumstance.

The DATEJUST II continues the tradition of the DATEJUST, the emblematic model created by Rolex in 1945, the first self-winding waterproof wristwatch chronometer to display the date in a window on the dial. A reinterpretation of that symbol of the modern watch, the DATEJUST II inspires admiration with its impressive case and technical attributes.
The OYSTER case, symbol of waterproofness
The DATEJUST II's 41 mm OYSTER case, guaranteed waterproof to a depth of 100 metres (330 feet), is a paragon of robustness. The characteristically shaped middle case is crafted from a solid block of particularly corrosion-resistant 904L steel. The fluted case back is hermetically screwed down with a special tool exclusive to Rolex watchmakers. The winding crown, fitted with the patented TWINLOCK double waterproofness system, screws down securely against the case. The crystal, with a CYCLOPS lens at 3 o'clock for easy reading of the date, is made of virtually scratchproof synthetic sapphire. The waterproof OYSTER case allies refinement with efficiency in protecting the DATEJUST II's high-precision movement.

Calibre 3136, a superlative chronometer
The DATEJUST II is equipped with calibre 3136, a self-winding mechanical movement entirely developed and manufactured by Rolex. Like all PERPETUAL movements, the 3136 is a certified Swiss chronometer, a designation reserved for high-precision watches that have successfully passed the Swiss Official Chronometer Testing Institute (COSC) tests. Its architecture, like that of all OYSTER watch movements, makes it singularly precise and reliable. The oscillator, the true heart of the watch, has a blue PARACHROM hairspring patented and manufactured by Rolex in an exclusive alloy. Insensitive to magnetic fields, the PARACHROM hairspring offers great stability when exposed to temperature variations and remains up to 10 times more precise than a traditional hairspring in case of shocks. The oscillator is fitted between high-performance PARAFLEX shock absorbers, patented by Rolex, which offer 50 per cent greater resistance to shocks.

Comfort and elegance of the OYSTER bracelet
This DATEJUST II model is fitted with a 904L steel OYSTER bracelet with a folding OYSTERCLASP. Developed and patented by Rolex, this elegant solid-link bracelet offers remarkable comfort and ease of use. It also features the ingenious EASYLINK rapid extension system that allows the wearer to easily increase the bracelet length by approximately 5 mm, for additional comfort in any circumstance.

The new Oyster Perpetual Lady-Datejust in yellow or white ROLESOR exudes elegance and distinction. A harmonious marriage of colours and materials, this redesigned classic celebrates the timeless beauty of Rolex precision. The moment is precious, the future full of promise.

The infinite poetry of gold crystals
The GOLD CRYSTALS dial of the new Lady-Datejust is an exquisite homage to femininity. Obtained using an exclusive process that magnifies the natural crystal structure of the gold, it captures the light and gleams in an extraordinary play of glistening reflections. Infinite poetry, an invitation to dream. As if by magic, the crystals of the noble metal are revealed in all their splendour, creating incomparable depth that delights the eye. On one particular version of this model, the Rolex JUBILe motif appears in a secret and mysterious filigree, a door opening onto the imaginary. Each GOLD CRYSTALS dial is a work of art in itself, as unique as the lady who wears it.

Sublime in its delicate design, the version with the ivory coloured dial with a "sunbeam" guilloche pattern enchants with its clean lines, its extreme finesse, its infinite charm.

The elegance of diamonds
All the dials of this new interpretation of the Oyster Perpetual Lady-Datejust are graced with 10 diamonds which add to the originality and the subtle radiance of the watch face.

Entirely gem-set, the bezel brings yet another touch of luxury and elegance. Its 46 brilliant-cut diamonds sparkle like so many invaluable treasures which, at each reading of the time, remind us of their timeless splendour.

A hymn to femininity
Feminine down to the last detail, an ode to charm and romanticism, the new Oyster Perpetual Lady-Datejust embodies absolute grace. It is nonetheless, like all Oyster watches, a waterproof chronometer equipped with a PERPETUAL rotor self-winding mechanical movement. To wear this gem of a watch is to live every moment intensely with the promise of a radiant future.