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Top Quality Rado Quartz Watches (175) Items
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Top Quality Rado Quartz Watches (175) Items
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Replica Rado Quartz Watches Latest Reviews

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  • Roger Dubuis - Excalibur Automatic Skeleton

    At the SIHH 2015, Roger Dubuis will be presenting two skeleton-work Excalibur creations: the Excalibur Automatic Skeleton and the Excalibur Spider Skeleton Flying Tourbillon. We focus today on the former.

    In addition to its multiple motivations for pursuing its victorious vanguard charges into the skeletonwork kingdom, Manufacture Roger Dubuis finds in these impressive feats of miniaturisation - much like its ground-breaking micro-rotor also featured in this model - the opportunity to reveal the prestigious finishes that earn it 100% Poinçon de Geneve certification. All faces of the 167 parts composing the new in-house RD820SQ automatic skeleton calibre are individually finished. Despite the constraints naturally entailed by the automatic movement, the Excalibur Automatic Skeleton maintains its architectural and powerful design.


    The 42mm pink gold case and bezel frame a spectacular 3D effect created by raising the famous skeleton 'star shape' and playing with the height of the openworked micro-rotor. The latter embodies a classic paradox of the kind that Roger Dubuis loves to explore, since the weight of a micro-rotor is generally considered a positive aspect and skeletonising it would thus appear counter-intuitive in technical terms. In 2005, Roger Dubuis did away with the central rotor while achieving equivalent winding power; and ten years later, in 2015, it rolls out the first skeletonised automatic Roger Dubuis movement with micro-rotor.

    Once again displaying an optimal command of technical and aesthetic parameters, including by lavishing meticulous expertise on the gear wheels and finishes; maintaining the transparency of skeleton-work despite the self-winding train and the micro-rotor, while achieving sufficient winding power: the Excalibur Automatic Skeleton once again display the Warrior mind-set in every sense of the term.
     

  • Hysek - Baselworld 2014: A lesson in skeletonisation

    Anyone who strode the aisles at Baselworld 2014 will have noted certain recurrent trends. One of them in particular earned universal approval: skeletonised models and/or openworked models. Why so? Doubtless because this exercise consisting of revealing all or part of a watch movement through the dial provides an opportunity to display its finishing, the complexity of its calibre, to offer a visual play on volumes and shimmering reflections: in short, to highlight skill and expertise.

    Proper usage of the right words
    Nonetheless, many people either deliberately or involuntarily confuse models that are skeletonised or openworked. Strictly speaking, the former should reveal a movement deliberately crafted so as to be considerably lighter and reduced to bare essentials in order to allow the light to flood through it; whereas the latter dispenses with all or part of its dial, while unveiling a movement that is fundamentally the same as that of a model with a solid dial. In a nutshell, openworking a watch is a technique, whereas skeletonising a movement is an art.


    Hysek is one of the rare watch manufacturers to work on both these aspects. The Kilada Tourbillon, for example, features only one half of a colourful dial, the other being translucent and thus revealing part of the movement. This might thus have been a merely openworked model, but a closer look shows that some parts have been specifically reworked to enhance visibility. The tourbillon bridge is thus graced with four round cut-outs providing a clearer view of the balance-spring.
     

    The core of the matter
    In parallel, the brand also presented some authentic skeletonised models. These are distinguished not only by the work of removing material from each part, but also by Hysek's determination to use skeletonisation to reveal the personality of the Manufacture. The latter is indeed one of the only brands of which the horological complications and sometimes the entire movement are positioned according to extremely precise geometrical lines. For example, Hysek systematically arranges its dials in such a way that the 1, 5, 7 and 11 o'clock positions play a major role in the construction of the model. If a watch has a solid dial, the hour-markers only be in these positions; and if it is skeletonised, the key organs will be revealed in these positions.
    One example is the Furtif Tourbillon, which displays the regulating organ after which it is named at 11 o'clock, while the going train stretches clearly right the way to 5 o'clock.


    The same underlying principle applies to the new Verdict 46 mm, on which two tourbillons occupy the 5 and 7 o'clock positions; as well as to the 49 mm IO model also unveiled at Baselworld, with the tourbillon at 11 o'clock and the barrel at 7 o'clock. Nothing is coincidental at Hysek, and this skeleton-worked approach clearly reveals the true personality of the brand.

    Living skeleton
    For Hysek, skeleton watches represent an opportunity not only to play with the art of removing material, but also with its surface treatment and indeed its very nature. On this same IO 49 mm, the brand alternates between various finishes (satin-brushed or shiny), coatings (black PVD, gold plating, nickel silver), and even decorations (circular graining, sunburst or windrose patterns - the latter being a particularly rare finish that Hysek is one of the few to use). On this model, the barrel and its corresponding bridge alone display all three of these decorations.
     


    While the exercise is of course decorative and vividly demonstrates the finishing skills of a Manufacture such as Hysek, there is much more involved. When actually worn on the wrist, these aesthetic variations catch and refract the light in their own unique ways. At the end of the day, the more sophisticated and finely crafted the skeletonisation, the more a model radiates a sense of depth, light - and life! Therein lies the art and paradox of the noble craft of skeletonisation: since when it comes to watchmaking, nothing is more vibrantly alive than a skeleton!
     

  • Hermes - Arceau Chrono Bridon

    The iconic Arceau collection saddles up for a new expression of equestrian sports with the new Arceau Chrono Bridon, interpreted in five versions. All models feature a new bradoon strap, along with the same rounded case design, stirrup-shaped asymmetrical lugs and sloping Arabic numerals as the original line designed by Henri d'Origny in 1978.
    Inspired by riding bridles, the small leather bit known as a bradoon reinforces the strap attachment to the case with distinctive saddle stitching. Crafted from Barenia calfskin, an historical material for Hermes; or from bridle leather, a rough material that is extremely tough to handle, the new straps of the Arceau Chrono Bridon highlight the harness and saddle-making expertise of the House. Available in black, natural, ebony or indigo blue versions, they are a delightful extension of the curving case.
    At the heart of the Arceau Chrono Bridon beats a self-winding chronograph calibre that captures the time spent in great escapes on horseback. The central seconds-hand sweeps steadily around the dial, sometimes clad in orange on sportier versions or else made from steel or blued steel for the more classic models, entirely in harmony with the counter hands. A mechanical composition enriched with equestrian accents, the Arceau Chrono Bridon is creatively nurtured by the innate elegance of horses.
     

  • Hermes - Time for sport and time to dream

    Each year has its own theme. After exploring that of "The Gift of Time" in 2012, the Paris-based house is dedicated 2013 to sport. "Sport has always played an important role at Hermes", explains Luc Perramond, CEO of La Montre Hermes. "Passion, fair play, team work and elegance in motion are all sports-related values that also define us."
    Three sports models
    The Dressage line, first launched in 2003, has been beating since last year to the tempo of exclusive Manufacture movements testifying to the brand's passion for fine mechanisms. In collaboration with Vaucher Manufacture Fleurier, Hermes has this time interpreted it through a chronograph version with an opaline silvered or black dial.


    Still in the equestrian world, the Arceau collection welcomes the Chrono Bridon model, which highlights an extremely original strap. Inspired by riding bridles, the small leather bit known as a bradoon reinforces the strap attachment to the case with distinctive saddle stitching.
     


    In the nautical world, the sports theme is expressed in three new Clipper Sport models featuring vivid colours. The iconic bezel inspired by the portholes of the large 19th century sailboats is extended by a strap in orange, blue or Hermes red rubber.


    New interpretations of the Arceau Le Temps Suspendu model
    A world away from that of sport, Hermes continues to provide glimpses of a poetic universe that it has been exploring in particular depth recently. "Time to dream is a territory that we began charting two years ago with 'Le Temps Suspendu'. In this concept, technical expertise is dedicated to serving Hermes poetry and we offer people a chance to experience a very special relationship with time," points out Luc Perramond. The Arceau Le Temps Suspendu watch enables the user to bring the hours and minutes hands to a halt at around 12 o'clock, at an imaginary time, while the seconds hand in the graduated subdial continues turning, but backwards. "It is basically a playful nod," adds Luc Perramond. "This seconds hand is designed to serve as an indicator that although time has been suspended, it is in fact still running. It is also a means for us to show that one can indeed play with time and not take oneself too seriously." Available in a 38 mm diameter that is ideal for ladies' wrists, the Arceau Le Temps Suspendu 43mm equipped with a large retrograde date display now comes in two new versions: platinum and platinum set with baguette-cut diamonds.


    Finally, Luc Perramond emphasises the presence of two exceptional creations at this year's edition of Baselworld, and notably the Arceau Pocket Volutes which highlights the perfect sobriety of Grand Feu enamelling on the dial, the refinement of gold marquetry, and the meticulous precision of the hand engraving adorning the cover. A unique creation testifying to Hermes' determination to perpetuate traditional crafts.

  • Eberhard & Co - Official Timekeeper of the «Coppa delle Alpi»



    The event is a commemoration of the historic trophy created in 1921 and disputed until 1925, a regularity car race registered within the Motor Racing National Sporting Calendar of Brescia Automobile Club. Only prestigious collectors vintage cars, produced until 1971, can participate. This great winter CSAI (Italian Sports Car Commission) event, scheduled from Feb. 9 though Feb. 12, will be the first in the list of competitions sponsored by Eberhard & Co. in 2012. The Classic Team Eberhard, led by Corrado Corneliani and still elated by its recent success at the "Mille Miglia", means to participate with ambitious objectives.
    Eberhard & Co. will award a prestigious chronograph to the winning team.


    The Swiss Brand's connection with vintage car racing goes back to 1991, when Eberhard & Co. teamed up with the Gran Premio Nuvolari (Nuvolari Grand Prix), the historic competition launched in 1954 in honour of the great driver from Mantova. It was Eberhard's passion for cars that was celebrated with a watch collection dedicated to the "Mantovano Volante" ("Flying Mantovano"), the Tazio Nuvolari collection that includes iconic timepieces like the "Vanderbilt Cup" or the "Grand Prix" limited editions, all combining tradition in perfect harmony with modernity.
    Eberhard & Co. and the "Coppa delle Alpi": passion for motors and the sporting spirit coming together in a new adventure.

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