Rolex 26.00 mm Replica Watches, Copy Rolex 26.00 mm Watch

Rolex Datejust 36 Rolesor Oyster Mother of Pearl Roman (116203 Roman MOP)

I received this Rolex Datejust watch in good condition, it's really a great deal, thanks!

---- [Rating: 5 / 5 stars]

Review by Debora E, From United States Wickliffe

Rolex Explorer II Superluminova (16570 White Superluminova)

analog face works very well in complete darkness, although it is bright enough to give away your position (if that is a concern)... time more visible in dark than in light due to the camo face

---- [Rating: 5 / 5 stars]

Review by LaTosha Warden, From United States Astoria

Rolex Datejust Silver Automatic Stainless Steel and 18K Yellow Gold Men's 116203SCAJ

The quality and appeal of this Rolex Datejust Silver Automatic Stainless Steel and 18K Yellow Gold Men's 116203SCAJ watch is totaly extraordinarylots of compliments to my pleasure.

---- [Rating: 5 / 5 stars]

Review by Linda Corcoran, From United States Upland

The boutique was open for three months ending on September 1, in time to take advantage of the summer tourist season. In a crisp decor bathing in the signature black and white colors of Coco Chanel, the boutique showcased some of the house's iconic models, immortalized by the talents of the photographer Patrick Demarchelier who shot Chanel's most recent publicity campaign titled "L'Instant Chanel."

The boutique offered museum visitors, on their way to see Leonardo da Vinci's Mona Lisa, a chance to admire Chanel's new J12-365, the new Premiere with its triple row bracelet, and the J12 Blue Light, a version of the J12 in white "hi-tech" ceramic and luminescent blue numerals.

"The idea of the pop-up store was a reference to 1987 when we first opened a boutique dedicated to watches on Avenue Montaigne that launched a new era in watchmaking for Chanel," said Nicolas Beau, international director of Chanel Horlogerie. "Our goal has always been to make beautiful watches where mechanics are at the service of aesthetics," Mr. Beau said.

For a brand that places a high value on creativity and aesthetics, the enclosure of Musee du Louvre, one of France's most revered cultural venues, offers the means to combine the experience of a luxury boutique with that of an art museum. For Chanel, it is a means to intimate the association between luxury and cultural heritage, inscribing its luxury products in the long-term tradition of culture.

"The appeal of Chanel's products is their lasting appeal," Mr. Beau explained.  "The Chanel no. 5 perfume has been around since 1921. It is not a trend-based product. The same is true of the little black dress and the quilted Chanel bag."

The relationship to art allows luxury products to acquire the characteristics of art by association, including uniqueness, legitimacy and permanence. "Chanel makes products that last and remain desirable," Mr. Beau said. "Few luxury brands have a portfolio of products with an endless lifetime. That is what lives in the Chanel name and was invented by Gabriel Chanel."

Over the years, Chanel has experimented with the idea of connecting art to its luxury products. In 2008, for instance, it commissioned the Mobile Art Pavilion, a 700-square meter futuristic structure designed by the Pritzker-award winning architect, Zaha Hadid, filled with works commissioned from 20 international contemporary artists asked to interpret the brand's iconic quilted 2.55 handbag, the black, stitched-leather purse designed by Coco Chanel in 1955.

Establishing a presence, ephemeral or not, in close proximity to the Louvre, a prime international cultural destination, also enables luxury brands to benefit from the rising trend in cultural tourism.

Last year, the Louvre welcomed 9.3 million visitors making it not just the most visited attraction in Paris, but also the most visited museum in the world, ahead of the British Museum in London (with 6.7 million visitors) and the Metropolitan Museum in New York (with 6.3 million visitors), according to figures published last April by the Art Newspaper.  

According to Paolo de Cesare, Le Printemps's president, a luxury goods department in the commercial area of the museum enables tourists to satisfy their two principal reasons for being there, luxury shopping and culture.  

The Louvre expects attendance numbers to rise by 30 percent over the next decade, forecasting some 12 million visitors by 2025. Le Printemps du Louvre estimates its revenues to top €20 million this year alone.

 A number of high-end watch brands including Chopard, Rolex, Montblanc, Hermes and Parmigiani are already present in the Carrousel du Louvre. With the 2014 edition of the Salon des Belles Montres set to take place in the same venue next November, the list is likely to grow.

Thomas Perazzi joins Sotheby's from his position as specialist at an auction house specialising in horology. Mr. Perazzi began his career in the industry in 2006, further developing his b interest in Omega and Rolex watches as well as vintage wristwatches made between 1940 and 1970. Mr. Perazzi will strengthen Sotheby's existing team in Europe with his solid expertise and b relations to Italy, a key centre in the watch auction market in Europe.
Commenting on Thomas Perazzi's appointment, Marc Michel-Amadry, Managing Director, Sotheby's Switzerland said: "I am delighted to announce the appointment of Thomas Perrazi as Deputy Director of Sotheby's European Watch Department. Thomas brings to Sotheby's outstanding expertise as well as a thorough understanding of the auction business and the Italian market. His appointment will enhance the company's ability to ensure the best service to watch collectors".
Geoffroy Ader, Head of Watches, Sotheby's Europe, added: "Through his deep knowledge of the vintage and modern wristwatches, Thomas Perazzi will reinforce our existing team in Europe" .
Another b addition to Sotheby's global watch team, Charles Tearle, appointed Director, Head of Watches, Asia, will be based in Hong Kong, working closely with Tim Bourne, Worldwide Head of Watches, as well as an international team of specialists, in driving Sotheby's business in auctions and private sales of watches in Asia.
Together, Mr. Tearle and Mr. Perazzi will further strengthen Sotheby's watch business worldwide by working closely with the international team of watch specialists, reporting to Tim Bourne, Worldwide Head of Watches.

This new 18 ct yellow gold version is beautifully enhanced by a dazzling bezel set with 48 brilliant-cut diamonds. Its new champagne colour dial is adorned with eight diamonds and, at 6 and 9 o'clock, 18 ct yellow gold Arabic numerals are each set with 16 rubies. The deliciously whimsical personality of this DATEJUST LADY 31 with all its allure of fine jewellery is paired with the technical qualities proper to every OYSTER.

Distinguished and highly elegant, the Oyster Perpetual LADY-DATEJUST unveils a new facet of its enticing femininity. The 18 ct yellow gold case of this gem for all occasions is exalted by a new champagne colour dial on which a large VI set with 11 rubies delicately and discreetly underlines the precious character of the model. The fluted bezel, a Rolex signature aesthetic feature, reasserts the watch's place in the lineage of the DATEJUST, an emblematic Rolex model which became renowned for its style and horological performance from the moment of its launch in 1945.
Rolex yellow gold
The 18 ct yellow gold of the case and bracelet of these two models is alloyed by Rolex in its own foundry before being shaped in the brand's workshops. Its unique lustre is the result of the extreme care with which it is shaped, machined and finally polished.

The OYSTER case, symbol of waterproofness
The OYSTER case of these two models (31 and 26 mm respectively), guaranteed waterproof to a depth of 100 metres (330 feet), is a paragon of proportion and elegance. The characteristically shaped middle case is crafted from a solid block of 18 ct gold. The fluted case back is hermetically screwed down with a special tool exclusive to Rolex watchmakers. The winding crown, fitted with the patented TWINLOCK double waterproofness system, screws down securely against the case. The crystal, with a CYCLOPS lens at 3 o'clock for easy reading of the date, is made of virtually scratchproof synthetic sapphire. The waterproof OYSTER case allies refinement with efficiency in protecting the high-precision movement.
Calibre 2235, a superlative chronometer
The DATEJUST LADY 31 and the LADY-DATEJUST are equipped with calibre 2235, a self-winding mechanical movement entirely developed and manufactured by Rolex. Like all PERPETUAL movements, the 2235 is a certified Swiss chronometer, a designation reserved for high-precision watches that have successfully passed the Swiss Official Chronometer Testing Institute (COSC) tests. Its architecture, like that of all Oyster watch movements, makes it singularly precise and reliable.

Comfort, elegance and prestige of the OYSTER and PRESIDENT bracelets
The DATEJUST LADY 31 is fitted with an 18 ct yellow gold OYSTER bracelet with a concealed folding CROWNCLASP. Developed and patented by Rolex, this elegant solid-link bracelet offers remarkable comfort and ease of use. The LADY-DATEJUST model is fitted with an 18 ct yellow gold PRESIDENT bracelet with a concealed folding CROWNCLASP. This prestigious and elegant bracelet with solid semi-circular links is uniquely comfortable to wear and contributes fully to the aesthetics of the watch.

WORLDTEMPUS - 25 August 2011

Spending several days in Monterey, California, is in and of itself a treat that is only enhanced by the several hundred vintage cars to be seen at one of the world's most amazing tracks and on the eighteenth fairway at the legendary Pebble Beach golf course. The Rolex Monterey Motorsports Reunion this past weekend was an incredible experience for Rolex retailers and press -- not to mention for enthusiastic spectators and drivers from around the world. This premier historic automobile racing event brings together hundreds of the finest cars in multiple classes on a 2.238-mile course that is famed for "The Corkscrew" with its challenging five-story, 300-foot elevation drop and eleven turns.

 
550 machines
This year more than 550 exquisitely maintained machines converged on the track in seventeen different Rolex Race Groups that competed throughout a two-day period. While the overall Rolex Award of Excellence went to Terry Larson of Arizona, who personally raced two of his three Jaguars, any number of other awards could have been given out this weekend for sportsmanship, cars and camaraderie. Indeed, it was an amazing event, with participants from more 27 of the United States, and fourteen different countries coming together. All participants in the pits and the drivers' lounge were friendly and congenial, including drivers and owners of celebrity status, even Brian Johnson of AC/DC (car owner and racer), Sir Sterling Moss, Derek Bell, Dario Franchitti, Martin Brundle, and others who were present.

Enjoying the festivities
Races of particular interest included the Jaguar Invitation class, with more than a dozen E-Types racing, and the Ferrari GTO (Gran Turismo Omologato) class with thirteen of these venerable historic cars built between 1962 and 1964, with some valued at up to $30 million each. Rolex, the long-time sponsor of the event, had a tent with watches on display. The Rolex signage around the entire Mazda Laguna Seca Raceway was so prevalent that one was hard-pressed not to know who sponsored the August 19-21 event. Still, Rolex executives remained fairly elusive throughout the weekend, keeping fairly low-key and in the background, with the primary goal being simply to enjoy the festivities with retailers.

Best show winner car
Joining Rolex at the 61st Pebble Beach Concours d' Elegance, we experienced one of the most legendary and competitive automobile shows in the world, with owners are invited to participate. Held on the famed eighteenth fairway of Pebble Beach Golf Links, this event is filled with hundreds of the world's finest fully restored or perfectly preserved automobiles, including rare models from Bentley, Rolls Royce, Duesenberg, Rambler, Plymouth, Talbot, Hudson, Renault, Porsche, Jaguar, Packard, Ferrari, and many more -- including a 1953 Bosley Mark 1 G/T Coupe, a 1950 Delahaye and a 1916 prewar preserved Winton Model 33 Touring. This year there was a special exhibition of Stutz, which celebrates its 100th anniversary. The Best of Show Winner was a 1934 Voisin C-25 Aerodyne owned by Peter Mullin, who owns many vintage autos. In all, the luxurious weekend with Rolex and vintage automobiles was inspiring and timelessly elegant.

The new Oyster Perpetual Lady-Datejust in yellow or white ROLESOR exudes elegance and distinction. A harmonious marriage of colours and materials, this redesigned classic celebrates the timeless beauty of Rolex precision. The moment is precious, the future full of promise.

The infinite poetry of gold crystals
The GOLD CRYSTALS dial of the new Lady-Datejust is an exquisite homage to femininity. Obtained using an exclusive process that magnifies the natural crystal structure of the gold, it captures the light and gleams in an extraordinary play of glistening reflections. Infinite poetry, an invitation to dream. As if by magic, the crystals of the noble metal are revealed in all their splendour, creating incomparable depth that delights the eye. On one particular version of this model, the Rolex JUBILe motif appears in a secret and mysterious filigree, a door opening onto the imaginary. Each GOLD CRYSTALS dial is a work of art in itself, as unique as the lady who wears it.

Sublime in its delicate design, the version with the ivory coloured dial with a "sunbeam" guilloche pattern enchants with its clean lines, its extreme finesse, its infinite charm.

The elegance of diamonds
All the dials of this new interpretation of the Oyster Perpetual Lady-Datejust are graced with 10 diamonds which add to the originality and the subtle radiance of the watch face.

Entirely gem-set, the bezel brings yet another touch of luxury and elegance. Its 46 brilliant-cut diamonds sparkle like so many invaluable treasures which, at each reading of the time, remind us of their timeless splendour.

A hymn to femininity
Feminine down to the last detail, an ode to charm and romanticism, the new Oyster Perpetual Lady-Datejust embodies absolute grace. It is nonetheless, like all Oyster watches, a waterproof chronometer equipped with a PERPETUAL rotor self-winding mechanical movement. To wear this gem of a watch is to live every moment intensely with the promise of a radiant future.

26th October 2009

In the world of watch collecting there are two definitive categories: the vintage watches, typically described as those older than 20 years, and the modern watches, those that are within the first decade of their life.
Sitting between vintage and modern exists a small group of collectible "neo-vintage" watches that hover around the 15-20 year mark. It is around this age that collectors first start to identify the pieces that will one day become classics. It was in the late 1980s, just short of twenty years after its release, that a Rolex Cosmograph with peculiar registers started to gain momentum as a collectable. Now the Paul Newman Daytona sits atop the world of valuable and collectable sport watches.  
The values of Newman Daytonas today range from $30,000 all the way up to $100,000 depending on reference number, condition, and color scheme. We tend to think that we know all there is to know about this particular piece, and so values are easily obtained.
What about today's neo-vintage collectibles though? The ones that are just now coming into the spotlight as the rare birds and grail watches of future generations. Just what are they, why are they poised to climb, and why do we know so little about them?

Let's take one of the few neo-vintage that has already raised a few eyebrows, although it remains relatively under the radar except with a few die-hard collectors; the Rolex Explorer I "Blackout". Since the Explorer's inception over 50 years ago, the vast majority have been made with a black face and white markers, whether applied or painted on the dial itself. For what some experts claim is as little as 6 months, Rolex introduced an instance of the Explorer where the infamous 3, 6, and 9 were actually filled with black instead of white.  
Originally thought to exist only in E serial numbers and with silver print on the dial, we now know that the production also included later X serial Explorers with white print on the dial. The Blackout Rolexes are rare, certainly, in fact some call it the rarest sapphire crystal Rolex to date. What is not so certain is the value of this neo-vintage oddity.
One year ago, in October of 2008, Antiquorum recorded a sale of a Rolex Reference 14270 Blackout at $12,000 US. Five months later, in Antiquorum's March 2009 auction, one sold for just over $5000, and after another five months, one sold again at just above $5000 via Antiquorum. Economic conditions aside, that is a dramatic decrease in value of a rare watch in one year's time. But did the value really decrease?

While impossible to dispute that these watches did sell for less than half of the price of less than a year ago, many sellers continue to believe the Blackout is worth close to, if not well into five figures. Running a quick scan of dealers around the world, the price range of these Rolex Blackouts is astonishing. From as low as $4500 from private sellers (watch alone) to as high as $16,000 from well known European dealers (NOS, Box & Papers), we were able to track down five Blackout Explorers, in excellent or mint condition, with boxes and papers, with an average price of $10,800. Over $10,000 for a Rolex Explorer I from the 1990s, we must be crazy.  Or are we?
Charles Tearle, a Director at Antiquorum USA says "In recent years we have seen transitional variations that exist in relatively modern wristwatches, such as the Rolex Explorer I "Blackout", matte dial submariners, and the transitional IWC big pilots, have speculative presence on the secondary market." But does this mean that these models are worth up to three to four times what a traditional model sells for? Things are still unclear; Tearle adds "relatively little is known about quantities produced, but as we learn more, I believe the market value of these transitional pieces will become more definitive."
While the debate over the value of these rare Rolex "Blackouts" will likely continue on, this raises a much larger issue. How are we to assess the value neo-vintage watches if experts can't seem to agree and with such a dramatic variance in auction prices? Or, maybe this isn't an issue at all, but rather one of the reasons that watch collecting continues to gain momentum as a global passion.  The question now becomes, we know the Rolex Blackout Explorer is something special, but what else is out there and when will we realize it?