Fake Omega Stainless steel, Swiss Replica Omega Stainless steel

Omega Speedmaster Professional Moonwatch Apollo XVII Last Man (3574.51.00)

I love jasper and the colr is so natural- the design is so well-thought out. It's comfortable on the arm and very stylish.

---- [Rating: 5 / 5 stars]

Review by Don Honeycutt, From Netherlands Mijdrecht

Omega LadyMatic Co-Axial 34 mm (425.63.34.20.55.001)

The look is beautiful, I get alot of compliments. However, the stones do fall off, as I suspect any other jewelry of average quality with stones would too.

---- [Rating: 5 / 5 stars]

Review by VALERIE SOLLARS, From USA Hagerstown - Md

Omega De Ville Co-Axial (431.13.41.21.02.001)

Great gift for our recent graduate, who is planning to study engineering in college. Fun and clever, with an overtone of seriousness.

---- [Rating: 5 / 5 stars]

Review by anita goodman, From Portugal Valongo Do Vouga

, the ultimate Moon Watch experience
This work had been creating quite a stir in the profession, as it was eagerly anticipated for months as the ultimate reference on the Speedmaster, for collectors and by collectors alike. The result is far beyond expectations, with 500 tightly packed pages including more than 1000 full-colour illustrations. It contains everything - and we mean literally everything - about the Speedmaster from 1969 to the present. In it, the two authors analyse the odyssey - both in outer space and on Earth - of a watch that has traversed both centuries and the skies.

Requiring several years of research, is both technical and good-looking, referencing thousands of notes, entries and details for those with the greatest passion for this model. To date, this is the most complete work on Omega's flagship creation. And there won't be anything like it for a long time to come.

The umpteenth work on the brand with a crown, the uncontested ruler of watchmaking, and the international standard-bearer for Switzerland abroad? Sure, but this one's for everyone, and that's what really makes the difference. After a great many books investigating the tiniest variations in the dial fonts, characters and movements of each model, which were essentially designed to keep informed collectors happy, is presented as a synthesis that is accessible to all. From flagship models to the history of the brand, from its founding family via its most famous ambassadors, this veritable coffee-table book will be read over and over again with the same sense of pleasure thanks to a flowing writing style that is easy to grasp by the widest possible audience. 

A few months ago, Girard-Perregaux developed a new campaign entitled "New Faces of Time". The concept was to place the watchmaker (rather than the product) centre-stage. The brand nevertheless went a step further: Girard-Perregaux wanted this particular stage to be both international and unexpected, with photos taken in front of the Eiffel Tower, the Great Wall of China, Times Square, etc. And to crown it all, Girard-Perregaux did not opt for the classic, cliched image of the grey-haired, experienced watchmaker, but instead for young talents bursting with life, all of whom have opted to work in this watchmaking establishment based in La Chaux-de-Fonds. The book titled offers a series of stories and images from of its "Young Watch Masters Tour", providing a fascinating account of their personal passions, along with incredible photos. Not to mention the not-to-be-missed 'making of' these campaigns, in which we can see that dropping off a watchmaker at his mountain workbench at an altitude of 2000 metres was no small feat. A work that is original, constructive and fun, about what is probably one of the best watchmaking campaigns in the past few years. 

It's a piece of metal found at the bottom of the sea a century ago. Later, much later, this object was named the ", an astro-horological creation that was ahead of its time by several millennia. Recomposed thanks to new technologies and Hublot's input in particular, the Machine and its history are from an era which unleashed the scientific and diving communities as well as governments in its wake. It was probably one of the greatest discoveries of all time in astronomy and watchmaking. This book, written by a Greek journalist, combines unpublished photos of the discovery, direct witness accounts from the key players and the historical background of a unique, exceptional artefact. 

This richly illustrated, 475-page work, relates the 60-year history of modern scuba diving and the evolution of Blancpain's famous dive watches, the Fifty Fathoms. The different chapters present 24 adventurers who played a pioneering role in oceanographic exploration, such as Hans Haas, Jacques-Yves Cousteau and Stan Waterman. The book includes more than 600 photographs, a timeline marking the important milestones of this era, as well as a glossary. And for keen collectors, a hand-numbered copy will be given to everyone who purchases an Ocean Commitment Bathyscaphe Flyback Chronograph, a 250-piece limited edition. 

(From noon to midnight - The Master Watchmakers)
Why is there no reference work on Freemason watchmaking? This discreet, almost secret milieu, prefers being in the background to the limelight. Nevertheless, the knowledge accumulated by the different lodges led their watchmaker members to create exceptional timepieces. Amongst these pieces known only to the select few, one finds symbols clearly marked on the dial as well as subtle details on the movements, both of which are the secret signatures of the Freemasons. This watchmaking tradition blossomed in total secrecy over centuries. Didier Gottardini and Emmanuel Lecugy have brought together hundreds of examples, the vast majority of which have never been photographed. An incredibly rich work, which deals with one of the least known areas in watchmaking. 

ORDER Any of the above books from watchprint^*

Les Ambassadeurs - Magazine No 5

In spring 2009 at Baselworld, attentive observers noted that the face of fine watchmaking was no longer uniformly circular. The vast majority of round dials was joined by a few amazing UFOs offering masterful variations on the theme of linear time read-off. From the incredible CC1 by Urwerk to Opus IX by Harry Winston and Eric Giroud, along with the splendid Meccanico dG by de Grisogono, Swiss watchmaking suddenly seemed eager to break free of its hands and circular dials in order to prove that sophisticated mechanical horology was not inextricably entwined with a cyclical perception of time.
All of which raises the fundamental question our own relationship with time.

Let's start by ignoring the issue of the nature of time. Neither scientists nor philosophers have ever been able to define it other than in reference to themselves or to a beginning and an end - the limits of which vary with each new discovery. The perception of time is a personal, cultural and historical matter. There are two major schools of thought in this area: that of time as a cyclical phenomenon, and that of linear time.
Any observation of nature spontaneously suggests a cyclical vision of time. The earth spins on its axis and around the sun with absolute regularity. Once this time has been subdivided into precise units, our entire short-term temporal world can be measured. The immutably regular cycle of seasons dictates the periods of activity and rest, of seedtime and harvest. The visible world can be summed up within this endlessly accurate and reassuring process of constant renewal.
Horology was born from this vision of the world and thus naturally adopted the circle as its fundamental element. The figure 12 that dominates all dials is at once and in turn the beginning and the end, the Alpha and the Omega. This mechanical rhythm of the hours can be extrapolated to define all the various subdivisions, providing the cadence of the movements enables such measurements.
However, when it comes to defining a perpetual calendar, things are not quite so simple. Despite watchmakers' impressive ingenuity, no existing mechanism appears capable of offering a guarantee of precision extending beyond a few hundred years without any maintenance or adjustment. Is that a question of human incompetence? Definitely not! So let's get back to cyclical time. As soon as we need to move beyond measuring the time the Earth takes to move around the Sun, we are forced to resort to an arbitrary measurement.

While the latter varies according to our culture and our religion, there is nothing at all cyclical about it. We thereby enter the world of linear time. By way of example, this article is written in the year 2009 AD, which means the year 1430 of the Hegira, or Muslim calendar, and the year 5769 of the Jewish calendar. Given the high degree of probability that the events on which these calendars were founded are not reproduced at regular intervals, this means that measurement of our long-term time is in fact linear.
Perhaps you have also noticed that combining a cyclical hour with a linear date results in a necessarily linear combination. Does that mean we must definitively conclude that the flow of time is linear and not cyclical? This is a fundamental question that has fascinated the world's greatest thinkers, from the Greek stoics through to Nietzsche, as well as Pythagoras, Kant and Schopenhauer. And none of them have come up with any conclusive answer!
Religions have enabled humankind to look beyond the units of measurements provided by the sky above them, but have also fixed a beginning and in some cases an end that restricted their horizons. Galileo and Newton pointed out the limits of these theoretical constructions, yet without finding a more global cycle that would encompass previous ones. In 1927, Monsignor Georges Edouard Lemaître provided the world with a whole new paradigm thanks to the Big Bang, which pushed the Alpha of the universe back in time by a massive 14 billion years. Other researchers subsequently came up with an Omega in the form of the Big Crunch, forecast to occur in around 50 billion years' time. All of which provides material on which to build a new linear calendar, but still no means of defining a new cycle summing up the others and anchoring our vision of the world in a lasting and reassuring reality.

Just as an ant is incapable of grasping the round nature of the earth, we will probably never know whether the cycles of our solar system are part of the cycles of our universe as a whole, and whether the cycles of our universe are themselves incorporated within other realities that elude us and always will.
Whatever our level of knowledge, our time will always be subject to a superior linear factor that we must build - a daunting enterprise on the scale of our capacities for thought, but one that is of little importance in our daily lives.
So the regular cycle of the hands on the dials of our mechanical watches will continue to reassure us for many years to come, enabling us to enjoy the illusion that life is an endless circle in which absolutely anything can happen at any moment. And we will therefore be relieved to note that the linear displays provided by contemporary horology are all founded, without exception, on a mechanical base that is quite naturally… cyclical.