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Top Quality Omega Automatic Watches (1428) Items
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  • Christmas gift guide - Watchmaking books to go under the tree

    , the ultimate Moon Watch experience
    This work had been creating quite a stir in the profession, as it was eagerly anticipated for months as the ultimate reference on the Speedmaster, for collectors and by collectors alike. The result is far beyond expectations, with 500 tightly packed pages including more than 1000 full-colour illustrations. It contains everything - and we mean literally everything - about the Speedmaster from 1969 to the present. In it, the two authors analyse the odyssey - both in outer space and on Earth - of a watch that has traversed both centuries and the skies.

    Requiring several years of research, is both technical and good-looking, referencing thousands of notes, entries and details for those with the greatest passion for this model. To date, this is the most complete work on Omega's flagship creation. And there won't be anything like it for a long time to come.


    The umpteenth work on the brand with a crown, the uncontested ruler of watchmaking, and the international standard-bearer for Switzerland abroad? Sure, but this one's for everyone, and that's what really makes the difference. After a great many books investigating the tiniest variations in the dial fonts, characters and movements of each model, which were essentially designed to keep informed collectors happy, is presented as a synthesis that is accessible to all. From flagship models to the history of the brand, from its founding family via its most famous ambassadors, this veritable coffee-table book will be read over and over again with the same sense of pleasure thanks to a flowing writing style that is easy to grasp by the widest possible audience. 


    A few months ago, Girard-Perregaux developed a new campaign entitled "New Faces of Time". The concept was to place the watchmaker (rather than the product) centre-stage. The brand nevertheless went a step further: Girard-Perregaux wanted this particular stage to be both international and unexpected, with photos taken in front of the Eiffel Tower, the Great Wall of China, Times Square, etc. And to crown it all, Girard-Perregaux did not opt for the classic, cliched image of the grey-haired, experienced watchmaker, but instead for young talents bursting with life, all of whom have opted to work in this watchmaking establishment based in La Chaux-de-Fonds. The book titled offers a series of stories and images from of its "Young Watch Masters Tour", providing a fascinating account of their personal passions, along with incredible photos. Not to mention the not-to-be-missed 'making of' these campaigns, in which we can see that dropping off a watchmaker at his mountain workbench at an altitude of 2000 metres was no small feat. A work that is original, constructive and fun, about what is probably one of the best watchmaking campaigns in the past few years. 


    It's a piece of metal found at the bottom of the sea a century ago. Later, much later, this object was named the ", an astro-horological creation that was ahead of its time by several millennia. Recomposed thanks to new technologies and Hublot's input in particular, the Machine and its history are from an era which unleashed the scientific and diving communities as well as governments in its wake. It was probably one of the greatest discoveries of all time in astronomy and watchmaking. This book, written by a Greek journalist, combines unpublished photos of the discovery, direct witness accounts from the key players and the historical background of a unique, exceptional artefact. 


    This richly illustrated, 475-page work, relates the 60-year history of modern scuba diving and the evolution of Blancpain's famous dive watches, the Fifty Fathoms. The different chapters present 24 adventurers who played a pioneering role in oceanographic exploration, such as Hans Haas, Jacques-Yves Cousteau and Stan Waterman. The book includes more than 600 photographs, a timeline marking the important milestones of this era, as well as a glossary. And for keen collectors, a hand-numbered copy will be given to everyone who purchases an Ocean Commitment Bathyscaphe Flyback Chronograph, a 250-piece limited edition. 

    (From noon to midnight - The Master Watchmakers)
    Why is there no reference work on Freemason watchmaking? This discreet, almost secret milieu, prefers being in the background to the limelight. Nevertheless, the knowledge accumulated by the different lodges led their watchmaker members to create exceptional timepieces. Amongst these pieces known only to the select few, one finds symbols clearly marked on the dial as well as subtle details on the movements, both of which are the secret signatures of the Freemasons. This watchmaking tradition blossomed in total secrecy over centuries. Didier Gottardini and Emmanuel Lecugy have brought together hundreds of examples, the vast majority of which have never been photographed. An incredibly rich work, which deals with one of the least known areas in watchmaking. 

    ORDER Any of the above books from watchprint*

  • Geneva Watchmaking Grand Prix - Time for jewellery

    The Geneva Watchmaking Grand Prix Jewellery category comprises 16 watches, which are intended for women, the sole exception being the Diamond Resilience by Speake-Marin - of which the understated charm in comparison with the other competitors, along with the 42 mm diameter, make it entirely suitable for a man's wrist.

    When the priority is firmly placed on the jewellery nature of a model, with an abundance of precious materials and stones, as well as gem-setting expertise, watchmaking is naturally relegated to a background role. Only four of the 16 watches in the Jewellery category house a mechanical movement (Hermes, Speake-Marin, Omega and Champs-Elysees) and all except two (Omega and Speake-Marin) display only the hours and minutes. So for now let's forget about horological techniques and complications, and allow ourselves to be borne on the wings of a jewellery dream.

    Vivid colours
    While diamonds are the undisputed stars on the jewellery watch scene, some of the creations in this category are graced with resplendent colours. Such is very much the case with the models in de Grisogono's Grappoli collection, of which the sparkling precious stones - orange or blue sapphires, emeralds and amethysts - are briolette-cut around the white gold case and undulate with each flick of the wrist. The dial and bezel are adorned with the same stones, but arranged in a snow setting, while the pearl-like beads of the galuchat strap lend an additional precious touch to the watch.

    The Hortensia secret watch by Chaumet unfurls the tender colours of a splendid bouquet of flowers sculpted in gold, opal and tourmaline, daintily concealing the natural white mother-of-pearl dial. A large pear-shaped pink tourmaline prolongs this delightful garden on the 6 o'clock lug of the pink satin strap.


    The black and white dial of the Arceau Temari model by Hermes - echoing the ancestral Japanese folk art "balls" known as temari - is created by a traditional gem-set pattern of diamonds and onyx marquetry, while the white gold case is graced with a snow setting of 700 diamonds that renders each piece truly unique. The watch houses the Manufacture Hermes H1912 movement, of which the mainplate is graced with circular-grained and snailed finishes, while the bridges and the oscillating weight are satin-brushed and engraved with the H for Hermes.

    A flurry of diamonds
    The models presented by Boucheron, Chanel, DeLaneau and Louis Vuitton focus entirely on diamonds, at the expense of any other precious stones, while showcasing resolutely different designs and case shapes. The rectangular case typical of Boucheron, along with the bezel, dial and bracelet of the Reflet Pompon watch, are entirely set with round and baguette-cut diamonds. The couture-inspired detachable pompon (tassle) that may be worn as a pendant undulates like a supple fabric - in this instance replaced by a diamond pave setting.


    At Chanel, Mademoiselle Gabrielle's famous lion is back with a roar, taking pride of place on the spectacular Lion Mosaïque watch in white gold and diamonds. The bracelet of this model takes the form of an imposing lion's head in three-quarter profile that looms larger than the watch case itself. This creation is inspired by Byzantine mosaics, echoed in the geometrically-cut shapes of the variously sized diamonds.

    Each model in the Grace collection by DeLaneau is unique and the one competing in this year's Geneva Watchmaking Grand Prix is the Grace Pear Diamonds watch with its 48.48 carats of diamonds. The broad wraparound bracelet is composed of 352 cascading pear-shaped diamonds, rose-cut according to an ancestral technique. Emerging from the middle is a round white gold case topped by a bezel and framing a dial set with a total of 268 gems.


    The Dentelle de Monogram watch by Louis Vuitton exudes an extremely pure design with its dainty 30 mm white gold case and its riviere-style bracelet set with round diamonds. The shimmering mother-of-pearl dial picks up the Dentelle (lacework) motif of the eponymous jewellery collection and clothes it in diamonds.


    Faced with such a dazzling array of charms, the watchmaking experts of the Geneva Watchmaking Grand Prix will be able to rely on gemmologist and jeweller Claude Sfeir to help them decide between these stunning competitors.

  • Atelier Loiseau - Historical timepieces


    Renaissance
    Pocket Watch
    1981


    It is the fisrt pocket watch intergrating a Tourbillon and complications in the history. The Renaissance features the Hours, Minutes and Seconds (from the Tourbillon). It also is a Perpetual Calendar with all of its traditionnal information. Plus it proposes an automatic striking mechanism, the 12 zodiacal signs, the sunrise and sunset stars, the equation of time and a thermometer. The Renaissance is still today privately owned by the same familly who originally bought it.
    ______________________________________________________
    Capriccio - Piece No 2
    Pocket Watch
    1983


    The functions are the Hours, Minutes and Seconds (from the Tourbillon). Its hand winding movment perfectly fits the special shape of the case, inspired by a paintor's color palette. The power reserve is of 8 days. It is regulated by a tourbillon and a detent escapment.  The Capriccio is the property of the Omega museum.
    ______________________________________________________
    Montres des Sables - A Faces
    Pocket Watches
    1985


    The deserts' nomads inspired Dominique Loiseau for the creation of these 6 unique Montres des Sables (Watches of the sand). Every movement's flying Tourbillon is placed in the center of each watch. These pocket watches have pendant integrated in their case so that they look like stones on the desert.
    ______________________________________________________
    Rose des Temps
    Table Clock and automaton
    1983-84

     


    Unique Complication rebus table clock celebrating the arrival of the 3rd millenary. The timepiece is made of 16 modules all interchangeable between them and totalizing 32 functions. To name a few these functions are : Automatic Striking Mecanism, Minute Repeater, a 6 bells (gongs) Westminster Carillon, Perpetual Calendar, the sky in New-York, Sydney, Buenos Aires and Bern, the 4 seasons indicator, Year 2K automaton, a Chronometer, a Thermometer and of course Hours and Minutes.
    ______________________________________________________
    Cobra
    Pocket Watch
    1986-87


    Unique pocket watch. Besides the Hours, minutes and seconds (from the Tourbillon) it features a flying Tourbillon and a power reserve indicator.  The Cobra is privately owned.

  • Omega - Michael Phelps visits the Boutique in Shanghai



    Michael had the opportunity to visit the Omega Boutique at the Swatch Art Peace Hotel. Being one of the greatest swimmers in history, Michael got the chance to talk to some young Chinese swimming fans, who were all enthusiastic about meeting him.


    As to what time means to him, Michael said, "Time is of paramount importance to me. In swimming, a hundredth of a second can determine the result. That's why precise timing is critical to competitive swimming. Omega is visible everywhere I compete. It's just like having a family around when I'm travelling."
    He added, "Omega has offered unwavering support for a long time. I really think that being part of a company like this is extremely special. It's been amazing to have been an ambassador for so many years. I'm looking forward to sharing time with them this summer at the World Championships in Shanghai, and of course I'm looking ahead to the London 2012 Olympic Games."


    Omega is a company of the Swatch Group, the largest manufacturer and distributor of watches and jewellery in the world At the boutique, Michael also assumed a different role. In addition to autographing watch boxes containing the newly upgraded Seamaster Planet Ocean collection, the 14-time Olympic gold medalist, donned a white lab coat and a watchmaker's loupe. He was then joined by the children who were also outfitted in Omega lab coats and worked with them as they used precision horological hand tools to disassemble a watch movement. The next challenge was to put the Omega movement back together and Michael and the children applauded each other enthusiastically when they successfully completed this daunting task.
    The Swatch Art Peace Hotel where the Omega Boutique is located is directly on Shanghai's iconic Bund, is a historic landmark in Shanghai. It has been painstakingly renovated and now offers the same magnificent splendor that has defined it since it first opened its doors as the Palace Hotel in 1908.
    The FINA World Championships are taking place from July 16th to 31st at the Shanghai Oriental Sports Center. Omega wishes Michael Phelps every success in his upcoming competitions.

  • Reuge - New Boutique in Geneva

    Being a direct neighbour to world famous boutiques of Louis Vuitton, Omega, Van Cleef & Arpels, the distinguished customer may, since May 2nd, see, listen and feel some 50 handcrafted master-pieces in a space of 68 m2.

    Traditional music boxes, contemporary design objects, singing birds, personalized gifts - 150 years of traditional swiss craftsmanship are here to proof that this traditional manufacturer from the Swiss Jura has established itselfs at the top of individual luxury brands.

  • Collecting - Personal Holy Grails, Part 3


    WORLDTEMPUS - 25 June 2010

    I remember walking down Washington Street in downtown Boston, that city's "jewelry district," and seeing a white-dialed Breitling Premier shining under the lights in a shop. This was during my Hamilton period, and the $1,200 that they wanted for the watch was more than I could imagine spending at the time. I remember being impressed by how smoothly the chronograph pushers worked and how great the dial and case looked. I later enjoyed owning both the white and black dial versions of the Premier. I feel compelled to note that Breitling offered many interesting chronographs in the 1990s and early 2000s—such as the Spatiographe, which displays the elapsed minutes in digital format on a wheel, exactly the way most watches display the date except that it was the chronograph minutes that were displayed. The Montbrillant Eclipse and the Navitimer Twin Sixty are other models from the 1990s that are quite interesting and now rare.


    One of the most iconic watches of our generation is the Chronoswiss Opus. It was seeing this watch on the cover of Wristwatch Annual in 2000 that made me buy the book. I never did buy the watch, but that copy of Wristwatch Annual, which I perused so many times that the binding fell apart, really accelerated my watch collecting by exposing me to countless new brands and models. The Opus is aptly named and the watch could serve as a fine holy grail, though—amazingly—it is not priced like most other horological hall-of-famers. Note to self: buy the Chronoswiss Opus to celebrate writing my first articles for Worldtempus.com!
    Alain Silberstein offers singularly styled watches, almost always with interesting complications (like his Smileday, which allows you to display your mood with various emoticons in an aperture on the dial—long before "emoticons" was even a word). I love how he playfully blends all of the colors and uses curvy hands. The Alain Silberstein Krono Bauhaus with complete calendar was always on my radar, but, alas, never my wrist.


    Finally, my own personal mother of all gaps is the IWC Portuguese Automatic Chronograph in steel (reference 3714). I have probably tried it on 50 times and never pulled the trigger. This watch with silver dial and rose gold hands and markers is the best looking watch of all time. In my formative collecting years, I found it too difficult to choose between the black dial and silver dial…so I bought neither. I've gone on to own watches much more expensive, but none more beautiful than the Portuguese. Every time I see one, its beauty gives me pause. There must be some reason I never returned to fill that gap. Maybe, just maybe, that watch is my personal Alpha and Omega.
    In my estimation, it is a rare collector that has collected for any length of time and does not have similar gaps in his or her own collecting history. I invite you to look back over your own experience and spend a few minutes remembering the watches that you yearned for, but never owned. It's never too late. And if you have been collecting for a while, you may find that the watches that you regret never owning are now discontinued. This just makes filling in those old gaps more fun as you can look forward to some excellent adventures. Late-night detective work online is always fun, as are visits to local watch stores, flea markets, yard sales and maybe even travelling to watch shows: in pursuit, and hopefully conquest, of filling in those gaps. Good luck and good hunting.

  • Swatch Group - Decrease of 8.1%

    Following publication of sales figures on January 20, 2010, we now present the unaudited Group key figures. This advance information will be followed by the distribution and discussion of the detailed annual report at the press conference scheduled for March 11, 2010.
    •   Group gross sales of CHF 5 421 million, on comparable basis (excluding 2008 divestmentsof Sokymat and Michel) -6.3% at constant exchange rates and -8.1% in total lower than in the record year 2008.
    •   Watch segment sales with a decrease at constant rates of -5.5% largely outperform Swiss Watch Federation export sales (-22.3% in 2009), gaining market shares for the Group in practically all price segments and markets.
    •   Operating profit reaches CHF 903 million or 17.6% on net sales (versus 21.2% in 2008), with a very b performance in the second half-year (EBIT margin of over 20%) despite currency losses of CHF 105 million versus 2008.
    •   Net income amounts to CHF 763 million, -8.9% less than in 2008, with 14.8% of net sales exactly the same as in the previous year.
    •   Substantial equity of CHF 6 billion or 77.6% of total balance sheet (versus 75.3% in the prior year).
    •   Dividend 2009 proposed: CHF 0.80 per registered share and CHF 4.00 per bearer share.
    •   At the Annual General Meeting, the Board of Directors will propose reelection of its current members and in addition the election of Jean-Pierre Roth and Georges Nicolas Hayek as new Board members.
    •   A good start so far in 2010, January sales representing the second-best month of January in the history of the Group, with an excellent outlook for the Group for the rest of this year.
     



    Group Overview
     
    In a very challenging year 2009 with a worldwide recession, the Swatch Group recorded gross sales of CHF 5 421 million, a decrease of -6.3% on a comparable basis (at constant exchange rates and excluding 2008 divestments of Sokymat and Michel) compared to the record year 2008. This performance is substantially better than the export figures published by the Swiss Watch Federation (-22.3% in 2009), which means that the Group has once again increased its market shares in practically all price segments and markets. Foreign currencies negatively impacted sales by CHF 105 million or -1.8%, mainly in the second half of 2009. The month of December 2009 showed a very positive sales trend in the watch segment (+28.8% versus December 2008), with clear signs of market normalization.
     
    After a temporary setback in the first half of 2009, the Group's operating margin improved considerably in the second half year and achieved 17.6% (21.2% in 2008) for the full year. The main driving force was the watch segment, with a very convincing operating margin. Taking into account that foreign currencies as well as the gold price, an important raw material for the Group's watches, did not develop in our favor, this represents a very positive achievement. In addition, the Group preserved jobs for its employees, maintained b marketing activities and kept investment at a very high level.
     
    Net income decreased by 8.9% to CHF 763 million compared to CHF 838 million in the previous year, and, at 14.8%, the net margin remained at the same level as in 2008. The Group's balance sheet is still solid, with an improved equity ratio of 77.6% as at December 31, 2009 compared to 75.3% in the previous year, and also a much higher cash position. The average return on equity was a remarkable 13.3%.
     
    The Board of Directors of the Swatch Group will propose the following dividend for 2009 to the Annual General Meeting on May 12, 2010: CHF 0.80 per registered share and CHF 4.00 per bearer share. Furthermore, besides the planned reelection of the current Board members, Jean-Pierre Roth, former Chairman of the Governing Board of the Swiss National Bank, and Georges Nicolas Hayek, Group CEO, will be proposed for election as additional Board members at the Annual General Meeting.
     
    Outlook for 2010
    The Board of Directors and the Executive Group Management Board are very confident of achieving further organic sales growth and improved margins in 2010. The main reasons for this positive outlook are the excellent start in 2010, increasing order entries as well as the improving economic environment and market confidence worldwide. In addition, the Group's positioning in all market segments and its broad geographical presence represent important success factors in the watch industry. The solid balance sheet and the improved capability to generate cash flow will bring the Group in an even ber position than before the financial crisis.
    Omega's mission as official timekeeper at the Winter Olympics 2010 in Vancouver, starting at the end of this week, is one of many positive factors that will improve sales in 2010. Furthermore, the opening of the Swatch Art Peace Hotel mid 2010, during the World Exhibition in Shanghai, will represent another milestone for the Group. In order to gain further market share and strengthen its worldwide presence, the Group will also take advantage of interesting opportunities in the different markets.
     

  • Chronicle - Watchmakers' disappearing circle


    Les Ambassadeurs - Magazine No 5


    In spring 2009 at Baselworld, attentive observers noted that the face of fine watchmaking was no longer uniformly circular. The vast majority of round dials was joined by a few amazing UFOs offering masterful variations on the theme of linear time read-off. From the incredible CC1 by Urwerk to Opus IX by Harry Winston and Eric Giroud, along with the splendid Meccanico dG by de Grisogono, Swiss watchmaking suddenly seemed eager to break free of its hands and circular dials in order to prove that sophisticated mechanical horology was not inextricably entwined with a cyclical perception of time.
    All of which raises the fundamental question our own relationship with time.


    Let's start by ignoring the issue of the nature of time. Neither scientists nor philosophers have ever been able to define it other than in reference to themselves or to a beginning and an end - the limits of which vary with each new discovery. The perception of time is a personal, cultural and historical matter. There are two major schools of thought in this area: that of time as a cyclical phenomenon, and that of linear time.
    Any observation of nature spontaneously suggests a cyclical vision of time. The earth spins on its axis and around the sun with absolute regularity. Once this time has been subdivided into precise units, our entire short-term temporal world can be measured. The immutably regular cycle of seasons dictates the periods of activity and rest, of seedtime and harvest. The visible world can be summed up within this endlessly accurate and reassuring process of constant renewal.
    Horology was born from this vision of the world and thus naturally adopted the circle as its fundamental element. The figure 12 that dominates all dials is at once and in turn the beginning and the end, the Alpha and the Omega. This mechanical rhythm of the hours can be extrapolated to define all the various subdivisions, providing the cadence of the movements enables such measurements.
    However, when it comes to defining a perpetual calendar, things are not quite so simple. Despite watchmakers' impressive ingenuity, no existing mechanism appears capable of offering a guarantee of precision extending beyond a few hundred years without any maintenance or adjustment. Is that a question of human incompetence? Definitely not! So let's get back to cyclical time. As soon as we need to move beyond measuring the time the Earth takes to move around the Sun, we are forced to resort to an arbitrary measurement.


    While the latter varies according to our culture and our religion, there is nothing at all cyclical about it. We thereby enter the world of linear time. By way of example, this article is written in the year 2009 AD, which means the year 1430 of the Hegira, or Muslim calendar, and the year 5769 of the Jewish calendar. Given the high degree of probability that the events on which these calendars were founded are not reproduced at regular intervals, this means that measurement of our long-term time is in fact linear.
    Perhaps you have also noticed that combining a cyclical hour with a linear date results in a necessarily linear combination. Does that mean we must definitively conclude that the flow of time is linear and not cyclical? This is a fundamental question that has fascinated the world's greatest thinkers, from the Greek stoics through to Nietzsche, as well as Pythagoras, Kant and Schopenhauer. And none of them have come up with any conclusive answer!
    Religions have enabled humankind to look beyond the units of measurements provided by the sky above them, but have also fixed a beginning and in some cases an end that restricted their horizons. Galileo and Newton pointed out the limits of these theoretical constructions, yet without finding a more global cycle that would encompass previous ones. In 1927, Monsignor Georges Edouard Lemaître provided the world with a whole new paradigm thanks to the Big Bang, which pushed the Alpha of the universe back in time by a massive 14 billion years. Other researchers subsequently came up with an Omega in the form of the Big Crunch, forecast to occur in around 50 billion years' time. All of which provides material on which to build a new linear calendar, but still no means of defining a new cycle summing up the others and anchoring our vision of the world in a lasting and reassuring reality.

     


    Just as an ant is incapable of grasping the round nature of the earth, we will probably never know whether the cycles of our solar system are part of the cycles of our universe as a whole, and whether the cycles of our universe are themselves incorporated within other realities that elude us and always will.
    Whatever our level of knowledge, our time will always be subject to a superior linear factor that we must build - a daunting enterprise on the scale of our capacities for thought, but one that is of little importance in our daily lives.
    So the regular cycle of the hands on the dials of our mechanical watches will continue to reassure us for many years to come, enabling us to enjoy the illusion that life is an endless circle in which absolutely anything can happen at any moment. And we will therefore be relieved to note that the linear displays provided by contemporary horology are all founded, without exception, on a mechanical base that is quite naturally… cyclical.

  • Omega - Beauty enhanced by Liquidmetal


    October 9th 2009
    The Seamaster Planet Ocean Liquidmetal Limited Edition unveiled by Omega on Monday is the first model from the brand, and doubtless in the entire watch industry, to contain Liquidmetal. This alloy discovered by researchers at the Californian Institute of Technology is endowed with several distinctive physical properties that have enabled the creation of a bezel alternating satin-brushed zones for the numerals and the minute scale with a polished surface for the ceramic part. Having in the process been granted exclusive rights to the use of this metal in watchmaking, Omega presents a timepiece of which the aesthetic criteria set out in the technical specifications led to the use of an ultra high-tech material.


    Used to date in applications such as enhancing the flexibility of Head tennis rackets, the Liquidmetal is extremely different to classic metals. Amorphous rather than crystalline like most other metals, it has a 400°C melting point twice as high as titanium-based alloys, and is three times tougher than stainless steel. Nonetheless, Omega engineers have chosen it first and foremost for its malleability - a quality that enables even the smallest cavities to be perfectly filled thanks to the pressure of the alloy inside. This technology thus paved the way for the visually appealing alternation of metal parts with those made in ceramics and produced by Comadur - a sister company in the Swatch Group.
    After presenting last spring a Speedmaster model not yet available on the market but equipped with a split-second chronograph and a ceramic dial, Omega once again introduces a model with a decidedly high-tech face. The shimmering pure dial echoing the bezel lends the watch exceptional depth and intensity, while the attractive dial design strikes a fine balance between vintage spirit and avant-garde styling.
    The cogs of the in-house production process seems to be pretty well oiled, since the Seamaster Planet Ocean Liquid Limited Edition will be available by the end of the year in a series of 1948 - a nod to the launch date of the Seamaster collection. This relatively generous number is well over that of a "confidential" edition and doubtless heralds other forthcoming developments. The retail price is set at 4,800 Swiss francs excluding tax.

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Omega Automatic

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